{"id":8056,"date":"2021-06-13T20:43:00","date_gmt":"2021-06-13T20:43:00","guid":{"rendered":"https:\/\/www.tegustamuchoelcine.com\/?p=8056"},"modified":"2026-09-22T09:14:46","modified_gmt":"2026-09-22T09:14:46","slug":"cannes-2021-edicion-74","status":"publish","type":"post","link":"https:\/\/www.tegustamuchoelcine.com\/2021\/06\/cannes-2021-edicion-74.html","title":{"rendered":"Cannes 2021, edici\u00f3n 74."},"content":{"rendered":"
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Del 6 al 17 de julio vuelve la madre de todos los festivales, el referente del cine, el centro del mundo cinematogr\u00e1fico durante 12 d\u00edas al a\u00f1o. Tras la anulaci\u00f3n el a\u00f1o pasado, este viene cargado, y seg\u00fan se escucha, con mucha calidad.<\/p>\n

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La organizaci\u00f3n como cr\u00edtico del festival de Cannes no se puede dejar para el \u00faltimo minuto, por eso mucha gente ha empezado ya a hacer sus listas, aunque no hay a\u00fan horarios. Saldr\u00e1n, a priori, el 1 de julio. El pasado 3 de junio el festival de Cannes dio una rueda de prensa para anunciar las pel\u00edculas seleccionadas, llegando la rueda de prensa a convertirse en todo un evento comentado a lo largo y ancho del mundo por los locos del cine.<\/p>\n

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El Festival de Cannes se apoya casi desde sus inicios en su March\u00e9 du Film para promover el cine, la cultural y la econ\u00f3mica. Actualmente, con m\u00e1s de 12 500 participantes, contin\u00faa siendo el primer mercado del mundo y contribuye al dinamismo de la industria mundial del cine.<\/p>\n

Tras 74 a\u00f1os el festival proyectar\u00e1 esta edici\u00f3n 12 d\u00edas de proyecciones mundiales, con acreditados de unos 170 pa\u00edses. Seg\u00fan el sitio web <\/a>del festival, las secciones dentro de la secci\u00f3n oficial<\/a> son: <\/p>\n

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Competici\u00f3n<\/b>: Las pel\u00edculas que ilustran el \u00abcine de autor para el gran p\u00fablico\u00bb.<\/p>\n

Un Certain Regard<\/b>: se centra en obras originales en su propuesta y su est\u00e9tica que tienen una presencia discreta pero s\u00f3lida en las pantallas de todo el mundo. <\/p>\n

Fuera de Competici\u00f3n.<\/b><\/p>\n

Proyecciones Especiales<\/b><\/p>\n

Proyecciones de medianoche<\/b><\/p>\n

Cannes Classics<\/b> <\/p>\n

Cin\u00e9fondation<\/b>: pel\u00edculas de escuelas<\/p>\n

La semana de la cr\u00edtica: <\/b>es la secci\u00f3n <\/a>fuera de la oficial, paralela no-competitiva del Festival de Cannes. Muestra el primer y el segundo largometraje de directores de todo el mundo.<\/p>\n


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Competici\u00f3n<\/span><\/b><\/div>\n
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Opening Film<\/p>\n

ANNETTE<\/p>\n<\/td>\n

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 <\/p>\n

Leos CARAX (France)<\/p>\n<\/td>\n<\/tr>\n

 <\/td>\n***<\/td>\n<\/tr>\n
A FELES\u00c9GEM T\u00d6RT\u00c9NETE
(THE STORY OF MY WIFE)<\/td>\n		Ildik\u00f3 ENYEDI (Hungary)<\/td>\n<\/tr>\n
BENEDETTA<\/td>\nPaul VERHOEVEN (Netherlands)<\/td>\n<\/tr>\n
BERGMAN ISLAND<\/td>\nMia HASEN-L\u00d8VE (France)<\/td>\n<\/tr>\n
DRIVE MY CAR<\/td>\nRyusuke HAMAGUCHI (Japan)<\/td>\n<\/tr>\n
FLAG DAY<\/td>\nSean PENN (USA)<\/td>\n<\/tr>\n
HA’BERECH
(AHED\u2019S KNEE)<\/td>\n		Nadav LAPID (Israel)<\/td>\n<\/tr>\n
CASABLANCA BEATS<\/td>\nNabil AYOUCH (Morocco)<\/td>\n<\/tr>\n
HYTTI NRO 6
(COMPARTMENT NO.6)<\/td>\n		Juho KUOSMANEN (Finland)<\/td>\n<\/tr>\n
THE WORST PERSON IN THE WORLD<\/td>\nJoachim TRIER (Norway)<\/td>\n<\/tr>\n
LA FRACTURE<\/td>\nCatherine CORSINI (France)<\/td>\n<\/tr>\n
THE RESTLESS<\/td>\nJoachim LAFOSSE (Belgium)<\/td>\n<\/tr>\n
PARIS 13TH DISTRICT<\/td>\nJacques AUDIARD (France)<\/td>\n<\/tr>\n
LINGUI<\/td>\nMahamat-Saleh HAROUN (Chad)<\/td>\n<\/tr>\n
MEMORIA<\/td>\nApichatpong WEERASETHAKUL (Tha\u00efland)<\/td>\n<\/tr>\n
NITRAM<\/td>\nJustin KURZEL (Australia)<\/td>\n<\/tr>\n
FRANCE<\/td>\nBruno DUMONT (France)<\/td>\n<\/tr>\n
PETROV\u2019S FLU<\/td>\nKirill SEREBRENNIKOV (Russia)<\/td>\n<\/tr>\n
RED ROCKET<\/td>\nSean BAKER (USA)<\/td>\n<\/tr>\n
THE FRENCH DISPATCH<\/td>\nWes ANDERSON (USA)<\/td>\n<\/tr>\n
TITANE<\/td>\nJulia DUCOURNAU (France)<\/td>\n<\/tr>\n
TRE PIANI<\/td>\nNanni MORETTI (Italy)<\/td>\n<\/tr>\n
TOUT S\u2019EST BIEN PASS\u00c9<\/td>\nFran\u00e7ois OZON (France)<\/td>\n<\/tr>\n
A HERO<\/span><\/b><\/td>\nAsghar FARHADI (Iran)<\/span><\/b><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n
Un Certain regard<\/span><\/b><\/div>\n
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MONEYBOYS<\/p>\n<\/td>\n

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C.B Yi (Austria)<\/p>\n<\/td>\n

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1st film<\/em><\/p>\n<\/td>\n<\/tr>\n

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BLUE BAYOU<\/p>\n<\/td>\n

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Justin CHON (USA)<\/p>\n<\/td>\n

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 <\/p>\n<\/td>\n<\/tr>\n

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FREDA<\/p>\n<\/td>\n

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Gessica G\u00c9N\u00c9US (Ha\u00efti)<\/p>\n<\/td>\n

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1st film<\/em> <\/p>\n<\/td>\n<\/tr>\n

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DELO<\/p>\n

(HOUSE ARREST)<\/p>\n<\/td>\n

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Alexey GERMAN JR. (Russia)<\/p>\n<\/td>\n

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 <\/p>\n<\/td>\n<\/tr>\n

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BONNE M\u00c8RE<\/p>\n<\/td>\n

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Hafsia HERZI (France)<\/p>\n<\/td>\n

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 <\/p>\n<\/td>\n<\/tr>\n

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NOCHE DE FUEGO<\/p>\n

(PAYERS FOR THE STOLEN)<\/p>\n<\/td>\n

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Tatiana HUEZO (Mexico)<\/p>\n<\/td>\n

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 <\/p>\n<\/td>\n<\/tr>\n

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LAMB<\/p>\n<\/td>\n

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Valdimar J\u00d3HANSSON (Iceland)<\/p>\n<\/td>\n

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1st film<\/em><\/p>\n<\/td>\n<\/tr>\n

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COMMITMENT HASAN<\/p>\n<\/td>\n

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Hasan Semih KAPLANOGLU (Turkey)<\/p>\n<\/td>\n

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AFTER YANG<\/p>\n<\/td>\n

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Kogonada (USA)<\/p>\n<\/td>\n

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 <\/p>\n<\/td>\n<\/tr>\n

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LET THERE BE MORNING<\/p>\n<\/td>\n

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Eran KOLIRIN (Israel)<\/p>\n<\/td>\n

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 <\/p>\n<\/td>\n<\/tr>\n

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UNCLENCHING THE FISTS<\/p>\n<\/td>\n

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Kira KOVALENKO (Russia)<\/p>\n<\/td>\n

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 <\/p>\n<\/td>\n<\/tr>\n

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MY BROTHERS AND I<\/p>\n<\/td>\n

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Yohann MANCA (France)<\/p>\n<\/td>\n

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1st film<\/em><\/p>\n<\/td>\n<\/tr>\n

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WOMEN DO CRY<\/p>\n<\/td>\n

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Mina MILEVA (Bulgaria)<\/p>\n

Vesela KAZAKOVA (Bulgaria)<\/p>\n<\/td>\n

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 <\/p>\n<\/td>\n<\/tr>\n

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REHANA MARYAM NOOR<\/p>\n<\/td>\n

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Abdullah Mohammad SAAD (Bangladesh)<\/p>\n<\/td>\n

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 <\/p>\n<\/td>\n<\/tr>\n

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GREAT FREEDOM<\/p>\n<\/td>\n

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Sebastian MEISE (Austria)<\/p>\n<\/td>\n

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 <\/p>\n<\/td>\n<\/tr>\n

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LA CIVIL<\/p>\n<\/td>\n

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Teodora Ana MIHAI (Romania \/ Belgium)<\/p>\n<\/td>\n

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1st film<\/em><\/p>\n<\/td>\n<\/tr>\n

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GAEY WA’R<\/p>\n<\/td>\n

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NA Jiazuo (China)<\/p>\n<\/td>\n

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1st film<\/em><\/p>\n<\/td>\n<\/tr>\n

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THE INNOCENTS<\/p>\n<\/td>\n

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Eskil VOGT (Norway)<\/p>\n<\/td>\n

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 <\/p>\n<\/td>\n<\/tr>\n

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PLAYGROUND<\/p>\n<\/td>\n

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Laura WANDEL (Belgium)<\/p>\n<\/td>\n

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1st film<\/em><\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n

Fuera de competici\u00f3n<\/span><\/b><\/div>\n
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DE SON VIVANT<\/td>\n\n

Emmanuelle BERCOT (France)<\/p>\n<\/td>\n

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 <\/p>\n<\/td>\n<\/tr>\n

WHERE IS ANNE FRANK?<\/td>\n\n

Ari FOLMAN (Israel)<\/p>\n<\/td>\n

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 <\/p>\n<\/td>\n<\/tr>\n

EMERGENCY DECLARATION<\/td>\n\n

HAN Jae-Rim (Korea)<\/p>\n<\/td>\n

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 <\/p>\n<\/td>\n<\/tr>\n

THE VELVET UNDERGROUND<\/td>\n\n

Todd HAYNES (USA)<\/p>\n<\/td>\n

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 <\/p>\n<\/td>\n<\/tr>\n

BAC NORD<\/td>\n\n

C\u00e9dric JIMENEZ (France)<\/p>\n<\/td>\n

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 <\/p>\n<\/td>\n<\/tr>\n

ALINE, THE VOICE OF LOVE<\/td>\n\n

Val\u00e9rie LEMERCIER (France)<\/p>\n<\/td>\n

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 <\/p>\n<\/td>\n<\/tr>\n

STILLWATER<\/td>\n\n

Tom MCCARTHY (USA)<\/p>\n<\/td>\n

<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n
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Sesi\u00f3n de medianoche<\/span><\/b><\/div>\n
<\/div>\n
\n\n\n<\/tr>\n\n\n\n
SUPR\u00caMES<\/td>\n\n

Audrey ESTROUGO (France)<\/p>\n<\/td>\n

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 <\/p>\n<\/td>\n<\/tr>\n

TRALALA<\/td>\n\n

Arnaud LARRIEU (France)<\/p>\n

Jean-Marie LARRIEU<\/p>\n<\/td>\n

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 <\/p>\n<\/td>\n<\/tr>\n

BLOODY ORANGES<\/td>\n\n

Jean-Christophe MEURISSE (France)<\/p>\n<\/td>\n

<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n
Cannes Premier<\/span><\/b><\/div>\n
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\n\n\n\n\n\n\n\n\n\n\n\n\n\n
HOLD ME TIGHT<\/td>\n\n

Mathieu AMALRIC (France)<\/p>\n<\/td>\n

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 <\/p>\n<\/td>\n<\/tr>\n

COW<\/td>\n\n

Andrea ARNOLD (UK)<\/p>\n<\/td>\n

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 <\/p>\n<\/td>\n<\/tr>\n

LOVE SONGS FOR TOUGH GUYS<\/td>\nSamuel BENCHETRIT (France)<\/td>\n <\/td>\n<\/tr>\n
DECEPTION<\/td>\n\n

Arnaud DESPLECHIN (France)<\/p>\n<\/td>\n

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 <\/p>\n<\/td>\n<\/tr>\n

JANE PAR CHARLOTTE<\/td>\n\n

Charlotte GAINSBOURG (France)<\/p>\n<\/td>\n

1st film<\/em><\/td>\n<\/tr>\n
IN FRONT OF YOUR FACE<\/td>\n\n

HONG Sang-Soo (Korea)<\/p>\n<\/td>\n

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 <\/p>\n<\/td>\n<\/tr>\n

MOTHERING SUNDAY<\/td>\n\n

Eva HUSSON (France)<\/p>\n<\/td>\n

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 <\/p>\n<\/td>\n<\/tr>\n

EVOLUTION<\/td>\n\n

Korn\u00e9l MUNDRUCZO (Hungary)<\/p>\n<\/td>\n

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 <\/p>\n<\/td>\n<\/tr>\n

VORTEX<\/td>\n\n

Gaspar NO\u00c9 (France)<\/p>\n<\/td>\n

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 <\/p>\n<\/td>\n<\/tr>\n

VAL<\/td>\n\n

Ting POO (USA)<\/p>\n

Leo SCOTT (USA)<\/p>\n<\/td>\n

\n

 <\/p>\n<\/td>\n<\/tr>\n

JFK REVISITED: THROUGH THE LOOKING GLASS<\/td>\n\n

Oliver STONE (USA)<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n

Pases especiales<\/span><\/b><\/div>\n

<\/b><\/div>\n
\n\n\n\n\n\n\n\n\n\n\n\n
O MARINHEIRO DAS MONTANHAS
(MARINER OF THE MOUNTAINS)<\/td>\n		\n

Karim A\u00cfNOUZ (Brazil)<\/p>\n<\/td>\n

\n

 <\/p>\n<\/td>\n<\/tr>\n

BLACK NOTEBOOKS<\/td>\n\n

Shlomi ELKABETZ (Israel)<\/p>\n<\/td>\n

\n

 <\/p>\n<\/td>\n<\/tr>\n

BABI YAR. CONTEXT<\/td>\n\n

Sergei LOZNITSA (Ukraine)<\/p>\n<\/td>\n

\n

 <\/p>\n<\/td>\n<\/tr>\n

MI IUBITA, MON AMOUR<\/td>\n\n

No\u00e9mie MERLANT (France)<\/p>\n<\/td>\n

\n

1st film<\/em><\/p>\n<\/td>\n<\/tr>\n

NEW WORLDS: THE CRADLE OF CIVILIZATION<\/td>\n\n

Andrew MUSCATO (USA)<\/p>\n<\/td>\n

\n

 <\/p>\n<\/td>\n<\/tr>\n

LES H\u00c9RO\u00cfQUES<\/td>\n\n

Maxime ROY (France)<\/p>\n<\/td>\n

\n

1st film<\/em><\/p>\n<\/td>\n<\/tr>\n

ARE YOU LONESOME TONIGHT?<\/td>\n\n

Wen Shipei (China)<\/p>\n<\/td>\n

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1st film<\/em><\/p>\n<\/td>\n<\/tr>\n

H6<\/td>\n\n

Y\u00e9 Y\u00e9 (France)<\/p>\n<\/td>\n

1st film<\/em><\/td>\n<\/tr>\n
THE YEAR OF THE EVERLASTING STORM<\/td>\n\n

Jafar PANAHI (Iran), Anthony CHEN (Singapor), Malik VITTHAL (USA), Laura POITRAS (USA), Dominga SOTOMAYOR (Chile), David LOWERY (USA), and Apichatpong WEERASETHAKUL (Thailand)<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n

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Del 6 al 17 de julio vuelve la madre de todos los festivales, el referente del cine, el centro del mundo cinematogr\u00e1fico durante 12 d\u00edas al a\u00f1o. Tras la anulaci\u00f3n el a\u00f1o pasado, este viene cargado, y seg\u00fan se escucha, con mucha calidad. La organizaci\u00f3n como cr\u00edtico del festival de Cannes no se puede dejar … Leer m\u00e1s<\/a><\/p>\n","protected":false},"author":2,"featured_media":8057,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-8056","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.tegustamuchoelcine.com\/wp-json\/wp\/v2\/posts\/8056","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.tegustamuchoelcine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.tegustamuchoelcine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.tegustamuchoelcine.com\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.tegustamuchoelcine.com\/wp-json\/wp\/v2\/comments?post=8056"}],"version-history":[{"count":1,"href":"https:\/\/www.tegustamuchoelcine.com\/wp-json\/wp\/v2\/posts\/8056\/revisions"}],"predecessor-version":[{"id":8058,"href":"https:\/\/www.tegustamuchoelcine.com\/wp-json\/wp\/v2\/posts\/8056\/revisions\/8058"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.tegustamuchoelcine.com\/wp-json\/wp\/v2\/media\/8057"}],"wp:attachment":[{"href":"https:\/\/www.tegustamuchoelcine.com\/wp-json\/wp\/v2\/media?parent=8056"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.tegustamuchoelcine.com\/wp-json\/wp\/v2\/categories?post=8056"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.tegustamuchoelcine.com\/wp-json\/wp\/v2\/tags?post=8056"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}