{"id":4647,"date":"2025-04-27T16:47:00","date_gmt":"2025-04-27T16:47:00","guid":{"rendered":"https:\/\/www.tegustamuchoelcine.com\/?p=4647"},"modified":"2026-09-22T08:42:35","modified_gmt":"2026-09-22T08:42:35","slug":"quien-es-quien-en-cannes-2025","status":"publish","type":"post","link":"https:\/\/www.tegustamuchoelcine.com\/2025\/04\/quien-es-quien-en-cannes-2025.html","title":{"rendered":"Qui\u00e9n es qui\u00e9n en Cannes 2025"},"content":{"rendered":"
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El<\/span> <\/span><\/span><\/span>Festival<\/span> <\/span><\/span>de<\/span> <\/span><\/span>Cannes<\/span> <\/span><\/span>2025<\/span><\/span><\/span><\/span> <\/span>(13-24<\/span> <\/span><\/span>de<\/span> <\/span><\/span>mayo)<\/span> <\/span><\/span>presenta<\/span> <\/span><\/span>una<\/span> <\/span><\/span>vibrante<\/span> <\/span><\/span>selecci\u00f3n<\/span> <\/span><\/span>de<\/span> <\/span><\/span>pel\u00edculas<\/span> <\/span><\/span>en<\/span> <\/span><\/span>su<\/span> <\/span><\/span>78\u00aa<\/span> <\/span><\/span>edici\u00f3n,<\/span> <\/span><\/span>abarcando<\/span> <\/span><\/span>la<\/span> <\/span><\/span>Competencia<\/span> <\/span><\/span>(21<\/span> <\/span><\/span>filmes<\/span> <\/span><\/span>por<\/span> <\/span><\/span>la<\/span> <\/span><\/span>Palma<\/span> <\/span><\/span>de<\/span> <\/span><\/span>Oro),<\/span> <\/span><\/span>Un<\/span> <\/span><\/span>Certain<\/span> <\/span><\/span>Regard,<\/span> <\/span><\/span>Fuera<\/span> <\/span><\/span>de<\/span> <\/span><\/span>Competencia,<\/span> <\/span><\/span>Cannes<\/span> <\/span><\/span>Premiere,<\/span> <\/span><\/span>Proyecciones<\/span> <\/span><\/span>de<\/span> <\/span><\/span>Medianoche,<\/span> <\/span><\/span>Proyecciones<\/span> <\/span><\/span>Especiales,<\/span> <\/span><\/span>y<\/span> <\/span><\/span>secciones<\/span> <\/span><\/span>paralelas<\/span> <\/span><\/span>como<\/span> <\/span><\/span>la<\/span> <\/span><\/span>Semana<\/span> <\/span><\/span>de<\/span> <\/span><\/span>la<\/span> <\/span><\/span>Cr\u00edtica,<\/span> <\/span><\/span>Quincena<\/span> <\/span><\/span>de<\/span> <\/span><\/span>Realizadores<\/span> <\/span><\/span>y<\/span> <\/span><\/span>ACID.<\/span> <\/span><\/span>La<\/span> <\/span><\/span>programaci\u00f3n<\/span> <\/span><\/span>incluye<\/span> <\/span><\/span>siete<\/span> <\/span><\/span>debutantes<\/span> <\/span><\/span>en<\/span> <\/span><\/span>la<\/span> <\/span><\/span>Competencia,<\/span> <\/span><\/span>seis<\/span> <\/span><\/span>directoras<\/span> <\/span><\/span>en<\/span> <\/span><\/span>esta<\/span> <\/span><\/span>secci\u00f3n<\/span> <\/span><\/span>y<\/span> <\/span><\/span>un<\/span> <\/span><\/span>enfoque<\/span> <\/span><\/span>en<\/span> <\/span><\/span>voces<\/span> <\/span><\/span>diversas,<\/span> <\/span><\/span>con<\/span> <\/span><\/span>2,909<\/span> <\/span><\/span>largometrajes<\/span> <\/span><\/span>visionados<\/span> <\/span><\/span>(32%<\/span> <\/span><\/span>dirigidos<\/span> <\/span><\/span>por<\/span> <\/span><\/span>mujeres).<\/span><\/span><\/span><\/div>\n


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Competencia<\/span><\/span><\/div>\n
Eddington<\/span><\/span><\/span><\/span> \u2013 Ari Aster<\/span><\/span><\/span><\/span><\/div>\n
Eddington<\/span><\/span><\/span><\/span>, dirigida por Ari Aster, es un western de terror sobre un sheriff ambicioso en Nuevo M\u00e9xico enfrentado a su alcalde durante una pandemia. Aster ha redefinido el terror con <\/span><\/span>Hereditary<\/span><\/span><\/span><\/span> (2018), un \u00e9xito en Sundance; <\/span><\/span>Midsommar<\/span><\/span><\/span><\/span> (2019), fen\u00f3meno en la Quincena de Realizadores de Cannes; y <\/span><\/span>Beau Is Afraid<\/span><\/span><\/span><\/span> (2023), audaz y divisiva. Con <\/span><\/span>Joaquin Phoenix<\/span><\/span><\/span><\/span>, <\/span><\/span>Emma Stone<\/span><\/span><\/span><\/span>, <\/span><\/span>Pedro Pascal<\/span><\/span><\/span><\/span> y <\/span><\/span>Austin Butler<\/span><\/span><\/span><\/span>, esta cinta combina la intensidad de Aster con un elenco estelar, prometiendo impacto en Cannes 2025.<\/span><\/span><\/span><\/span><\/div>\n
The Mastermind<\/span><\/span><\/span><\/span> \u2013 Kelly Reichardt<\/span><\/span><\/span><\/span><\/div>\n
The Mastermind<\/span><\/span><\/span><\/span>, de Kelly Reichardt, narra un robo de arte durante la Guerra de Vietnam, fusionando minimalismo y thriller. Reichardt es un \u00edcono indie con <\/span><\/span>Wendy and Lucy<\/span><\/span><\/span><\/span> (2008), aclamada en Un Certain Regard; <\/span><\/span>First Cow<\/span><\/span><\/span><\/span> (2019), Mejor Pel\u00edcula por NYFCC; y <\/span><\/span>Showing Up<\/span><\/span><\/span><\/span> (2022), introspectiva en Cannes. Protagonizada por <\/span><\/span>Josh O\u2019Connor.<\/span><\/span><\/span><\/span><\/span><\/span><\/div>\n
Nouvelle Vague<\/span><\/span><\/span><\/span> \u2013 Richard Linklater<\/span><\/span><\/span><\/span><\/div>\n
Nouvelle Vague<\/span><\/span><\/span><\/span>, dirigida por Richard Linklater, recrea la creaci\u00f3n de <\/span><\/span>Sin aliento<\/span><\/span><\/span><\/span> de Godard en un homenaje a la Nueva Ola. Linklater marc\u00f3 \u00e9poca con <\/span><\/span>Before Sunrise<\/span><\/span><\/span><\/span>, <\/span><\/span>Before Sunset<\/span><\/span><\/span><\/span> y <\/span><\/span>Before Midnight<\/span><\/span><\/span><\/span> (1995-2013), favoritas en festivales; y <\/span><\/span>Boyhood<\/span><\/span><\/span><\/span> (2014), BAFTA y seis nominaciones al Oscar. Con <\/span><\/span>Zooey Deutch<\/span><\/span><\/span><\/span>, esta cinta en franc\u00e9s combina nostalgia y estilo.<\/span><\/span><\/span><\/span><\/div>\n
The Phoenician Scheme<\/span><\/span><\/span><\/span> \u2013 Wes Anderson<\/span><\/span><\/span><\/span><\/div>\n
The Phoenician Scheme<\/span><\/span><\/span><\/span>, de Wes Anderson, es una comedia de esp\u00edas con un elenco coral. Anderson, habitual de Cannes, brill\u00f3 con <\/span><\/span>The Grand Budapest Hotel<\/span><\/span><\/span><\/span> (2014), cuatro Oscars; <\/span><\/span>The French Dispatch<\/span><\/span><\/span><\/span> (2021), estil\u00edstica en Competencia; y <\/span><\/span>Asteroid City<\/span><\/span><\/span><\/span> (2023), \u00e9xito coral. Con <\/span><\/span>Benicio del Toro<\/span><\/span><\/span><\/span>, <\/span><\/span>Scarlett Johansson<\/span><\/span><\/span><\/span>, <\/span><\/span>Tom Hanks<\/span><\/span><\/span><\/span>, <\/span><\/span>Benedict Cumberbatch<\/span><\/span><\/span><\/span>, <\/span><\/span>Willem Dafoe<\/span><\/span><\/span><\/span>, <\/span><\/span>Riz Ahmed<\/span><\/span><\/span><\/span> y <\/span><\/span>Jeffrey Wright<\/span><\/span><\/span><\/span>, esta cinta de Focus Features es un im\u00e1n para audiencias.<\/span><\/span><\/span><\/span><\/div>\n
Alpha<\/span><\/span><\/span><\/span> \u2013 Julia Ducournau<\/span><\/span><\/span><\/span><\/div>\n
Alpha<\/span><\/span><\/span><\/span>, de Julia Ducournau, aborda la crisis del SIDA en Nueva York de los 80 desde la perspectiva de una ni\u00f1a, mezclando terror y drama. Ducournau revolucion\u00f3 con <\/span><\/span>Raw<\/span><\/span><\/span><\/span> (2016), culto en la Semana de la Cr\u00edtica, y <\/span><\/span>Titane<\/span><\/span><\/span><\/span> (2021), Palma de Oro. Con <\/span><\/span>Golshifteh Farahani<\/span><\/span><\/span><\/span> y <\/span><\/span>Tahar Rahim<\/span><\/span><\/span><\/span>, esta cinta promete provocaci\u00f3n y relevancia social, siendo una fuerte contendiente.<\/span><\/span><\/span><\/span><\/div>\n
Sentimental Value<\/span><\/span><\/span><\/span> \u2013 Joachim Trier<\/span><\/span><\/span><\/span><\/div>\n
Sentimental Value<\/span><\/span><\/span><\/span>, de Joachim Trier, explora la reconexi\u00f3n de una actriz con su padre a trav\u00e9s de una pel\u00edcula. Trier impact\u00f3 con <\/span><\/span>Oslo, 31 de agosto<\/span><\/span><\/span><\/span> (2011) en Un Certain Regard y <\/span><\/span>La peor persona del mundo<\/span><\/span><\/span><\/span> (2021), Mejor Actriz en Cannes y nominada al Oscar. Con <\/span><\/span>Renate Reinsve<\/span><\/span><\/span><\/span>, <\/span><\/span>Stellan Skarsg\u00e5rd<\/span><\/span><\/span><\/span> y <\/span><\/span>Elle Fanning<\/span><\/span><\/span><\/span>, esta cinta combina emoci\u00f3n y relevancia generacional.<\/span><\/span><\/span><\/span><\/div>\n
The Young Mother\u2019s Home<\/span><\/span><\/span><\/span> \u2013 Jean-Pierre y Luc Dardenne<\/span><\/span><\/span><\/span><\/div>\n
The Young Mother\u2019s Home<\/span><\/span><\/span><\/span>, de los hermanos Dardenne, se ambienta en un refugio para madres j\u00f3venes, fiel a su realismo social. Ganaron la Palma de Oro con <\/span><\/span>Rosetta<\/span><\/span><\/span><\/span> (1999) y <\/span><\/span>El ni\u00f1o<\/span><\/span><\/span><\/span> (2005), y <\/span><\/span>Dos d\u00edas, una noche<\/span><\/span><\/span><\/span> (2014) obtuvo una nominaci\u00f3n al Oscar. Sin actores de renombre, su casting aut\u00e9ntico refuerza el impacto humano.<\/span><\/span><\/span><\/span><\/div>\n
An Affair<\/span><\/span><\/span><\/span> \u2013 Arnaud Desplechin<\/span><\/span><\/span><\/span><\/div>\n
An Affair<\/span><\/span><\/span><\/span>, de Arnaud Desplechin, es un drama \u00edntimo sobre relaciones personales. Desplechin destac\u00f3 con <\/span><\/span>Un cuento de Navidad<\/span><\/span><\/span><\/span> (2008) y <\/span><\/span>Mis d\u00edas dorados<\/span><\/span><\/span><\/span> (2015) en Cannes. Sin actores de renombre especificados.<\/span><\/span><\/span><\/span><\/div>\n
Die, My Love<\/span><\/span><\/span><\/span> \u2013 Lynne Ramsay<\/span><\/span><\/span><\/span><\/div>\n
Die, My Love<\/span><\/span><\/span><\/span>, de Lynne Ramsay, es un thriller psicol\u00f3gico visceral. Ramsay brill\u00f3 con <\/span><\/span>Tenemos que hablar de Kevin<\/span><\/span><\/span><\/span> (2011) y <\/span><\/span>Nunca estuviste aqu\u00ed<\/span><\/span><\/span><\/span> (2017), ganadora de Mejor Actor y Guion en Cannes. Con <\/span><\/span>Jennifer Lawrence<\/span><\/span><\/span><\/span> y <\/span><\/span>Robert Pattinson.<\/span><\/span><\/span><\/span><\/span><\/span><\/div>\n
A Simple Accident<\/span><\/span><\/span><\/span> \u2013 Jafar Panahi<\/span><\/span><\/span><\/span><\/div>\n
A Simple Accident<\/span><\/span><\/span><\/span>, de Jafar Panahi, aborda temas sociales en Ir\u00e1n con sutileza desafiante. Panahi gan\u00f3 la C\u00e1mara de Oro con <\/span><\/span>El globo blanco<\/span><\/span><\/span><\/span> (1995) y Mejor Guion con <\/span><\/span>3 rostros<\/span><\/span><\/span><\/span> (2018). <\/span><\/span><\/span><\/span><\/div>\n
Fuori<\/span><\/span><\/span><\/span> \u2013 Mario Martone<\/span><\/span><\/span><\/span><\/div>\n
Fuori<\/span><\/span><\/span><\/span>, de Mario Martone, retrata a la escritora Goliarda Sapienza y su novela <\/span><\/span>El arte de la alegr\u00eda<\/span><\/span><\/span><\/span>. Martone destac\u00f3 con <\/span><\/span>Nostalgia<\/span><\/span><\/span><\/span> (2022) en Cannes. Con <\/span><\/span>Valeria Golino<\/span><\/span><\/span><\/span>, <\/span><\/span>Matilda De Angelis<\/span><\/span><\/span><\/span> y <\/span><\/span>Elodie.<\/span><\/span><\/span><\/span><\/span><\/span><\/div>\n
La Petite Derni\u00e8re<\/span><\/span><\/span><\/span> \u2013 Hafsia Herzi<\/span><\/span><\/span><\/span><\/div>\n
La Petite Derni\u00e8re<\/span><\/span><\/span><\/span>, de Hafsia Herzi, narra la madurez de una musulmana lesbiana en Par\u00eds. Herzi destac\u00f3 con <\/span><\/span>Good Mother<\/span><\/span><\/span><\/span> (2021), Premio al Elenco en Un Certain Regard, y <\/span><\/span>You Deserve a Lover<\/span><\/span><\/span><\/span> (2019). <\/span><\/span><\/span><\/span><\/div>\n
Renoir<\/span><\/span><\/span><\/span> \u2013 Chie Hayakawa<\/span><\/span><\/span><\/span><\/div>\n
Renoir<\/span><\/span><\/span><\/span>, de Chie Hayakawa, sigue a una ni\u00f1a cuyo padre enfrenta c\u00e1ncer. Hayakawa irrumpi\u00f3 con <\/span><\/span>Plan 75<\/span><\/span><\/span><\/span> (2022), candidata japonesa al Oscar en Un Certain Regard. <\/span><\/span><\/span><\/span><\/div>\n
Dossier 137<\/span><\/span><\/span><\/span> \u2013 Dominik Moll<\/span><\/span><\/span><\/span><\/div>\n
Dossier 137<\/span><\/span><\/span><\/span>, de Dominik Moll, es un thriller policial sobre una investigadora con un caso personal. Moll triunf\u00f3 con <\/span><\/span>La noche del 12<\/span><\/span><\/span><\/span> (2022), seis premios C\u00e9sar. Con <\/span><\/span>L\u00e9a Drucker.<\/span><\/span><\/span><\/span><\/span><\/span><\/div>\n
Sound of Falling<\/span><\/span><\/span><\/span> \u2013 Mascha Schilinski<\/span><\/span><\/span><\/span><\/div>\n
Sound of Falling<\/span><\/span><\/span><\/span>, de Mascha Schilinski, explora a cuatro chicas en una granja rural a lo largo de d\u00e9cadas. Como debutante en Competencia, Schilinski refleja el apoyo de Cannes a nuevas voces. <\/span><\/span><\/span><\/span><\/div>\n
Mother and Child<\/span><\/span><\/span><\/span> \u2013 Saeed Roustaee<\/span><\/span><\/span><\/span><\/div>\n
Mother and Child<\/span><\/span><\/span><\/span>, de Saeed Roustaee, aborda conflictos familiares y sociales en Ir\u00e1n. Roustaee destac\u00f3 con <\/span><\/span>Just 6.5<\/span><\/span><\/span><\/span> (2019), premiada en Tokio, y <\/span><\/span>Los hermanos de Leila<\/span><\/span><\/span><\/span> (2022) en Cannes. <\/span><\/span><\/span><\/span><\/div>\n
The History of Sound<\/span><\/span><\/span><\/span> \u2013 Oliver Hermanus<\/span><\/span><\/span><\/span><\/div>\n
The History of Sound<\/span><\/span><\/span><\/span>, de Oliver Hermanus, es un romance gay en la Primera Guerra Mundial. Hermanus impresion\u00f3 con <\/span><\/span>Moffie<\/span><\/span><\/span><\/span> (2019) en Venecia. Con <\/span><\/span>Paul Mescal<\/span><\/span><\/span><\/span> y <\/span><\/span>Josh O\u2019Connor.<\/span><\/span><\/span><\/span><\/span><\/span><\/div>\n
Romeria<\/span><\/span><\/span><\/span> \u2013 Carla Sim\u00f3n<\/span><\/span><\/span><\/span><\/div>\n
Romeria<\/span><\/span><\/span><\/span>, de Carla Sim\u00f3n, es un drama rural espa\u00f1ol. Sim\u00f3n gan\u00f3 el Oso de Oro con <\/span><\/span>Alcarr\u00e0s<\/span><\/span><\/span><\/span> (2022). <\/span><\/span><\/span><\/span><\/div>\n
Two Prosecutors<\/span><\/span><\/span><\/span> \u2013 Sergei Loznitsa<\/span><\/span><\/span><\/span><\/div>\n
Two Prosecutors<\/span><\/span><\/span><\/span>, de Sergei Loznitsa, se ambienta durante el Gran Terror de Stalin en 1937. Loznitsa destac\u00f3 con <\/span><\/span>Donbass<\/span><\/span><\/span><\/span> (2018), Premio de Direcci\u00f3n en Un Certain Regard, y <\/span><\/span>A Gentle Creature<\/span><\/span><\/span><\/span> (2017) en Cannes. <\/span><\/span><\/span><\/span><\/div>\n
Eagles of the Republic<\/span><\/span><\/span><\/span> \u2013 Tarik Saleh<\/span><\/span><\/span><\/span><\/div>\n
Eagles of the Republic<\/span><\/span><\/span><\/span>, de Tarik Saleh, es el cierre de su trilog\u00eda de El Cairo tras <\/span><\/span>The Nile Hilton Incident<\/span><\/span><\/span><\/span> (2017) y <\/span><\/span>Boy from Heaven<\/span><\/span><\/span><\/span> (2022), esta \u00faltima en Competencia de Cannes. <\/span><\/span><\/span><\/span><\/div>\n
The Secret Agent<\/span><\/span><\/span><\/span> \u2013 Kleber Mendon\u00e7a Filho<\/span><\/span><\/span><\/span><\/div>\n
The Secret Agent<\/span><\/span><\/span><\/span>, de Kleber Mendon\u00e7a Filho, se sit\u00faa en la dictadura militar brasile\u00f1a de los 70. Mendon\u00e7a impresion\u00f3 con <\/span><\/span>Aquarius<\/span><\/span><\/span><\/span> (2016) y <\/span><\/span>Bacurau<\/span><\/span><\/span><\/span> (2019) en Cannes. <\/span><\/span><\/span><\/span><\/div>\n
Un Certain Regard<\/span><\/span><\/div>\n
Eleanor the Great<\/span><\/span><\/span><\/span> \u2013 Scarlett Johansson<\/span><\/span><\/span><\/span><\/div>\n
Eleanor the Great<\/span><\/span><\/span><\/span>, debut directoral de Scarlett Johansson, sigue a una mujer de 90 a\u00f1os reconstruyendo su vida en Nueva York. Johansson, conocida como actriz en <\/span><\/span>Lost in Translation<\/span><\/span><\/span><\/span> y <\/span><\/span>Historia de un matrimonio<\/span><\/span><\/span><\/span> (nominadas al Oscar), aporta su prestigio. Con <\/span><\/span>June Squibb<\/span><\/span><\/span><\/span> y posiblemente Johansson, esta cinta atrae por su narrativa humana y su estrella.<\/span><\/span><\/span><\/span><\/div>\n
Urchin<\/span><\/span><\/span><\/span> \u2013 Harris Dickinson<\/span><\/span><\/span><\/span><\/div>\n
Urchin<\/span><\/span><\/span><\/span>, debut de Harris Dickinson como director, retrata a un hombre sin hogar en Londres. Dickinson destac\u00f3 como actor en <\/span><\/span>Triangle of Sadness<\/span><\/span><\/span><\/span> (Palma de Oro 2022). Con Dickinson potencialmente actuando, su transici\u00f3n a la direcci\u00f3n genera expectativa en Un Certain Regard.<\/span><\/span><\/span><\/span><\/div>\n
The Chronology of Water<\/span><\/span><\/span><\/span> \u2013 Kristen Stewart<\/span><\/span><\/span><\/span><\/div>\n
The Chronology of Water<\/span><\/span><\/span><\/span>, debut directoral de Kristen Stewart, adapta las memorias de Lidia Yuknavitch. Stewart, actriz en <\/span><\/span>Spencer<\/span><\/span><\/span><\/span> (nominada al Oscar) y <\/span><\/span>Come Swim<\/span><\/span><\/span><\/span> (corto en Cannes 2017), aporta credibilidad de autor. Sin actores de renombre especificados, su visi\u00f3n experimental promete destacar.<\/span><\/span><\/span><\/span><\/div>\n
Love Me Tender<\/span><\/span><\/span><\/span> \u2013 Anna Cazenave Cambet<\/span><\/span><\/span><\/span><\/div>\n
Love Me Tender<\/span><\/span><\/span><\/span>, de Anna Cazenave Cambet, es un drama \u00edntimo sin obras previas destacadas del director. Con <\/span><\/span>Vicky Krieps<\/span><\/span><\/span><\/span>, su inclusi\u00f3n en Un Certain Regard refleja el enfoque de Cannes en voces diversas.<\/span><\/span><\/span><\/span><\/div>\n
Un Poeta<\/span><\/span><\/span><\/span> \u2013 Sim\u00f3n Mesa Soto<\/span><\/span><\/span><\/span><\/div>\n
Un Poeta<\/span><\/span><\/span><\/span>, de Sim\u00f3n Mesa Soto, ofrece una narrativa po\u00e9tica colombiana. Soto destac\u00f3 con <\/span><\/span>Amparo<\/span><\/span><\/span><\/span> (2021), premiada en Chicago y La Habana tras la Semana de la Cr\u00edtica. <\/span><\/span><\/span><\/span><\/div>\n
O Riso e a Faca<\/span><\/span><\/span><\/span> \u2013 Pedro Pinho<\/span><\/span><\/span><\/span><\/div>\n
O Riso e a Faca<\/span><\/span><\/span><\/span>, de Pedro Pinho, es un drama portugu\u00e9s experimental. Pinho gan\u00f3 el Premio FIPRESCI con <\/span><\/span>The Nothing Factory<\/span><\/span><\/span><\/span> (2017) en la Quincena de Realizadores. <\/span><\/span><\/span><\/span><\/div>\n
Fuera de Competencia<\/span><\/span><\/div>\n
Partir Un Jour<\/span><\/span><\/span><\/span> \u2013 Am\u00e9lie Bonnin<\/span><\/span><\/span><\/span><\/div>\n
Partir Un Jour<\/span><\/span><\/span><\/span>, debut de Am\u00e9lie Bonnin, abre el festival con una comedia agridulce sobre una mujer que regresa a su pueblo. Sin obras previas, su selecci\u00f3n hist\u00f3rica como apertura debutante marca un hito. Con <\/span><\/span>Juliette Armanet<\/span><\/span><\/span><\/span>.<\/span><\/span><\/span><\/span><\/div>\n
Mission: Impossible \u2013 The Final Reckoning<\/span><\/span><\/span><\/span> \u2013 Christopher McQuarrie<\/span><\/span><\/span><\/span><\/div>\n
Mission: Impossible \u2013 The Final Reckoning<\/span><\/span><\/span><\/span>, de Christopher McQuarrie, cierra la saga con acci\u00f3n espectacular. McQuarrie destac\u00f3 con <\/span><\/span>Mission: Impossible \u2013 Fallout<\/span><\/span><\/span><\/span> (2018) y <\/span><\/span>Top Gun: Maverick<\/span><\/span><\/span><\/span> (2022), nominada al Oscar. Con <\/span><\/span>Tom Cruise<\/span><\/span><\/span><\/span>, esta cinta asegura un estreno taquillero en la Croisette.<\/span><\/span><\/span><\/span><\/div>\n
Vie Priv\u00e9e<\/span><\/span><\/span><\/span> \u2013 Rebecca Zlotowski<\/span><\/span><\/span><\/span><\/div>\n
Vie Priv\u00e9e<\/span><\/span><\/span><\/span>, de Rebecca Zlotowski, es un drama de prestigio. Zlotowski brill\u00f3 con <\/span><\/span>An Easy Girl<\/span><\/span><\/span><\/span> (2019), Premio SACD en la Quincena, y <\/span><\/span>Los hijos de otros<\/span><\/span><\/span><\/span> (2022) en Venecia. Con <\/span><\/span>Jodie Foster<\/span><\/span><\/span><\/span>, esta cinta combina narrativa \u00edntima y estrellato, ideal para galas.<\/span><\/span><\/span><\/span><\/div>\n
Colours of Sky<\/span><\/span><\/span><\/span> \u2013 Cedric Klapisch<\/span><\/span><\/span><\/span><\/div>\n
Colours of Sky<\/span><\/span><\/span><\/span>, de Cedric Klapisch, es un drama vibrante. Klapisch destac\u00f3 con <\/span><\/span>L\u2019Auberge Espagnole<\/span><\/span><\/span><\/span> (2002) y <\/span><\/span>Paris<\/span><\/span><\/span><\/span> (2008), favoritas en festivales. Sin actores de renombre especificados, su estilo accesible promete conectar con el p\u00fablico de Cannes.<\/span><\/span><\/span><\/span><\/div>\n
The Richest Woman in the World<\/span><\/span><\/span><\/span> \u2013 Thierry Klifa<\/span><\/span><\/span><\/span><\/div>\n
The Richest Woman in the World<\/span><\/span><\/span><\/span>, de Thierry Klifa, explora riqueza y poder. Klifa es conocido por dramas franceses como <\/span><\/span>Tout nous s\u00e9pare<\/span><\/span><\/span><\/span> (2017). Con <\/span><\/span>Isabelle Huppert<\/span><\/span><\/span><\/span>, esta cinta aporta glamour y profundidad dram\u00e1tica, perfecta para una proyecci\u00f3n de gala.<\/span><\/span><\/span><\/span><\/div>\n
Cannes Premiere<\/span><\/span><\/div>\n
Renai Saiban<\/span><\/span><\/span><\/span> \u2013 K\u014dji Fukada<\/span><\/span><\/span><\/span><\/div>\n
Renai Saiban<\/span><\/span><\/span><\/span>, de K\u014dji Fukada, es un drama psicol\u00f3gico. Fukada gan\u00f3 el Premio del Jurado en Un Certain Regard con <\/span><\/span>Harmonium<\/span><\/span><\/span><\/span> (2016). <\/span><\/span><\/span><\/span><\/div>\n
\u00c1stin Sem Eftir Er<\/span><\/span><\/span><\/span> \u2013 Hlynur P\u00e1lmason<\/span><\/span><\/span><\/span><\/div>\n
\u00c1stin Sem Eftir Er<\/span><\/span><\/span><\/span>, de Hlynur P\u00e1lmason, es un drama island\u00e9s. P\u00e1lmason destac\u00f3 con <\/span><\/span>A White, WhiteLDFLAGS<\/span><\/span><\/span><\/span> (2019) en la Semana de la Cr\u00edtica y <\/span><\/span>Godland<\/span><\/span><\/span><\/span> (2022) en Un Certain Regard. <\/span><\/span><\/span><\/span><\/div>\n
Magalh\u00e3es<\/span><\/span><\/span><\/span> \u2013 Lav Diaz<\/span><\/span><\/span><\/span><\/div>\n
Magalh\u00e3es<\/span><\/span><\/span><\/span>, de Lav Diaz, aborda la expedici\u00f3n de Magallanes. Diaz gan\u00f3 el Le\u00f3n de Oro con <\/span><\/span>The Woman Who Left<\/span><\/span><\/span><\/span> (2016) y el Premio Alfred Bauer con <\/span><\/span>A Lullaby to the Sorrowful Mystery<\/span><\/span><\/span><\/span> (2016). Con <\/span><\/span>Gael Garc\u00eda Bernal<\/span><\/span><\/span><\/span>, esta \u00e9pica hist\u00f3rica promete impacto en Cannes Premiere.<\/span><\/span><\/span><\/span><\/div>\n
Splitsville<\/span><\/span><\/span><\/span> \u2013 Kirill Serebrennikov<\/span><\/span><\/span><\/span><\/div>\n
Splitsville<\/span><\/span><\/span><\/span>, de Kirill Serebrennikov, es un drama contempor\u00e1neo. Serebrennikov destac\u00f3 con <\/span><\/span>Petrov\u2019s Flu<\/span><\/span><\/span><\/span> (2021) y <\/span><\/span>Leto<\/span><\/span><\/span><\/span> (2018) en Cannes. <\/span><\/span><\/span><\/span><\/div>\n
Orwell<\/span><\/span><\/span><\/span> \u2013 Raoul Peck<\/span><\/span><\/span><\/span><\/div>\n
Orwell<\/span><\/span><\/span><\/span>, de Raoul Peck, explora la vida de George Orwell. Peck es conocido por <\/span><\/span>I Am Not Your Negro<\/span><\/span><\/span><\/span> (2016), nominado al Oscar, y <\/span><\/span>Lumumba<\/span><\/span><\/span><\/span> (2000). <\/span><\/span><\/span><\/span><\/div>\n
Proyecciones de Medianoche<\/span><\/span><\/div>\n
Honey Don\u2019t!<\/span><\/span><\/span><\/span> \u2013 Ethan Coen<\/span><\/span><\/span><\/span><\/div>\n
Honey Don\u2019t!<\/span><\/span><\/span><\/span>, de Ethan Coen, es una comedia-thriller l\u00e9sbica. Coen, con su hermano Joel, cre\u00f3 <\/span><\/span>Fargo<\/span><\/span><\/span><\/span> (1996), Mejor Director en Cannes, y <\/span><\/span>No Country for Old Men<\/span><\/span><\/span><\/span> (2007), cuatro Oscars. <\/span><\/span><\/span><\/span><\/div>\n
Le Roi Soleil<\/span><\/span><\/span><\/span> \u2013 Vincent Ma\u00ebl Cardona<\/span><\/span><\/span><\/span><\/div>\n
Le Roi Soleil<\/span><\/span><\/span><\/span>, de Vincent Ma\u00ebl Cardona, es una pieza de g\u00e9nero audaz. Cardona destac\u00f3 con <\/span><\/span>Magnetic Beats<\/span><\/span><\/span><\/span> (2021), Premio SACD en la Quincena. <\/span><\/span><\/span><\/span><\/div>\n
Proyecciones Especiales<\/span><\/span><\/div>\n
La Misteriosa Mirada del Flamenco<\/span><\/span><\/span><\/span> \u2013 Diego C\u00e9spedes<\/span><\/span><\/span><\/span><\/div>\n
La Misteriosa Mirada del Flamenco<\/span><\/span><\/span><\/span>, debut de Diego C\u00e9spedes, es un drama chileno. Sin obras previas destacadas, su selecci\u00f3n en Proyecciones Especiales refleja el apoyo de Cannes a nuevos talentos. <\/span><\/span><\/span><\/span><\/div>\n

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La<\/span> <\/span><\/span>Semana<\/span> <\/span><\/span>de<\/span> <\/span><\/span>la<\/span> <\/span><\/span>Cr\u00edtica,<\/span> <\/span><\/span>organizada<\/span> <\/span><\/span>por<\/span> <\/span><\/span>el<\/span> <\/span><\/span>Sindicato<\/span> <\/span><\/span>Franc\u00e9s<\/span> <\/span><\/span>de<\/span> <\/span><\/span>la<\/span> <\/span><\/span>Cr\u00edtica<\/span> <\/span><\/span>de<\/span> <\/span><\/span>Cine,<\/span> <\/span><\/span>selecciona<\/span> <\/span><\/span>siete<\/span> <\/span><\/span>largometrajes<\/span> <\/span><\/span>y<\/span> <\/span><\/span>diez<\/span> <\/span><\/span>cortometrajes<\/span> <\/span><\/span>de<\/span> <\/span><\/span>nuevos<\/span> <\/span><\/span>cineastas.<\/span> <\/span><\/span>La<\/span> <\/span><\/span>Quincena<\/span> <\/span><\/span>de<\/span> <\/span><\/span>Cineastas,<\/span> <\/span><\/span>no<\/span> <\/span><\/span>competitiva,<\/span> <\/span><\/span>presenta<\/span> <\/span><\/span>28<\/span> <\/span><\/span>pel\u00edculas<\/span> <\/span><\/span>que<\/span> <\/span><\/span>desaf\u00edan<\/span> <\/span><\/span>convenciones,<\/span> <\/span><\/span>mientras<\/span> <\/span><\/span>que<\/span> <\/span><\/span>ACID,<\/span> <\/span><\/span>curada<\/span> <\/span><\/span>por<\/span> <\/span><\/span>cineastas,<\/span> <\/span><\/span>ofrece<\/span> <\/span><\/span>nueve<\/span> <\/span><\/span>filmes<\/span> <\/span><\/span>independientes,<\/span> <\/span><\/span>incluyendo<\/span> <\/span><\/span>seis<\/span> <\/span><\/span>ficciones<\/span> <\/span><\/span>y<\/span> <\/span><\/span>tres<\/span> <\/span><\/span>documentales.<\/span><\/span><\/span><\/div>\n

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Quincena<\/span> <\/span><\/span>de<\/span> <\/span><\/span>Cineastas<\/span> <\/span><\/span><\/span><\/div>\n
Miroirs<\/span> <\/span><\/span>No.<\/span> <\/span><\/span>3<\/span><\/span><\/span><\/span> <\/span><\/span>\u2013<\/span> <\/span><\/span>Christian<\/span> <\/span><\/span>Petzold<\/span><\/span><\/span><\/div>\n
Miroirs<\/span> <\/span><\/span>No.<\/span> <\/span><\/span>3<\/span><\/span><\/span><\/span>,<\/span> <\/span><\/span>de<\/span> <\/span><\/span>Christian<\/span> <\/span><\/span>Petzold,<\/span> <\/span><\/span>es<\/span> <\/span><\/span>una<\/span> <\/span><\/span>de<\/span> <\/span><\/span>las<\/span> <\/span><\/span>joyas<\/span> <\/span><\/span>de<\/span> <\/span><\/span>la<\/span> <\/span><\/span>Quincena<\/span> <\/span><\/span>de<\/span> <\/span><\/span>Cineastas<\/span> <\/span><\/span>2025,<\/span> <\/span><\/span>continuando<\/span> <\/span><\/span>la<\/span> <\/span><\/span>exploraci\u00f3n<\/span> <\/span><\/span>emocional<\/span> <\/span><\/span>del<\/span> <\/span><\/span>director<\/span> <\/span><\/span>alem\u00e1n.<\/span> <\/span><\/span>Petzold<\/span> <\/span><\/span>destac\u00f3<\/span> <\/span><\/span>con<\/span> <\/span><\/span><\/span>Barbara<\/span><\/span><\/span><\/span> <\/span><\/span>(2012),<\/span> <\/span><\/span>Oso<\/span> <\/span><\/span>de<\/span> <\/span><\/span>Plata<\/span> <\/span><\/span>en<\/span> <\/span><\/span>Berl\u00edn;<\/span> <\/span><\/span><\/span>Phoenix<\/span><\/span><\/span><\/span> <\/span><\/span>(2014),<\/span> <\/span><\/span>aclamada<\/span> <\/span><\/span>en<\/span> <\/span><\/span>Toronto;<\/span> <\/span><\/span>y<\/span> <\/span><\/span><\/span>Undine<\/span><\/span><\/span><\/span> <\/span><\/span>(2020),<\/span> <\/span><\/span>Mejor<\/span> <\/span><\/span>Actriz<\/span> <\/span><\/span>en<\/span> <\/span><\/span>Berl\u00edn.<\/span> <\/span><\/span>Con<\/span> <\/span><\/span><\/span>Paula<\/span> <\/span><\/span>Beer<\/span><\/span><\/span><\/span>,<\/span> <\/span><\/span>esta<\/span> <\/span><\/span>cinta<\/span> <\/span><\/span>promete<\/span> <\/span><\/span>su<\/span> <\/span><\/span>caracter\u00edstica<\/span> <\/span><\/span>mezcla<\/span> <\/span><\/span>de<\/span> <\/span><\/span>intimidad<\/span> <\/span><\/span>y<\/span> <\/span><\/span>comentario<\/span> <\/span><\/span>hist\u00f3rico,<\/span> <\/span><\/span>resonando<\/span> <\/span><\/span>en<\/span> <\/span><\/span>una<\/span> <\/span><\/span>secci\u00f3n<\/span> <\/span><\/span>que<\/span> <\/span><\/span>valora<\/span> <\/span><\/span>la<\/span> <\/span><\/span>singularidad<\/span> <\/span><\/span>y<\/span> <\/span><\/span>ha<\/span> <\/span><\/span>lanzado<\/span> <\/span><\/span>a<\/span> <\/span><\/span>cineastas<\/span> <\/span><\/span>como<\/span> <\/span><\/span>Ken<\/span> <\/span><\/span>Loach.<\/span><\/span><\/span><\/div>\n
La<\/span> <\/span><\/span>Mort<\/span> <\/span><\/span>n\u2019Existe<\/span> <\/span><\/span>Pas<\/span> <\/span><\/span>(Death<\/span> <\/span><\/span>Does<\/span> <\/span><\/span>Not<\/span> <\/span><\/span>Exist)<\/span><\/span><\/span><\/span> <\/span><\/span>\u2013<\/span> <\/span><\/span>F\u00e9lix<\/span> <\/span><\/span>Dufour-Laperri\u00e8re<\/span><\/span><\/span><\/div>\n
La<\/span> <\/span><\/span>Mort<\/span> <\/span><\/span>n\u2019Existe<\/span> <\/span><\/span>Pas<\/span><\/span><\/span><\/span>,<\/span> <\/span><\/span>dirigida<\/span> <\/span><\/span>por<\/span> <\/span><\/span>F\u00e9lix<\/span> <\/span><\/span>Dufour-Laperri\u00e8re,<\/span> <\/span><\/span>explora<\/span> <\/span><\/span>temas<\/span> <\/span><\/span>existenciales<\/span> <\/span><\/span>con<\/span> <\/span><\/span>un<\/span> <\/span><\/span>enfoque<\/span> <\/span><\/span>visual<\/span> <\/span><\/span>distintivo.<\/span> <\/span><\/span>Dufour-Laperri\u00e8re<\/span> <\/span><\/span>destac\u00f3<\/span> <\/span><\/span>con<\/span> <\/span><\/span><\/span>Archipelago<\/span><\/span><\/span><\/span> <\/span><\/span>(2021),<\/span> <\/span><\/span>un<\/span> <\/span><\/span>documental<\/span> <\/span><\/span>animado<\/span> <\/span><\/span>en<\/span> <\/span><\/span>festivales<\/span> <\/span><\/span>como<\/span> <\/span><\/span>Rotterdam,<\/span> <\/span><\/span>y<\/span> <\/span><\/span><\/span>Ville<\/span> <\/span><\/span>Neuve<\/span><\/span><\/span><\/span> <\/span><\/span>(2018),<\/span> <\/span><\/span>en<\/span> <\/span><\/span>Toronto.<\/span> <\/span><\/span>Sin<\/span> <\/span><\/span>actores<\/span> <\/span><\/span>de<\/span> <\/span><\/span>renombre<\/span> <\/span><\/span>especificados,<\/span> <\/span><\/span>esta<\/span> <\/span><\/span>cinta<\/span> <\/span><\/span>refleja<\/span> <\/span><\/span>el<\/span> <\/span><\/span>esp\u00edritu<\/span> <\/span><\/span>de<\/span> <\/span><\/span>la<\/span> <\/span><\/span>Quincena<\/span> <\/span><\/span>de<\/span> <\/span><\/span>promover<\/span> <\/span><\/span>obras<\/span> <\/span><\/span>audaces,<\/span> <\/span><\/span>ofreciendo<\/span> <\/span><\/span>una<\/span> <\/span><\/span>experiencia<\/span> <\/span><\/span>inmersiva<\/span> <\/span><\/span>que<\/span> <\/span><\/span>desaf\u00eda<\/span> <\/span><\/span>convenciones<\/span> <\/span><\/span>narrativas.<\/span><\/span><\/span><\/div>\n
The<\/span> <\/span><\/span>President\u2019s<\/span> <\/span><\/span>Cake<\/span> <\/span><\/span>(Mamlaket<\/span> <\/span><\/span>al-Qasab)<\/span><\/span><\/span><\/span> <\/span><\/span>\u2013<\/span> <\/span><\/span>Hasan<\/span> <\/span><\/span>Hadi<\/span><\/span><\/span><\/div>\n
The<\/span> <\/span><\/span>President\u2019s<\/span> <\/span><\/span>Cake<\/span><\/span><\/span><\/span>,<\/span> <\/span><\/span>\u00f3pera<\/span> <\/span><\/span>prima<\/span> <\/span><\/span>de<\/span> <\/span><\/span>Hasan<\/span> <\/span><\/span>Hadi,<\/span> <\/span><\/span>es<\/span> <\/span><\/span>una<\/span> <\/span><\/span>de<\/span> <\/span><\/span>las<\/span> <\/span><\/span>ocho<\/span> <\/span><\/span>debutantes<\/span> <\/span><\/span>en<\/span> <\/span><\/span>la<\/span> <\/span><\/span>Quincena<\/span> <\/span><\/span>2025.<\/span> <\/span><\/span>Sin<\/span> <\/span><\/span>obras<\/span> <\/span><\/span>previas,<\/span> <\/span><\/span>Hadi<\/span> <\/span><\/span>representa<\/span> <\/span><\/span>el<\/span> <\/span><\/span>compromiso<\/span> <\/span><\/span>de<\/span> <\/span><\/span>la<\/span> <\/span><\/span>secci\u00f3n<\/span> <\/span><\/span>con<\/span> <\/span><\/span>nuevos<\/span> <\/span><\/span>talentos.<\/span> <\/span><\/span>Sin<\/span> <\/span><\/span>actores<\/span> <\/span><\/span>de<\/span> <\/span><\/span>renombre<\/span> <\/span><\/span>mencionados,<\/span> <\/span><\/span>esta<\/span> <\/span><\/span>cinta<\/span> <\/span><\/span>promete<\/span> <\/span><\/span>una<\/span> <\/span><\/span>perspectiva<\/span> <\/span><\/span>fresca,<\/span> <\/span><\/span>alineada<\/span> <\/span><\/span>con<\/span> <\/span><\/span>el<\/span> <\/span><\/span>esp\u00edritu<\/span> <\/span><\/span>de<\/span> <\/span><\/span>resistencia<\/span> <\/span><\/span>de<\/span> <\/span><\/span>la<\/span> <\/span><\/span>Quincena,<\/span> <\/span><\/span>que<\/span> <\/span><\/span>ha<\/span> <\/span><\/span>presentado<\/span> <\/span><\/span>filmes<\/span> <\/span><\/span>latinoamericanos<\/span> <\/span><\/span>como<\/span> <\/span><\/span><\/span>Los<\/span> <\/span><\/span>hiperb\u00f3reos<\/span><\/span><\/span><\/span> <\/span><\/span>(2024).<\/span> <\/span><\/span>Su<\/span> <\/span><\/span>selecci\u00f3n<\/span> <\/span><\/span>asegura<\/span> <\/span><\/span>atenci\u00f3n<\/span> <\/span><\/span>por<\/span> <\/span><\/span>su<\/span> <\/span><\/span>originalidad.<\/span><\/span><\/span><\/div>\n
Que<\/span> <\/span><\/span>Ma<\/span> <\/span><\/span>Volont\u00e9<\/span> <\/span><\/span>Soit<\/span> <\/span><\/span>Faite<\/span><\/span><\/span><\/span> <\/span><\/span>\u2013<\/span> <\/span><\/span>Julia<\/span> <\/span><\/span>Kowalski<\/span><\/span><\/span><\/div>\n
Que<\/span> <\/span><\/span>Ma<\/span> <\/span><\/span>Volont\u00e9<\/span> <\/span><\/span>Soit<\/span> <\/span><\/span>Faite<\/span><\/span><\/span><\/span>,<\/span> <\/span><\/span>de<\/span> <\/span><\/span>Julia<\/span> <\/span><\/span>Kowalski,<\/span> <\/span><\/span>es<\/span> <\/span><\/span>una<\/span> <\/span><\/span>adici\u00f3n<\/span> <\/span><\/span>destacada<\/span> <\/span><\/span>a<\/span> <\/span><\/span>la<\/span> <\/span><\/span>Quincena.<\/span> <\/span><\/span>Kowalski<\/span> <\/span><\/span>debut\u00f3<\/span> <\/span><\/span>con<\/span> <\/span><\/span><\/span>Crache<\/span> <\/span><\/span>Coeur<\/span><\/span><\/span><\/span> <\/span><\/span>(2015),<\/span> <\/span><\/span>proyectada<\/span> <\/span><\/span>en<\/span> <\/span><\/span>festivales<\/span> <\/span><\/span>como<\/span> <\/span><\/span>Locarno.<\/span> <\/span><\/span>Sin<\/span> <\/span><\/span>actores<\/span> <\/span><\/span>de<\/span> <\/span><\/span>renombre<\/span> <\/span><\/span>especificados,<\/span> <\/span><\/span>esta<\/span> <\/span><\/span>cinta<\/span> <\/span><\/span>se<\/span> <\/span><\/span>beneficia<\/span> <\/span><\/span>del<\/span> <\/span><\/span>enfoque<\/span> <\/span><\/span>de<\/span> <\/span><\/span>la<\/span> <\/span><\/span>Quincena<\/span> <\/span><\/span>en<\/span> <\/span><\/span>obras<\/span> <\/span><\/span>que<\/span> <\/span><\/span>desaf\u00edan<\/span> <\/span><\/span>ideolog\u00edas<\/span> <\/span><\/span>dominantes,<\/span> <\/span><\/span>prometiendo<\/span> <\/span><\/span>una<\/span> <\/span><\/span>narrativa<\/span> <\/span><\/span>emocional<\/span> <\/span><\/span>y<\/span> <\/span><\/span>visualmente<\/span> <\/span><\/span>rica,<\/span> <\/span><\/span>ideal<\/span> <\/span><\/span>para<\/span> <\/span><\/span>cin\u00e9filos<\/span> <\/span><\/span>que<\/span> <\/span><\/span>buscan<\/span> <\/span><\/span>descubrimientos.<\/span><\/span><\/span><\/div>\n
Sorry,<\/span> <\/span><\/span>Baby<\/span><\/span><\/span><\/span> <\/span><\/span>\u2013<\/span> <\/span><\/span>Eva<\/span> <\/span><\/span>Victor<\/span><\/span><\/span><\/div>\n
Sorry,<\/span> <\/span><\/span>Baby<\/span><\/span><\/span><\/span>,<\/span> <\/span><\/span>\u00f3pera<\/span> <\/span><\/span>prima<\/span> <\/span><\/span>de<\/span> <\/span><\/span>Eva<\/span> <\/span><\/span>Victor,<\/span> <\/span><\/span>es<\/span> <\/span><\/span>una<\/span> <\/span><\/span>de<\/span> <\/span><\/span>las<\/span> <\/span><\/span>apuestas<\/span> <\/span><\/span>frescas<\/span> <\/span><\/span>de<\/span> <\/span><\/span>la<\/span> <\/span><\/span>Quincena<\/span> <\/span><\/span>2025.<\/span> <\/span><\/span>Sin<\/span> <\/span><\/span>obras<\/span> <\/span><\/span>previas,<\/span> <\/span><\/span>Victor<\/span> <\/span><\/span>refleja<\/span> <\/span><\/span>la<\/span> <\/span><\/span>misi\u00f3n<\/span> <\/span><\/span>de<\/span> <\/span><\/span>la<\/span> <\/span><\/span>secci\u00f3n<\/span> <\/span><\/span>de<\/span> <\/span><\/span>descubrir<\/span> <\/span><\/span>talentos<\/span> <\/span><\/span>emergentes,<\/span> <\/span><\/span>como<\/span> <\/span><\/span>lo<\/span> <\/span><\/span>hicieron<\/span> <\/span><\/span>Spike<\/span> <\/span><\/span>Lee<\/span> <\/span><\/span>o<\/span> <\/span><\/span>los<\/span> <\/span><\/span>Dardenne.<\/span> <\/span><\/span>Sin<\/span> <\/span><\/span>actores<\/span> <\/span><\/span>de<\/span> <\/span><\/span>renombre,<\/span> <\/span><\/span>esta<\/span> <\/span><\/span>cinta<\/span> <\/span><\/span>promete<\/span> <\/span><\/span>un<\/span> <\/span><\/span>lenguaje<\/span> <\/span><\/span>cinematogr\u00e1fico<\/span> <\/span><\/span>\u00fanico,<\/span> <\/span><\/span>buscando<\/span> <\/span><\/span>resonar<\/span> <\/span><\/span>en<\/span> <\/span><\/span>una<\/span> <\/span><\/span>selecci\u00f3n<\/span> <\/span><\/span>que<\/span> <\/span><\/span>celebra<\/span> <\/span><\/span>la<\/span> <\/span><\/span>diversidad<\/span> <\/span><\/span>y<\/span> <\/span><\/span>la<\/span> <\/span><\/span>resistencia<\/span> <\/span><\/span>art\u00edstica.<\/span><\/span><\/span><\/div>\n
Enzo<\/span><\/span><\/span><\/span> <\/span><\/span>\u2013<\/span> <\/span><\/span>Laurent<\/span> <\/span><\/span>Cantet<\/span> <\/span><\/span>y<\/span> <\/span><\/span>Robin<\/span> <\/span><\/span>Campillo<\/span><\/span><\/span><\/div>\n
Enzo<\/span><\/span><\/span><\/span>,<\/span> <\/span><\/span>dirigida<\/span> <\/span><\/span>por<\/span> <\/span><\/span>Laurent<\/span> <\/span><\/span>Cantet<\/span> <\/span><\/span>y<\/span> <\/span><\/span>Robin<\/span> <\/span><\/span>Campillo,<\/span> <\/span><\/span>abre<\/span> <\/span><\/span>la<\/span> <\/span><\/span>Quincena<\/span> <\/span><\/span>con<\/span> <\/span><\/span>una<\/span> <\/span><\/span>narrativa<\/span> <\/span><\/span>potente.<\/span> <\/span><\/span>Cantet<\/span> <\/span><\/span>gan\u00f3<\/span> <\/span><\/span>la<\/span> <\/span><\/span>Palma<\/span> <\/span><\/span>de<\/span> <\/span><\/span>Oro<\/span> <\/span><\/span>con<\/span> <\/span><\/span><\/span>La<\/span> <\/span><\/span>clase<\/span><\/span><\/span><\/span> <\/span><\/span>(2008),<\/span> <\/span><\/span>mientras<\/span> <\/span><\/span>Campillo<\/span> <\/span><\/span>destac\u00f3<\/span> <\/span><\/span>con<\/span> <\/span><\/span><\/span>120<\/span> <\/span><\/span>pulsaciones<\/span> <\/span><\/span>por<\/span> <\/span><\/span>minuto<\/span><\/span><\/span><\/span> <\/span><\/span>(2017),<\/span> <\/span><\/span>Gran<\/span> <\/span><\/span>Premio<\/span> <\/span><\/span>en<\/span> <\/span><\/span>Cannes.<\/span> <\/span><\/span>Sin<\/span> <\/span><\/span>actores<\/span> <\/span><\/span>de<\/span> <\/span><\/span>renombre<\/span> <\/span><\/span>especificados,<\/span> <\/span><\/span>esta<\/span> <\/span><\/span>colaboraci\u00f3n<\/span> <\/span><\/span>combina<\/span> <\/span><\/span>su<\/span> <\/span><\/span>maestr\u00eda<\/span> <\/span><\/span>en<\/span> <\/span><\/span>temas<\/span> <\/span><\/span>sociales,<\/span> <\/span><\/span>prometiendo<\/span> <\/span><\/span>un<\/span> <\/span><\/span>impacto<\/span> <\/span><\/span>emocional<\/span> <\/span><\/span>en<\/span> <\/span><\/span>una<\/span> <\/span><\/span>secci\u00f3n<\/span> <\/span><\/span>que<\/span> <\/span><\/span>valora<\/span> <\/span><\/span>la<\/span> <\/span><\/span>audacia.<\/span><\/span><\/span><\/div>\n
La<\/span> <\/span><\/span>Danse<\/span> <\/span><\/span>des<\/span> <\/span><\/span>Renards<\/span> <\/span><\/span>(La<\/span> <\/span><\/span>ronda<\/span> <\/span><\/span>de<\/span> <\/span><\/span>los<\/span> <\/span><\/span>zorros)<\/span><\/span><\/span><\/span> <\/span><\/span>\u2013<\/span> <\/span><\/span>Val\u00e9ry<\/span> <\/span><\/span>Carnoy<\/span><\/span><\/span><\/div>\n
La<\/span> <\/span><\/span>Danse<\/span> <\/span><\/span>des<\/span> <\/span><\/span>Renards<\/span><\/span><\/span><\/span>,<\/span> <\/span><\/span>\u00f3pera<\/span> <\/span><\/span>prima<\/span> <\/span><\/span>de<\/span> <\/span><\/span>Val\u00e9ry<\/span> <\/span><\/span>Carnoy,<\/span> <\/span><\/span>es<\/span> <\/span><\/span>una<\/span> <\/span><\/span>adici\u00f3n<\/span> <\/span><\/span>vibrante<\/span> <\/span><\/span>a<\/span> <\/span><\/span>la<\/span> <\/span><\/span>Quincena.<\/span> <\/span><\/span>Sin<\/span> <\/span><\/span>obras<\/span> <\/span><\/span>previas,<\/span> <\/span><\/span>Carnoy<\/span> <\/span><\/span>se<\/span> <\/span><\/span>alinea<\/span> <\/span><\/span>con<\/span> <\/span><\/span>el<\/span> <\/span><\/span>enfoque<\/span> <\/span><\/span>de<\/span> <\/span><\/span>la<\/span> <\/span><\/span>secci\u00f3n<\/span> <\/span><\/span>en<\/span> <\/span><\/span>debutantes<\/span> <\/span><\/span>audaces.<\/span> <\/span><\/span>Sin<\/span> <\/span><\/span>actores<\/span> <\/span><\/span>de<\/span> <\/span><\/span>renombre,<\/span> <\/span><\/span>esta<\/span> <\/span><\/span>cinta<\/span> <\/span><\/span>promete<\/span> <\/span><\/span>una<\/span> <\/span><\/span>narrativa<\/span> <\/span><\/span>singular,<\/span> <\/span><\/span>reflejando<\/span> <\/span><\/span>el<\/span> <\/span><\/span>esp\u00edritu<\/span> <\/span><\/span>de<\/span> <\/span><\/span>resistencia<\/span> <\/span><\/span>de<\/span> <\/span><\/span>la<\/span> <\/span><\/span>Quincena,<\/span> <\/span><\/span>que<\/span> <\/span><\/span>en<\/span> <\/span><\/span>2024<\/span> <\/span><\/span>incluy\u00f3<\/span> <\/span><\/span>filmes<\/span> <\/span><\/span>como<\/span> <\/span><\/span><\/span>A<\/span> <\/span><\/span>queda<\/span> <\/span><\/span>do<\/span> <\/span><\/span>c\u00e9u<\/span><\/span><\/span><\/span> <\/span><\/span>de<\/span> <\/span><\/span>Gabriela<\/span> <\/span><\/span>Carneiro<\/span> <\/span><\/span>da<\/span> <\/span><\/span>Cunha.<\/span><\/span><\/span><\/div>\n<\/div>\n

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Semana de la Cr\u00edtica<\/span><\/div>\n
Ciudad Sin Sue\u00f1o (Sleepless City)<\/span><\/span><\/span><\/span> \u2013 Guillermo Galoe<\/span><\/span><\/span><\/div>\n
Ciudad Sin Sue\u00f1o<\/span><\/span><\/span><\/span>, \u00f3pera prima de Guillermo Galoe, sigue a dos amigos en un barrio marginal de Madrid enfrentados a una separaci\u00f3n. Rodada en Espa\u00f1a y Francia, con una duraci\u00f3n de 1 hora y 37 minutos, esta cinta carece de obras previas destacadas del director, pero refleja el ojo de la Semana de la Cr\u00edtica para nuevos talentos. <\/span><\/span><\/span><\/div>\n
Imago<\/span><\/span><\/span><\/span> \u2013 D\u00e9ni Oumar Pitsaev<\/span><\/span><\/span><\/div>\n
Imago<\/span><\/span><\/span><\/span>, debut de D\u00e9ni Oumar Pitsaev, es un documental autobiogr\u00e1fico sobre un checheno que planea construir una casa modernista en Georgia. Producida entre Francia y B\u00e9lgica, dura 1 hora y 48 minutos. <\/span><\/span><\/span><\/div>\n
Kika<\/span><\/span><\/span><\/span> \u2013 Alexe Poukine<\/span><\/span><\/span><\/div>\n
Kika<\/span><\/span><\/span><\/span>, primer largometraje de ficci\u00f3n de Alexe Poukine, retrata a una trabajadora social (<\/span><\/span>Manon Clavel<\/span><\/span><\/span><\/span>) lidiando con un embarazo tras perder a su pareja. Coproducida por B\u00e9lgica y Francia, con 1 hora y 48 minutos, Poukine ya destac\u00f3 con el documental <\/span><\/span>Sans frapper<\/span><\/span><\/span><\/span> (2022). <\/span><\/span><\/span><\/div>\n
Left-Handed Girl<\/span><\/span><\/span><\/span> \u2013 Shih-Ching Tsou<\/span><\/span><\/span><\/div>\n
Left-Handed Girl<\/span><\/span><\/span><\/span>, \u00f3pera prima de Shih-Ching Tsou, sigue a una madre soltera y sus hijas en Taip\u00e9i, desentra\u00f1ando secretos familiares. Filmada entre Taiw\u00e1n, Francia, EE.UU. y Reino Unido, dura 1 hora y 48 minutos. Tsou codirigi\u00f3 <\/span><\/span>Take Out<\/span><\/span><\/span><\/span> (2004) con Sean Baker, quien produce esta cinta. <\/span><\/span><\/span><\/div>\n
Nino<\/span><\/span><\/span><\/span> \u2013 Pauline Loqu\u00e8s<\/span><\/span><\/span><\/div>\n
Nino<\/span><\/span><\/span><\/span>, debut de Pauline Loqu\u00e8s, muestra a un joven (<\/span><\/span>Th\u00e9odore Pellerin<\/span><\/span><\/span><\/span>) vagando por la ciudad tras perder sus llaves. Producida en Francia y con 1 hora y 36 minutos, Loqu\u00e8s no tiene obras previas destacadas, pero su talento emergente brilla. <\/span><\/span><\/span><\/div>\n
Pee Chai Dai Ka (A Useful Ghost)<\/span><\/span><\/span><\/span> \u2013 Ratchapoom Boonbunchachoke<\/span><\/span><\/span><\/div>\n
Pee Chai Dai Ka<\/span><\/span><\/span><\/span>, \u00f3pera prima de Ratchapoom Boonbunchachoke, es una comedia rom\u00e1ntica donde una madre (<\/span><\/span>Mai Davika Hoorne<\/span><\/span><\/span><\/span>) se reencarna como aspiradora para proteger a su familia. Rodada en Tailandia, Francia, Singapur y Alemania, dura 2 horas y 10 minutos. Boonbunchachoke gan\u00f3 en Locarno con el corto <\/span><\/span>Red Aninsri<\/span><\/span><\/span><\/span> (2020). <\/span><\/span><\/span><\/div>\n
Rietland (Reedland)<\/span><\/span><\/span><\/span> \u2013 Sven Bresser<\/span><\/span><\/span><\/div>\n
Rietland<\/span><\/span><\/span><\/span>, \u00f3pera prima de Sven Bresser, es un drama innovador de los Pa\u00edses Bajos y B\u00e9lgica, con 1 hora y 50 minutos. Sin obras previas destacadas, Bresser encarna el esp\u00edritu de descubrimiento de la Semana de la Cr\u00edtica. <\/span><\/span><\/span><\/div>\n
Especiales (4 pel\u00edculas)<\/span><\/div>\n
L\u2019int\u00e9r\u00eat d\u2019Adam (Adam\u2019s Interest)<\/span><\/span><\/span><\/span> \u2013 Laura Wandel (Apertura)<\/span><\/span><\/span><\/div>\n
L\u2019int\u00e9r\u00eat d\u2019Adam<\/span><\/span><\/span><\/span>, de Laura Wandel, muestra a una madre (<\/span><\/span>Anamaria Vartolomei<\/span><\/span><\/span><\/span>) y una enfermera (<\/span><\/span>L\u00e9a Drucker<\/span><\/span><\/span><\/span>) enfrentando la desnutrici\u00f3n de un ni\u00f1o. Producida en B\u00e9lgica y Francia, dura 1 hora y 13 minutos. Wandel destac\u00f3 con <\/span><\/span>Playground<\/span><\/span><\/span><\/span> (2021), Premio FIPRESCI en Un Certain Regard. Este drama intenso abre la secci\u00f3n con un realismo crudo y un elenco estelar.<\/span><\/span><\/span><\/div>\n
Baise en ville<\/span><\/span><\/span><\/span> \u2013 Martin Jauvat<\/span><\/span><\/span><\/div>\n
Baise en ville<\/span><\/span><\/span><\/span>, \u00f3pera prima de Martin Jauvat, sigue a un joven desempleado (<\/span><\/span>Jauvat<\/span><\/span><\/span><\/span>) que encuentra un trabajo peculiar en Francia, con 1 hora y 37 minutos. Sin obras previas destacadas, Jauvat aporta un humor exc\u00e9ntrico. Con <\/span><\/span>William Lebghil<\/span><\/span><\/span><\/span> y <\/span><\/span>Emmanuelle Bercot<\/span><\/span><\/span><\/span>, esta comedia obrera promete ternura y originalidad en una proyecci\u00f3n especial.<\/span><\/span><\/span><\/div>\n
Des preuves d\u2019amour (Love Letters)<\/span><\/span><\/span><\/span> \u2013 Alice Douard<\/span><\/span><\/span><\/div>\n
Des preuves d\u2019amour<\/span><\/span><\/span><\/span>, debut de Alice Douard, explora aventuras emocionales con humor en Francia, durante 1 hora y 36 minutos. Sin obras previas destacadas, Douard representa el talento franc\u00e9s emergente.<\/span><\/span><\/span><\/div>\n
Plan\u00e8tes (Dandelion\u2019s Odyssey)<\/span><\/span><\/span><\/span> \u2013 Momoko Seto (Clausura)<\/span><\/span><\/span><\/div>\n
Plan\u00e8tes<\/span><\/span><\/span><\/span>, \u00f3pera prima de Momoko Seto, cierra la secci\u00f3n con una narrativa innovadora desde Francia y B\u00e9lgica, en 1 hora y 15 minutos. Sin obras previas destacadas, Seto aporta una perspectiva \u00fanica. <\/span><\/span><\/span><\/div>\n

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ACID <\/span><\/div>\n
L\u2019Aventura<\/span><\/span><\/span><\/span> \u2013 Sophie Letourneur<\/span><\/span><\/span><\/div>\n
L\u2019Aventura<\/span><\/span><\/span><\/span>, de Sophie Letourneur, abre la selecci\u00f3n ACID 2025, rodada en Cerde\u00f1a con un enfoque \u00edntimo. Letourneur destac\u00f3 con <\/span><\/span>\u00c9norme<\/span><\/span><\/span><\/span> (2020), en la Semana de la Cr\u00edtica, y <\/span><\/span>Voyages en Italie<\/span><\/span><\/span><\/span> (2023), en festivales franceses. Con <\/span><\/span>Philippe Katerine<\/span><\/span><\/span><\/span> y la propia Letourneur, esta cinta promete una mezcla de humor y emoci\u00f3n, fiel al esp\u00edritu de ACID de promover cine independiente audaz y sin distribuidor franc\u00e9s.<\/span><\/span><\/span><\/div>\n
The Black Snake (La Couleuvre Noire)<\/span><\/span><\/span><\/span> \u2013 Aur\u00e9lien Vernhes-Lermusiaux<\/span><\/span><\/span><\/div>\n
The Black Snake<\/span><\/span><\/span><\/span>, de Aur\u00e9lien Vernhes-Lermusiaux, es una coproducci\u00f3n entre Francia, Colombia y Brasil. Vernhes-Lermusiaux debut\u00f3 con <\/span><\/span>Vers la bataille<\/span><\/span><\/span><\/span> (2019), en Locarno. Con <\/span><\/span>Alexis Tafur<\/span><\/span><\/span><\/span> y <\/span><\/span>Miguel \u00c1ngel Viera<\/span><\/span><\/span><\/span>, esta segunda obra explora temas de identidad y conflicto, resonando con la misi\u00f3n de ACID de visibilizar filmes independientes con perspectivas diversas, especialmente en contextos globales.<\/span><\/span><\/span><\/div>\n
Drifting Laurent (Laurent dans le vent)<\/span><\/span><\/span><\/span> \u2013 Anton Balekdjian, L\u00e9o Couture y Matt\u00e9o Eustachon<\/span><\/span><\/span><\/div>\n
Drifting Laurent<\/span><\/span><\/span><\/span>, dirigida por Anton Balekdjian, L\u00e9o Couture y Matt\u00e9o Eustachon, es una segunda obra colectiva. Sin obras previas destacadas mencionadas, este tr\u00edo representa la apuesta de ACID por cineastas emergentes. Con <\/span><\/span>Baptiste Perusat<\/span><\/span><\/span><\/span>, <\/span><\/span>B\u00e9atrice Dalle<\/span><\/span><\/span><\/span> y <\/span><\/span>Djanis Bouzyani<\/span><\/span><\/span><\/span>, esta cinta promete una narrativa experimental, alineada con la curadur\u00eda de cineastas de ACID que busca chispas creativas frente a la realidad.<\/span><\/span><\/span><\/div>\n
Entroncamento<\/span><\/span><\/span><\/span> \u2013 Pedro Cabeleira<\/span><\/span><\/span><\/div>\n
Entroncamento<\/span><\/span><\/span><\/span>, de Pedro Cabeleira, es una segunda obra portuguesa con coproducci\u00f3n francesa. Cabeleira debut\u00f3 con <\/span><\/span>Ver\u00e3o Danado<\/span><\/span><\/span><\/span> (2017), en Locarno. Con <\/span><\/span>Ana Vila\u00e7a<\/span><\/span><\/span><\/span> y <\/span><\/span>Cleo Di\u00e1ra<\/span><\/span><\/span><\/span>, esta cinta de m\u00e1s de dos horas explora encuentros y deseos, reflejando el enfoque de ACID en narrativas radicales y sin distribuidor, ideales para audiencias que buscan cine innovador.<\/span><\/span><\/span><\/div>\n
Life After Siham (La Vie apr\u00e8s Siham)<\/span><\/span><\/span><\/span> \u2013 Namir Abdel Messeeh<\/span><\/span><\/span><\/div>\n
Life After Siham<\/span><\/span><\/span><\/span>, de Namir Abdel Messeeh, es una segunda obra franco-egipcia. Messeeh destac\u00f3 con <\/span><\/span>My Own Private Alexandria<\/span><\/span><\/span><\/span> (2012), en festivales documentales. Sin actores de renombre especificados, esta cinta combina ficci\u00f3n y realidad, resonando con la misi\u00f3n de ACID de dar visibilidad a filmes independientes que abordan temas sociales desde perspectivas \u00fanicas, perfectos para la Croisette.<\/span><\/span><\/span><\/div>\n
A Light That Never Goes Out<\/span><\/span><\/span><\/span> \u2013 Lauri-Matti Parppei<\/span><\/span><\/span><\/div>\n
A Light That Never Goes Out<\/span><\/span><\/span><\/span>, \u00f3pera prima de Lauri-Matti Parppei, es una coproducci\u00f3n finlandesa-noruega. Sin obras previas, Parppei refleja el apoyo de ACID a debutantes audaces. Con <\/span><\/span>Samuel Kujala<\/span><\/span><\/span><\/span> y <\/span><\/span>Anna Rosaliina Kauno<\/span><\/span><\/span><\/span>, esta cinta explora almas solitarias en la noche finlandesa, prometiendo una narrativa visualmente impactante en una secci\u00f3n que valora la inventiva y la diversidad.<\/span><\/span><\/span><\/div>\n
Obscure Night – \u00abAin\u2019t I a Child?\u00bb<\/span><\/span><\/span><\/span> \u2013 Sylvain George<\/span><\/span><\/span><\/div>\n
Obscure Night – \u00abAin\u2019t I a Child?\u00bb<\/span><\/span><\/span><\/span>, de Sylvain George, es un documental franc\u00e9s-suizo-portugu\u00e9s de casi tres horas. George destac\u00f3 con <\/span><\/span>Qu\u2019ils reposent en r\u00e9volte<\/span><\/span><\/span><\/span> (2010), en FIDMarseille, y <\/span><\/span>Paris est une f\u00eate<\/span><\/span><\/span><\/span> (2017). Sin actores de renombre, esta obra explora resistencia y humanidad, alineada con la curadur\u00eda de ACID que busca filmes radicales con un impacto social profundo.<\/span><\/span><\/span><\/div>\n
Put Your Soul on Your Hand and Walk<\/span><\/span><\/span><\/span> \u2013 Sepideh Farsi<\/span><\/span><\/span><\/div>\n
Put Your Soul on Your Hand and Walk<\/span><\/span><\/span><\/span>, de Sepideh Farsi, es un documental franco-palestino-iran\u00ed dedicado a la fotoperiodista palestina Fatma Hassona. Farsi destac\u00f3 con <\/span><\/span>La Sir\u00e8ne<\/span><\/span><\/span><\/span> (2023), en Berl\u00edn. <\/span><\/span><\/span><\/div>\n
Drunken Noodles<\/span><\/span><\/span><\/span> \u2013 Lucio Castro<\/span><\/span><\/span><\/div>\n
Drunken Noodles<\/span><\/span><\/span><\/span>, de Lucio Castro, sigue a Adnan, un estudiante de arte en Nueva York, en un verano transformador. Castro debut\u00f3 con <\/span><\/span>End of the Century<\/span><\/span><\/span><\/span> (2019), en el BAFICI. Con <\/span><\/span>Laith Khalifeh<\/span><\/span><\/span><\/span>, <\/span><\/span>Ezriel Kornel<\/span><\/span><\/span><\/span>, <\/span><\/span>Matthew Risch<\/span><\/span><\/span><\/span> y <\/span><\/span>Joel Isaac<\/span><\/span><\/span><\/span>, esta coproducci\u00f3n argentino-estadounidense combina intimidad y exploraci\u00f3n cultural.<\/span><\/span><\/span><\/div>\n<\/div>\n

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El Festival de Cannes 2025 (13-24 de mayo) presenta una vibrante selecci\u00f3n de pel\u00edculas en su 78\u00aa edici\u00f3n, abarcando la Competencia (21 filmes por la Palma de Oro), Un Certain Regard, Fuera de Competencia, Cannes Premiere, Proyecciones de Medianoche, Proyecciones Especiales, y secciones paralelas como la Semana de la Cr\u00edtica, Quincena de Realizadores y ACID. … Leer m\u00e1s<\/a><\/p>\n","protected":false},"author":2,"featured_media":4648,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-4647","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.tegustamuchoelcine.com\/wp-json\/wp\/v2\/posts\/4647","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.tegustamuchoelcine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.tegustamuchoelcine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.tegustamuchoelcine.com\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.tegustamuchoelcine.com\/wp-json\/wp\/v2\/comments?post=4647"}],"version-history":[{"count":1,"href":"https:\/\/www.tegustamuchoelcine.com\/wp-json\/wp\/v2\/posts\/4647\/revisions"}],"predecessor-version":[{"id":4652,"href":"https:\/\/www.tegustamuchoelcine.com\/wp-json\/wp\/v2\/posts\/4647\/revisions\/4652"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.tegustamuchoelcine.com\/wp-json\/wp\/v2\/media\/4648"}],"wp:attachment":[{"href":"https:\/\/www.tegustamuchoelcine.com\/wp-json\/wp\/v2\/media?parent=4647"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.tegustamuchoelcine.com\/wp-json\/wp\/v2\/categories?post=4647"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.tegustamuchoelcine.com\/wp-json\/wp\/v2\/tags?post=4647"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}