{"id":964,"date":"2025-11-07T22:42:00","date_gmt":"2025-11-07T22:42:00","guid":{"rendered":"https:\/\/www.tegustamuchoelcine.com\/?p=964"},"modified":"2026-09-22T08:06:13","modified_gmt":"2026-09-22T08:06:13","slug":"el-festival-de-cine-margenes-anuncia-la-programacion-para-2025","status":"publish","type":"post","link":"https:\/\/www.tegustamuchoelcine.com\/2025\/11\/el-festival-de-cine-margenes-anuncia-la-programacion-para-2025.html","title":{"rendered":"El Festival de Cine M\u00e1rgenes anuncia la programaci\u00f3n para 2025"},"content":{"rendered":"<p><span style=\"font-family: times;\">&nbsp;<\/span><\/p>\n<div class=\"separator\" style=\"clear: both; text-align: center;\"><a href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEiOdZw5LLWbg44ZI9huGut1A_ZozhY_evvWp7BVMzh7FCvn_jKgRX-4kkqfYSgkPBc8QgA8ka9IiupHt8vJSNVbkoSAcTl7eBPycL-MwBiw4XFUs7zeojMlcScUZvrO6qh8Zxk1MXcKpwoixq6FMS7lFOXpXv8PR1eCRRIcIA5BqN5VmoeOWBHXL9hlnh4\/s663\/15a_festival_margenes.png\" style=\"margin-left: 1em; margin-right: 1em;\" target=\"_blank\" rel=\"noopener\"><span style=\"font-family: times;\"><img loading=\"lazy\" decoding=\"async\" border=\"0\" data-original-height=\"335\" data-original-width=\"663\" height=\"324\" src=\"https:\/\/www.tegustamuchoelcine.com\/wp-content\/uploads\/2025\/11\/15a_festival_margenes.png\" width=\"640\" \/><\/span><\/a><\/div>\n<\/p>\n<p data-end=\"675\" data-start=\"470\"><span style=\"font-family: times;\">El <strong data-end=\"709\" data-start=\"680\">Festival de Cine M\u00e1rgenes<\/strong> celebrar\u00e1 su <strong data-end=\"774\" data-start=\"723\">15\u00aa edici\u00f3n del 23 al 30 de noviembre en Madrid<\/strong>, reafirmando su compromiso con el <strong data-end=\"826\" data-start=\"809\">cine de autor<\/strong>, las <strong data-end=\"867\" data-start=\"832\">nuevas narrativas audiovisuales<\/strong> y los <strong data-end=\"900\" data-start=\"874\">formatos performativos<\/strong>. El certamen se consolida como un <strong data-end=\"997\" data-start=\"935\">punto de encuentro esencial del cine contempor\u00e1neo espa\u00f1ol<\/strong>, en di\u00e1logo continuo con la creaci\u00f3n internacional y la escena emergente madrile\u00f1a.<\/span><\/p>\n<p data-end=\"1081\" data-start=\"677\"><span style=\"font-family: times;\"><\/span><\/p>\n<p><!--more--><\/p>\n<h2 data-end=\"1148\" data-start=\"1088\"><strong data-end=\"1148\" data-start=\"1091\"><span style=\"font-family: times;\">Esc\u00e1ner: la pluralidad del cine contempor\u00e1neo espa\u00f1ol<\/span><\/strong><\/h2>\n<p data-end=\"1463\" data-start=\"1150\"><span style=\"font-family: times;\">La <strong data-end=\"1184\" data-start=\"1153\">competici\u00f3n estatal Esc\u00e1ner<\/strong> vuelve a poner el foco en el <strong data-end=\"1259\" data-start=\"1214\">cine independiente y experimental espa\u00f1ol<\/strong>, reuniendo tanto a nombres consolidados como a nuevas voces. Las obras comparten una mirada libre, sensorial y po\u00e9tica, que atraviesa territorios entre la ficci\u00f3n, el ensayo y la performance audiovisual.<\/span><\/p>\n<p data-end=\"1511\" data-start=\"1465\"><span style=\"font-family: times;\">Entre los t\u00edtulos seleccionados se encuentran:<\/span><\/p>\n<ul data-end=\"2568\" data-start=\"1513\">\n<li data-end=\"1577\" data-start=\"1513\">\n<p data-end=\"1577\" data-start=\"1515\"><span style=\"font-family: times;\"><strong data-end=\"1522\" data-start=\"1515\">10K<\/strong> \u2013 <em data-end=\"1547\" data-start=\"1525\">Gala Hern\u00e1ndez L\u00f3pez<\/em> (Espa\u00f1a-Francia, 2025, 32\u2019)<\/span><\/p>\n<\/li>\n<li data-end=\"1632\" data-start=\"1578\">\n<p data-end=\"1632\" data-start=\"1580\"><span style=\"font-family: times;\"><strong data-end=\"1593\" data-start=\"1580\">Above all<\/strong> \u2013 <em data-end=\"1610\" data-start=\"1596\">Enar de Dios<\/em> (Espa\u00f1a, 2025, 25\u2019)<\/span><\/p>\n<\/li>\n<li data-end=\"1692\" data-start=\"1633\">\n<p data-end=\"1692\" data-start=\"1635\"><span style=\"font-family: times;\"><strong data-end=\"1653\" data-start=\"1635\">Abortion Party<\/strong> \u2013 <em data-end=\"1670\" data-start=\"1656\">Julia Mellen<\/em> (Espa\u00f1a, 2025, 13\u2019)<\/span><\/p>\n<\/li>\n<li data-end=\"1772\" data-start=\"1693\">\n<p data-end=\"1772\" data-start=\"1695\"><span style=\"font-family: times;\"><strong data-end=\"1721\" data-start=\"1695\">Anoche conquist\u00e9 Tebas<\/strong> \u2013 <em data-end=\"1740\" data-start=\"1724\">Gabriel Azor\u00edn<\/em> (Espa\u00f1a-Portugal, 2025, 112\u2019)<\/span><\/p>\n<\/li>\n<li data-end=\"1823\" data-start=\"1773\">\n<p data-end=\"1823\" data-start=\"1775\"><span style=\"font-family: times;\"><strong data-end=\"1784\" data-start=\"1775\">Ariel<\/strong> \u2013 <em data-end=\"1800\" data-start=\"1787\">Lois Pati\u00f1o<\/em> (Espa\u00f1a, 2025, 108\u2019)<\/span><\/p>\n<\/li>\n<li data-end=\"1876\" data-start=\"1824\">\n<p data-end=\"1876\" data-start=\"1826\"><span style=\"font-family: times;\"><strong data-end=\"1838\" data-start=\"1826\">Balearic<\/strong> \u2013 <em data-end=\"1854\" data-start=\"1841\">Ion de Sosa<\/em> (Espa\u00f1a, 2025, 74\u2019)<\/span><\/p>\n<\/li>\n<li data-end=\"1939\" data-start=\"1877\">\n<p data-end=\"1939\" data-start=\"1879\"><span style=\"font-family: times;\"><strong data-end=\"1900\" data-start=\"1879\">Downriver a tiger<\/strong> \u2013 <em data-end=\"1917\" data-start=\"1903\">V\u00edctor Diago<\/em> (Espa\u00f1a, 2025, 75\u2019)<\/span><\/p>\n<\/li>\n<li data-end=\"1997\" data-start=\"1940\">\n<p data-end=\"1997\" data-start=\"1942\"><span style=\"font-family: times;\"><strong data-end=\"1958\" data-start=\"1942\">Furada negra<\/strong> \u2013 <em data-end=\"1975\" data-start=\"1961\">Berio Molina<\/em> (Espa\u00f1a, 2025, 23\u2019)<\/span><\/p>\n<\/li>\n<li data-end=\"2106\" data-start=\"1998\">\n<p data-end=\"2106\" data-start=\"2000\"><span style=\"font-family: times;\"><strong data-end=\"2051\" data-start=\"2000\">Instrucciones para cocinar un pollo bajo tierra<\/strong> \u2013 <em data-end=\"2084\" data-start=\"2054\">Olivia Delcan, Nacho S\u00e1nchez<\/em> (Espa\u00f1a, 2025, 28\u2019)<\/span><\/p>\n<\/li>\n<li data-end=\"2165\" data-start=\"2107\">\n<p data-end=\"2165\" data-start=\"2109\"><span style=\"font-family: times;\"><strong data-end=\"2119\" data-start=\"2109\">Lionel<\/strong> \u2013 <em data-end=\"2135\" data-start=\"2122\">Carlos Saiz<\/em> (Espa\u00f1a-Francia, 2025, 95\u2019)<\/span><\/p>\n<\/li>\n<li data-end=\"2217\" data-start=\"2166\">\n<p data-end=\"2217\" data-start=\"2168\"><span style=\"font-family: times;\"><strong data-end=\"2177\" data-start=\"2168\">Nayan<\/strong> \u2013 <em data-end=\"2195\" data-start=\"2180\">Carla Andrade<\/em> (Espa\u00f1a, 2025, 24\u2019)<\/span><\/p>\n<\/li>\n<li data-end=\"2293\" data-start=\"2218\">\n<p data-end=\"2293\" data-start=\"2220\"><span style=\"font-family: times;\"><strong data-end=\"2240\" data-start=\"2220\">Portuguese Youth<\/strong> \u2013 <em data-end=\"2271\" data-start=\"2243\">Andy Davies, Diego Postigo<\/em> (Espa\u00f1a, 2025, 12\u2019)<\/span><\/p>\n<\/li>\n<li data-end=\"2378\" data-start=\"2294\">\n<p data-end=\"2378\" data-start=\"2296\"><span style=\"font-family: times;\"><strong data-end=\"2317\" data-start=\"2296\">Sue\u00f1os de viernes<\/strong> \u2013 <em data-end=\"2356\" data-start=\"2320\">Colectivo Harrotu Ileak &amp; Zine\u2013Lab<\/em> (Espa\u00f1a, 2025, 14\u2019)<\/span><\/p>\n<\/li>\n<li data-end=\"2440\" data-start=\"2379\">\n<p data-end=\"2440\" data-start=\"2381\"><span style=\"font-family: times;\"><strong data-end=\"2400\" data-start=\"2381\">The other woman<\/strong> \u2013 <em data-end=\"2418\" data-start=\"2403\">Mar\u00eda Herrera<\/em> (Espa\u00f1a, 2025, 16\u2019)<\/span><\/p>\n<\/li>\n<li data-end=\"2517\" data-start=\"2441\">\n<p data-end=\"2517\" data-start=\"2443\"><span style=\"font-family: times;\"><strong data-end=\"2468\" data-start=\"2443\">Una pel\u00edcula de miedo<\/strong> \u2013 <em data-end=\"2486\" data-start=\"2471\">Sergio Oksman<\/em> (Espa\u00f1a-Portugal, 2025, 72\u2019)<\/span><\/p>\n<\/li>\n<li data-end=\"2568\" data-start=\"2518\">\n<p data-end=\"2568\" data-start=\"2520\"><span style=\"font-family: times;\"><strong data-end=\"2529\" data-start=\"2520\">Yrup\u0113<\/strong> \u2013 <em data-end=\"2546\" data-start=\"2532\">Candela Soto<\/em> (Espa\u00f1a, 2025, 80\u2019)<\/span><\/p>\n<\/li>\n<\/ul>\n<p data-end=\"2931\" data-start=\"2570\"><span style=\"font-family: times;\">Esta edici\u00f3n de Esc\u00e1ner propone un mapa del presente cinematogr\u00e1fico espa\u00f1ol, donde conviven formatos, duraciones y estilos dispares. Desde piezas breves y radicales como <em data-end=\"2755\" data-start=\"2741\">Furada negra<\/em>, <em data-end=\"2764\" data-start=\"2757\">Nayan<\/em> o <em data-end=\"2772\" data-start=\"2767\">10K<\/em>, hasta largometrajes como <em data-end=\"2818\" data-start=\"2799\">Downriver a Tiger<\/em> o <em data-end=\"2831\" data-start=\"2821\">Balearic<\/em>, el conjunto traza una panor\u00e1mica plural que revela el pulso y la vitalidad del cine contempor\u00e1neo.<\/span><\/p>\n<h2 data-end=\"2989\" data-start=\"2938\"><strong data-end=\"2989\" data-start=\"2941\"><span style=\"font-family: times;\">MRGente: nuevas voces y miradas desde Madrid<\/span><\/strong><\/h2>\n<p data-end=\"3246\" data-start=\"2991\"><span style=\"font-family: times;\">La secci\u00f3n <strong data-end=\"3013\" data-start=\"3002\">MRGente<\/strong> est\u00e1 dedicada al <strong data-end=\"3080\" data-start=\"3031\">talento joven vinculado a la ciudad de Madrid<\/strong>, donde convergen cineastas de distintas procedencias que comparten el deseo de explorar lo \u00edntimo, lo pol\u00edtico y lo po\u00e9tico desde lenguajes frescos y experimentales.<\/span><\/p>\n<p data-end=\"3294\" data-start=\"3248\"><span style=\"font-family: times;\">Las obras seleccionadas para esta edici\u00f3n son:<\/span><\/p>\n<ul data-end=\"4359\" data-start=\"3296\">\n<li data-end=\"3383\" data-start=\"3296\">\n<p data-end=\"3383\" data-start=\"3298\"><span style=\"font-family: times;\"><strong data-end=\"3320\" data-start=\"3298\">Bailar en silencio<\/strong> \u2013 <em data-end=\"3370\" data-start=\"3323\">Sergio Arilla, Mart\u00edn Espinosa y Fabio Mart\u00edn<\/em> (2025, 7\u2019)<\/span><\/p>\n<\/li>\n<li data-end=\"3441\" data-start=\"3384\">\n<p data-end=\"3441\" data-start=\"3386\"><span style=\"font-family: times;\"><strong data-end=\"3408\" data-start=\"3386\">Buitres (Vultures)<\/strong> \u2013 <em data-end=\"3427\" data-start=\"3411\">Santi Alvarado<\/em> (2025, 16\u2019)<\/span><\/p>\n<\/li>\n<li data-end=\"3508\" data-start=\"3442\">\n<p data-end=\"3508\" data-start=\"3444\"><span style=\"font-family: times;\"><strong data-end=\"3465\" data-start=\"3444\">Desayuno con Lara<\/strong> \u2013 <em data-end=\"3491\" data-start=\"3468\">Claudia de la Iglesia<\/em> (2025, 3\u201951\u2019\u2019)<\/span><\/p>\n<\/li>\n<li data-end=\"3556\" data-start=\"3509\">\n<p data-end=\"3556\" data-start=\"3511\"><span style=\"font-family: times;\"><strong data-end=\"3529\" data-start=\"3511\">Dimoni O\u2019Clock<\/strong> \u2013 <em data-end=\"3542\" data-start=\"3532\">Ramiro E<\/em> (2025, 19\u2019)<\/span><\/p>\n<\/li>\n<li data-end=\"3612\" data-start=\"3557\">\n<p data-end=\"3612\" data-start=\"3559\"><span style=\"font-family: times;\"><strong data-end=\"3581\" data-start=\"3559\">Entr\u00f3 con un hacha<\/strong> \u2013 <em data-end=\"3598\" data-start=\"3584\">Cande L\u00e1zaro<\/em> (2025, 13\u2019)<\/span><\/p>\n<\/li>\n<li data-end=\"3668\" data-start=\"3613\">\n<p data-end=\"3668\" data-start=\"3615\"><span style=\"font-family: times;\"><strong data-end=\"3635\" data-start=\"3615\">Forever Clouds 3<\/strong> \u2013 <em data-end=\"3654\" data-start=\"3638\">Javier Esteban<\/em> (2025, 17\u2019)<\/span><\/p>\n<\/li>\n<li data-end=\"3709\" data-start=\"3669\">\n<p data-end=\"3709\" data-start=\"3671\"><span style=\"font-family: times;\"><strong data-end=\"3680\" data-start=\"3671\">Gosei<\/strong> \u2013 <em data-end=\"3695\" data-start=\"3683\">Dani Al\u00edas<\/em> (2025, 11\u2019)<\/span><\/p>\n<\/li>\n<li data-end=\"3753\" data-start=\"3710\">\n<p data-end=\"3753\" data-start=\"3712\"><span style=\"font-family: times;\"><strong data-end=\"3720\" data-start=\"3712\">Lima<\/strong> \u2013 <em data-end=\"3740\" data-start=\"3723\">Biviana Chauchi<\/em> (2025, 4\u2019)<\/span><\/p>\n<\/li>\n<li data-end=\"3810\" data-start=\"3754\">\n<p data-end=\"3810\" data-start=\"3756\"><span style=\"font-family: times;\"><strong data-end=\"3775\" data-start=\"3756\">SALEM, VALENCIA<\/strong> \u2013 <em data-end=\"3796\" data-start=\"3778\">B\u00e1rbara Portilla<\/em> (2025, 11\u2019)<\/span><\/p>\n<\/li>\n<li data-end=\"3861\" data-start=\"3811\">\n<p data-end=\"3861\" data-start=\"3813\"><span style=\"font-family: times;\"><strong data-end=\"3830\" data-start=\"3813\">Sutura simple<\/strong> \u2013 <em data-end=\"3847\" data-start=\"3833\">Laura Vargas<\/em> (2025, 10\u2019)<\/span><\/p>\n<\/li>\n<li data-end=\"3919\" data-start=\"3862\">\n<p data-end=\"3919\" data-start=\"3864\"><span style=\"font-family: times;\"><strong data-end=\"3889\" data-start=\"3864\">Una ma\u00f1ana, el diablo<\/strong> \u2013 <em data-end=\"3905\" data-start=\"3892\">Pablo Garv\u00ed<\/em> (2025, 15\u2019)<\/span><\/p>\n<\/li>\n<li data-end=\"4091\" data-start=\"3920\">\n<p data-end=\"4091\" data-start=\"3922\"><span style=\"font-family: times;\"><strong data-end=\"3943\" data-start=\"3922\">Un piso estupendo<\/strong> \u2013 <em data-end=\"4077\" data-start=\"3946\">Gabriela Isabel G\u00f3mez de Arteche N\u00fa\u00f1ez, Alejandra Llorens Andr\u00e9s, Daniel P\u00e9rez Valderrama, Camila de Lucas, Jaime Marqu\u00e9s Cordero<\/em> (2025, 17\u2019)<\/span><\/p>\n<\/li>\n<li data-end=\"4240\" data-start=\"4092\">\n<p data-end=\"4240\" data-start=\"4094\"><span style=\"font-family: times;\"><strong data-end=\"4119\" data-start=\"4094\">Un sue\u00f1o de una noche<\/strong> \u2013 <em data-end=\"4226\" data-start=\"4122\">Sandra Iglesias Gonz\u00e1lez, Claudia de la Iglesia Diez, B\u00e1rbara Portilla Santana, Marina Fornies Brice\u00f1o<\/em> (2025, 26\u2019)<\/span><\/p>\n<\/li>\n<li data-end=\"4287\" data-start=\"4241\">\n<p data-end=\"4287\" data-start=\"4243\"><span style=\"font-family: times;\"><strong data-end=\"4253\" data-start=\"4243\">Vereda<\/strong> \u2013 <em data-end=\"4274\" data-start=\"4256\">Francisco Burneo<\/em> (2025, 4\u2019)<\/span><\/p>\n<\/li>\n<li data-end=\"4359\" data-start=\"4288\">\n<p data-end=\"4359\" data-start=\"4290\"><span style=\"font-family: times;\"><strong data-end=\"4302\" data-start=\"4290\">Vestigio<\/strong> \u2013 <em data-end=\"4346\" data-start=\"4305\">Asif Fern\u00e1ndez y Miguel Toledo Men\u00e9ndez<\/em> (2025, 7\u2019)<\/span><\/p>\n<\/li>\n<\/ul>\n<p data-end=\"4654\" data-start=\"4361\"><span style=\"font-family: times;\">Con 15 t\u00edtulos distribuidos en tres sesiones, que se presentar\u00e1n en <strong data-end=\"4450\" data-start=\"4429\">Cineteca Matadero<\/strong>, MRGente celebra la diversidad creativa de la nueva generaci\u00f3n audiovisual madrile\u00f1a. Sus pel\u00edculas trazan un retrato coral de la ciudad como un espacio de tr\u00e1nsito, creaci\u00f3n y experimentaci\u00f3n colectiva.<\/span><\/p>\n<h2 data-end=\"4728\" data-start=\"4661\"><strong data-end=\"4728\" data-start=\"4664\"><span style=\"font-family: times;\">AV Shows: la imagen en movimiento como experiencia expandida<\/span><\/strong><\/h2>\n<p data-end=\"4981\" data-start=\"4730\"><span style=\"font-family: times;\">M\u00e1s all\u00e1 de la sala de cine, M\u00e1rgenes ampl\u00eda su propuesta con una potente programaci\u00f3n de <strong data-end=\"4871\" data-start=\"4820\">espect\u00e1culos audiovisuales en directo (Live AV)<\/strong>, donde artes visuales y sonoras dialogan en tiempo real para generar experiencias inmersivas y performativas.<\/span><\/p>\n<p data-end=\"5587\" data-start=\"4983\"><span style=\"font-family: times;\">La programaci\u00f3n de <strong data-end=\"5014\" data-start=\"5002\">Live AVs<\/strong> comenzar\u00e1 el <strong data-end=\"5071\" data-start=\"5028\">23 de noviembre en el Museo Reina Sof\u00eda<\/strong> con el estreno madrile\u00f1o de <strong data-end=\"5123\" data-start=\"5100\"><em data-end=\"5121\" data-start=\"5102\">Music 4 Salvation<\/em><\/strong>, nuevo LP de <strong data-end=\"5164\" data-start=\"5137\">Neutro Gris &amp; Nodoaviom<\/strong>, con escenograf\u00eda de <strong data-end=\"5195\" data-start=\"5186\">Jouse<\/strong>.<br data-end=\"5199\" data-start=\"5196\" \/><br \/>\nEl <strong data-end=\"5221\" data-start=\"5202\">28 de noviembre<\/strong>, en <strong data-end=\"5247\" data-start=\"5226\">La Casa Encendida<\/strong>, se presentar\u00e1n dos estrenos mundiales: <strong data-end=\"5303\" data-start=\"5288\"><em data-end=\"5301\" data-start=\"5290\">exe.gesis<\/em><\/strong> de <strong data-end=\"5343\" data-start=\"5307\">\u00c1lvaro Corrochano y Agnes Hayden<\/strong>, y <strong data-end=\"5368\" data-start=\"5347\"><em data-end=\"5366\" data-start=\"5349\">L\u00edmite Fantasma<\/em><\/strong> de <strong data-end=\"5409\" data-start=\"5372\">Jose Venditti y \u00d3scar Vincentelli<\/strong>.<br data-end=\"5413\" data-start=\"5410\" \/><br \/>\nComo cierre, el <strong data-end=\"5448\" data-start=\"5429\">29 de noviembre<\/strong>, <strong data-end=\"5467\" data-start=\"5450\">Pedro D. Saiz<\/strong> ofrecer\u00e1 <strong data-end=\"5498\" data-start=\"5477\"><em data-end=\"5496\" data-start=\"5479\">I Am Where I Am<\/em><\/strong>, una sesi\u00f3n matinal de escucha expandida que explora nuevas formas de habitar el sonido.<\/span><\/p>\n<h2 data-end=\"5619\" data-start=\"5594\"><strong data-end=\"5619\" data-start=\"5597\"><span style=\"font-family: times;\">Acerca de M\u00e1rgenes<\/span><\/strong><\/h2>\n<p data-end=\"5939\" data-start=\"5621\"><span style=\"font-family: times;\">El <strong data-end=\"5645\" data-start=\"5624\">Festival M\u00e1rgenes<\/strong> es un certamen internacional dedicado al <strong data-end=\"5742\" data-start=\"5687\">cine de autor y las nuevas tendencias audiovisuales<\/strong>, combinando el trabajo de cineastas consagrados con el de nuevas generaciones. Su programaci\u00f3n se caracteriza por la libertad creativa, la apuesta por la innovaci\u00f3n y el di\u00e1logo entre disciplinas.<\/span><\/p>\n<p data-end=\"6392\" data-start=\"5941\"><span style=\"font-family: times;\">Organizado por la <strong data-end=\"5995\" data-start=\"5959\">Asociaci\u00f3n Cultural Cine en Ruta<\/strong>, el festival cuenta con la financiaci\u00f3n del <strong data-end=\"6048\" data-start=\"6040\">ICAA<\/strong> y el apoyo del <strong data-end=\"6090\" data-start=\"6064\">Ayuntamiento de Madrid<\/strong> y <strong data-end=\"6128\" data-start=\"6093\">Acci\u00f3n Cultural Espa\u00f1ola (PICE)<\/strong>. Colaboran instituciones como <strong data-end=\"6178\" data-start=\"6159\">Cineteca Madrid<\/strong>, el <strong data-end=\"6204\" data-start=\"6183\">Museo Reina Sof\u00eda<\/strong>, <strong data-end=\"6227\" data-start=\"6206\">La Casa Encendida<\/strong>, la <strong data-end=\"6240\" data-start=\"6232\">ECAM<\/strong>, el <strong data-end=\"6272\" data-start=\"6245\">C\u00edrculo de Bellas Artes<\/strong>, la <strong data-end=\"6309\" data-start=\"6277\">Embajada de los Pa\u00edses Bajos<\/strong>, el <strong data-end=\"6340\" data-start=\"6314\">Goethe-Institut Madrid<\/strong>, y patrocinadores como <strong data-end=\"6375\" data-start=\"6364\">Campari<\/strong> y <strong data-end=\"6391\" data-start=\"6378\">Laserfilm<\/strong>.<\/span><\/p>\n<p data-end=\"6594\" data-start=\"6394\"><span style=\"font-family: times;\">Con esta edici\u00f3n, M\u00e1rgenes celebra <strong data-end=\"6484\" data-start=\"6429\">quince a\u00f1os de compromiso con el cine contempor\u00e1neo<\/strong>, consolid\u00e1ndose como un espacio esencial para la <strong data-end=\"6593\" data-start=\"6534\">creaci\u00f3n, la reflexi\u00f3n y la experimentaci\u00f3n audiovisual<\/strong>.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; El Festival de Cine M\u00e1rgenes celebrar\u00e1 su 15\u00aa edici\u00f3n del 23 al 30 de noviembre en Madrid, reafirmando su compromiso con el cine de autor, las nuevas narrativas audiovisuales y los formatos performativos. El certamen se consolida como un punto de encuentro esencial del cine contempor\u00e1neo espa\u00f1ol, en di\u00e1logo continuo con la creaci\u00f3n internacional &#8230; <a title=\"El Festival de Cine M\u00e1rgenes anuncia la programaci\u00f3n para 2025\" class=\"read-more\" href=\"https:\/\/www.tegustamuchoelcine.com\/2025\/11\/el-festival-de-cine-margenes-anuncia-la-programacion-para-2025.html\" aria-label=\"Leer m\u00e1s sobre El Festival de Cine M\u00e1rgenes anuncia la programaci\u00f3n para 2025\">Leer m\u00e1s<\/a><\/p>\n","protected":false},"author":2,"featured_media":965,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-964","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.tegustamuchoelcine.com\/wp-json\/wp\/v2\/posts\/964","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.tegustamuchoelcine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.tegustamuchoelcine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.tegustamuchoelcine.com\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.tegustamuchoelcine.com\/wp-json\/wp\/v2\/comments?post=964"}],"version-history":[{"count":1,"href":"https:\/\/www.tegustamuchoelcine.com\/wp-json\/wp\/v2\/posts\/964\/revisions"}],"predecessor-version":[{"id":966,"href":"https:\/\/www.tegustamuchoelcine.com\/wp-json\/wp\/v2\/posts\/964\/revisions\/966"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.tegustamuchoelcine.com\/wp-json\/wp\/v2\/media\/965"}],"wp:attachment":[{"href":"https:\/\/www.tegustamuchoelcine.com\/wp-json\/wp\/v2\/media?parent=964"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.tegustamuchoelcine.com\/wp-json\/wp\/v2\/categories?post=964"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.tegustamuchoelcine.com\/wp-json\/wp\/v2\/tags?post=964"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}