{"id":203,"date":"2019-10-03T22:51:00","date_gmt":"2019-10-03T22:51:00","guid":{"rendered":"https:\/\/www.tegustamuchoelcine.com\/?p=203"},"modified":"2026-09-22T07:59:40","modified_gmt":"2026-09-22T07:59:40","slug":"san-sebastian-premios-oficiales","status":"publish","type":"post","link":"https:\/\/www.tegustamuchoelcine.com\/2019\/10\/san-sebastian-premios-oficiales.html","title":{"rendered":"San Sebastian, Premios oficiales"},"content":{"rendered":"
\n<\/p>\n
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\nPREMIOS OFICIALES – FIAPF<\/div>\n\n\n\n\n
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Gala de premios san sebastian 2019. Foto Rtve.es<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n
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\nConcha de Oro a la mejor pel\u00edcula<\/div>\n<\/div>\n\n\n\n
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\nPACIFICADO \/ PACIFIED<\/a><\/div>\n
\nPAXTON WINTERS (BRASIL)<\/div>\n
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\nPremio Especial del Jurado<\/div>\n<\/div>\n\n\n\n
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\n\u00a9 Carole Bethuel<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n
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\nPROXIMA<\/a><\/div>\n
\nALICE WINOCOUR (FRANCIA – ALEMANIA)<\/div>\n
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\nConcha de Plata al mejor director<\/div>\n<\/div>\n\n\n\n
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\nAITOR ARREGI, JON GARA\u00d1O, JOSE MARI GOENAGA<\/div>\n
\nLA TRINCHERA INFINITA \/ THE ENDLESS TRENCH<\/a><\/div>\n<\/div>\n
\nAITOR ARREGI, JON GARA\u00d1O, JOSE MARI GOENAGA (ESPA\u00d1A – FRANCIA)<\/div>\n
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\nConcha de Plata a la mejor actriz<\/div>\n<\/div>\n\n\n\n
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\nex aequo<\/span><\/div>\n
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\nNINA HOSS<\/div>\n
\nDAS VORSPIEL \/ THE AUDITION<\/a><\/div>\n<\/div>\n
\nINA WEISSE (ALEMANIA – FRANCIA)<\/div>\n
\n <\/div>\n<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n
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\nGRETA FERN\u00c1NDEZ<\/div>\n
\nLA HIJA DE UN LADR\u00d3N \/ A THIEF’S DAUGHTER<\/a><\/div>\n<\/div>\n
\nBEL\u00c9N FUNES (ESPA\u00d1A)<\/div>\n
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\nConcha de Plata al mejor actor<\/div>\n<\/div>\n\n\n\n
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\nBUKASSA KABENGELE<\/div>\n
\nPACIFICADO \/ PACIFIED<\/a><\/div>\n<\/div>\n
\nPAXTON WINTERS (BRASIL)<\/div>\n
\n <\/div>\n<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n
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\nPremio del Jurado a la mejor fotograf\u00eda<\/div>\n<\/div>\n\n\n\n
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\nLAURA MERIANS<\/div>\n
\nPACIFICADO \/ PACIFIED<\/a><\/div>\n<\/div>\n
\nPAXTON WINTERS (BRASIL)<\/div>\n
\n <\/div>\n<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n
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\nPremio del Jurado al mejor gui\u00f3n<\/div>\n<\/div>\n\n\n\n
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\nLUISO BERDEJO, JOSE MARI GOENAGA<\/div>\n
\nLA TRINCHERA INFINITA \/ THE ENDLESS TRENCH<\/a><\/div>\n<\/div>\n
\nAITOR ARREGI, JON GARA\u00d1O, JOSE MARI GOENAGA (ESPA\u00d1A – FRANCIA)<\/div>\n
\n <\/div>\n<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n
\n <\/div>\n
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\nOTROS PREMIOS OFICIALES<\/div>\n<\/div>\n
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\nPremio Kutxabank-New Directors<\/div>\n<\/div>\n\n\n\n
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\nALGUNAS BESTIAS \/ SOME BEASTS<\/a><\/div>\n
\nJORGE RIQUELME SERRANO (CHILE)<\/div>\n
\n <\/div>\n<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n
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\nMENCI\u00d3N ESPECIAL<\/span><\/div>\n
\nSESTRA \/ SISTER<\/a><\/div>\n
\nSVETLA TSOTSORKOVA (BULGARIA – CATAR)<\/div>\n
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\nPremio Horizontes<\/div>\n<\/div>\n\n\n\n
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\nDE NUEVO OTRA VEZ \/ AGAIN ONCE AGAIN<\/a><\/div>\n
\nROMINA PAULA (ARGENTINA)<\/div>\n
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\nMENCI\u00d3N ESPECIAL<\/span><\/div>\n
\nLA BRONCA<\/a><\/div>\n
\nDIEGO VEGA, DANIEL VEGA (PER\u00da – COLOMBIA)<\/div>\n
\n <\/div>\n<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n
\n <\/div>\n
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\nPremio Zabaltegi-Tabakalera<\/div>\n<\/div>\n\n\n\n
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\nICH WAR ZUHAUSE, ABER \/ I WAS AT HOME, BUT (ESTABA EN CASA, PERO…)<\/a><\/div>\n
\nANGELA SCHANELEC (ALEMANIA – SERBIA)<\/div>\n
\n <\/div>\n<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n
\n <\/div>\n
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\nMENCI\u00d3N ESPECIAL<\/span><\/div>\n
\nLES ENFANTS D’ISADORA \/ ISADORA’S CHILDREN<\/a><\/div>\n
\nDAMIEN MANIVEL (FRANCIA – COREA DEL SUR)<\/div>\n
\n <\/div>\n<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n
\n <\/div>\n
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\nPremio Nest Film Students<\/div>\n<\/div>\n\n\n\n
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\nORONA SARIA – Nest Film Students-en Film Labur Onena<\/span><\/div>\n
\nEM CASO DE FOGO \/ IN CASE OF FIRE<\/a><\/div>\n
\nCortometraje<\/div>\n
\nTOM\u00c1S PAULA MARQUES (PORTUGAL)<\/div>\n
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\nMENCI\u00d3N ESPECIAL<\/span><\/div>\n
\nFIEBRE AUSTRAL \/ AUSTRAL FEVER<\/a><\/div>\n
\nCortometraje<\/div>\n
\nTHOMAS WOODROFFE SILVA (CHILE)<\/div>\n
\n <\/div>\n<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n
\n <\/div>\n
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\nPremio del P\u00fablico Ciudad Donostia \/ San Sebasti\u00e1n<\/div>\n<\/div>\n\n\n\n
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\nHORS NORMES \/ THE SPECIALS (ESPECIALES)<\/a><\/div>\n
\nOLIVIER NAKACHE, \u00c9RIC TOLEDANO (FRANCIA)<\/div>\n
\n <\/div>\n<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n
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\nPremio a la Mejor Pel\u00edcula Europea<\/span><\/div>\n
\nSORRY WE MISSED YOU<\/a><\/div>\n
\nKEN LOACH (REINO UNIDO – FRANCIA – ALEMANIA)<\/div>\n
\n <\/div>\n<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n
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\nPremio Irizar al Cine Vasco<\/div>\n<\/div>\n\n\n\n
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\nLA TRINCHERA INFINITA \/ THE ENDLESS TRENCH<\/a><\/div>\n
\nAITOR ARREGI, JON GARA\u00d1O, JOSE MARI GOENAGA (ESPA\u00d1A – FRANCIA)<\/div>\n
\n <\/div>\n<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n
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\nMENCI\u00d3N ESPECIAL<\/span><\/div>\n
\nGLITTERING MISFITS<\/a><\/div>\n
\nIBAN DEL CAMPO (ESPA\u00d1A)<\/div>\n
\n <\/div>\n<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n
\n <\/div>\n
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\nPremio TCM de la Juventud<\/div>\n<\/div>\n\n\n\n
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\nLAS BUENAS INTENCIONES \/ THE GOOD INTENTIONS<\/a><\/div>\n
\nANA GARCIA BLAYA (ARGENTINA)<\/div>\n
\n <\/div>\n<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n
\n <\/div>\n
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\nPremio Cine en Construcci\u00f3n<\/div>\n<\/div>\n\n\n\n
\n\n\n\n
\"\"<\/a><\/p>\n
\n\u00a9 CORPULENTA<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n
\n\n\n\n
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\nPREMIO DE LA INDUSTRIA CINE EN CONSTRUCCI\u00d3N 36<\/span><\/div>\n
\nSIN SE\u00d1AS PARTICULARES \/ NON DISTINGUISHING FEATURES<\/a><\/div>\n
\nFERNANDA VALADEZ (M\u00c9XICO)<\/div>\n
\n <\/div>\n<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n
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\nPremios Glocal in Progress<\/div>\n<\/div>\n\n\n\n
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\nPREMIO DE LA INDUSTRIA GLOCAL IN PROGRESS<\/span><\/div>\n
\nGALAKTIKA E ANDROMED\u00cbS \/ ANDROMEDA GALAXY (GALAXIA DE ANDR\u00d3MEDA)<\/a><\/div>\n
\nMORE RA\u00c7A (KOSOVO – FRANCIA – MACEDONIA DEL NORTE – ITALIA)<\/div>\n
\n <\/div>\n<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n
\n <\/div>\n
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\nPREMIO GLOCAL IN PROGRESS<\/span><\/div>\n
\nGALAKTIKA E ANDROMED\u00cbS \/ ANDROMEDA GALAXY (GALAXIA DE ANDR\u00d3MEDA)<\/a><\/div>\n
\nMORE RA\u00c7A (KOSOVO – FRANCIA – MACEDONIA DEL NORTE – ITALIA)<\/div>\n
\n <\/div>\n<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n
\n <\/div>\n
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\nForo de Coproducci\u00f3n Europa-Am\u00e9rica Latina<\/div>\n<\/div>\n\n\n\n
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\nPREMIO AL MEJOR PROYECTO DEL VIII FORO DE COPRODUCCI\u00d3N EUROPA-AM\u00c9RICA LATINA<\/span><\/div>\n
\nLA HIJA DE TODAS LAS RABIAS \/ DAUGHTER OF RAGE<\/div>\n
\nLAURA BAUMEISTER (NICARAGUA – M\u00c9XICO – PA\u00cdSES BAJOS – ALEMANIA)<\/div>\n
\n <\/div>\n<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n
\n <\/div>\n
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\n\n\n\n
\"\"<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n\n\n\n\n
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\nPREMIO EFADs-CAACI DE COPRODUCCI\u00d3N EUROPA-AM\u00c9RICA LATINA<\/span><\/div>\n
\nLA HIJA DE TODAS LAS RABIAS \/ DAUGHTER OF RAGE<\/div>\n
\nLAURA BAUMEISTER (NICARAGUA – M\u00c9XICO – PA\u00cdSES BAJOS – ALEMANIA)<\/div>\n
\n <\/div>\n<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n
\n <\/div>\n
\n\n\n\n
\n\n\n\n
\"\"<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n\n\n\n\n
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\nPREMIO EURIMAGES AL DESARROLLO DE COPRODUCCI\u00d3N<\/span><\/div>\n
\nALMAMULA<\/div>\n
\nJUAN SEBASTIAN TORALES (FRANCIA – ARGENTINA – LUXEMBURGO)<\/div>\n
\n <\/div>\n<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n
\n <\/div>\n
\n\n\n\n
\n\n\n\n
\"\"<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n\n\n\n\n
\n
\n
\nARTEKINO INTERNATIONAL PRIZE<\/span><\/div>\n
\nLA HIJA DE TODAS LAS RABIAS \/ DAUGHTER OF RAGE<\/div>\n
\nLAURA BAUMEISTER (NICARAGUA – M\u00c9XICO – PA\u00cdSES BAJOS – ALEMANIA)<\/div>\n
\n <\/div>\n<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n
\n <\/div>\n
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\nPremio Ikusmira Berriak<\/div>\n<\/div>\n\n\n\n
\n\n\n\n
\"\"<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n\n\n\n\n
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\nPREMIO REC GRABAKETA ESTUDIOA A LA POSTPRODUCCI\u00d3N<\/span><\/div>\n
\nSEM DOR \/ PAINLESS (SIN DOLOR)<\/div>\n
\nMICHAEL WAHRMANN (BRASIL – PORTUGAL – ARGENTINA)<\/div>\n
\n <\/div>\n<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n
\n <\/div>\n
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\nPremio Zinemaldia & Technology<\/div>\n<\/div>\n\n\n\n
\n\n\n\n
\"\"<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n\n\n\n\n
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\nPREMIO ZINEMALDIA STARTUP CHALLENGE<\/span><\/div>\n
\nLARGOAI<\/div>\n
\n(SUIZA)<\/div>\n
\n <\/div>\n<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n
\n <\/div>\n
\n
\n
\nOTROS PREMIOS<\/div>\n<\/div>\n
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\nPremio RTVE – Otra Mirada<\/div>\n<\/div>\n\n\n\n
\n\n\n\n
\"\"<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n\n\n\n\n
\n
\n
\nLA OLA VERDE (QUE SEA LEY) \/ LET IT BE LAW<\/a><\/div>\n
\nJUAN SOLANAS (ARGENTINA – URUGUAY – FRANCIA)<\/div>\n
\n <\/div>\n<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n
\n <\/div>\n
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\nPremio Cooperaci\u00f3n Espa\u00f1ola<\/div>\n<\/div>\n\n\n\n
\n\n\n\n
\"\"<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n\n\n\n\n
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\n
\nNUESTRAS MADRES \/ OUR MOTHERS<\/a><\/div>\n
\nC\u00c9SAR D\u00cdAZ (FRANCIA – B\u00c9LGICA – GUATEMALA)<\/div>\n
\n <\/div>\n<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n
\n <\/div>\n
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\n
\nPREMIOS HONOR\u00cdFICOS<\/div>\n<\/div>\n
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\nPremio Donostia<\/div>\n<\/div>\n\n\n\n
\n\n\n\n
\"\"<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n\n\n\n\n
\n
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\nPEN\u00c9LOPE CRUZ<\/div>\n
\n <\/div>\n<\/div>\n
\n <\/div>\n
\n <\/div>\n<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n
\n <\/div>\n
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\"\"<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n\n\n\n\n
\n
\n
\n
\nCOSTA-GAVRAS<\/div>\n
\n <\/div>\n<\/div>\n
\n <\/div>\n
\n <\/div>\n<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n
\n <\/div>\n
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\nDONALD SUTHERLAND<\/div>\n
\n <\/div>\n<\/div>\n
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\n <\/div>\n<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n
\n <\/div>\n
\n
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\nPremio Zinemira<\/div>\n<\/div>\n\n\n\n
\n\n\n\n
\"\"<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n\n\n\n\n
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\nJOSE MAR\u00cdA \u00bbTXEPE\u00bb LARA<\/div>\n
\n <\/div>\n<\/div>\n
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\n <\/div>\n<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n
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\nPREMIOS PARALELOS<\/div>\n<\/div>\n
\n
\nPremio FIPRESCI<\/div>\n<\/div>\n\n\n\n
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\"\"<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n\n\n\n\n
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\nLA TRINCHERA INFINITA \/ THE ENDLESS TRENCH<\/a><\/div>\n
\nAITOR ARREGI, JON GARA\u00d1O, JOSE MARI GOENAGA (ESPA\u00d1A – FRANCIA)<\/div>\n
\n <\/div>\n<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n
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\nPremio FEROZ Zinemaldia<\/div>\n<\/div>\n\n\n\n
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\"\"<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n\n\n\n\n
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\nLA TRINCHERA INFINITA \/ THE ENDLESS TRENCH<\/a><\/div>\n
\nAITOR ARREGI, JON GARA\u00d1O, JOSE MARI GOENAGA (ESPA\u00d1A – FRANCIA)<\/div>\n
\n <\/div>\n<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n
\n <\/div>\n
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\nPremio al Mejor Gui\u00f3n Vasco<\/div>\n<\/div>\n\n\n\n
\n\n\n\n
\"\"<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n\n\n\n\n
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\nLUISO BERDEJO, JOSE MARI GOENAGA<\/div>\n
\nLA TRINCHERA INFINITA \/ THE ENDLESS TRENCH<\/a><\/div>\n<\/div>\n
\nAITOR ARREGI, JON GARA\u00d1O, JOSE MARI GOENAGA (ESPA\u00d1A – FRANCIA)<\/div>\n
\n <\/div>\n<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n
\n <\/div>\n
\n
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\nPremio Lurra – Greenpeace<\/div>\n<\/div>\n\n\n\n
\n\n\n\n
\"\"<\/a><\/p>\n
\n\u00a9 Gjorgji Klincarov<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n
\n\n\n\n
\n
\n
\nLE MILIEU DE L’HORIZON \/ BEYOND THE HORIZON<\/a><\/div>\n
\nDELPHINE LEHERICEY (SUIZA – B\u00c9LGICA)<\/div>\n
\n <\/div>\n<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n
\n <\/div>\n
\n
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\nPremio SIGNIS<\/div>\n<\/div>\n\n\n\n
\n\n\n\n
\"\"<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n\n\n\n\n
\n
\n
\nROCKS<\/a><\/div>\n
\nSARAH GAVRON (REINO UNIDO)<\/div>\n
\n <\/div>\n<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n
\n <\/div>\n
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\"\"<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n\n\n\n\n
\n
\n
\nMENCI\u00d3N ESPECIAL<\/span><\/div>\n
\nPROXIMA<\/a><\/div>\n
\nALICE WINOCOUR (FRANCIA – ALEMANIA)<\/div>\n
\n <\/div>\n<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n
\n <\/div>\n
\n
\n
\nPremio de la Asociaci\u00f3n de Donantes de Sangre de Gipuzkoa, a la Solidaridad \/ Elkartasun Saria<\/div>\n<\/div>\n\n\n\n
\n\n\n\n
\"\"<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n\n\n\n\n
\n
\n
\nIL PLEUVAIT DES OISEAUX \/ AND THE BIRDS RAINED DOWN (Y LLOVIERON P\u00c1JAROS)<\/a><\/div>\n
\nLOUISE ARCHAMBAULT (CANAD\u00c1)<\/div>\n
\n <\/div>\n<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n
\n <\/div>\n
\n
\n
\nPremio Sebastiane<\/div>\n<\/div>\n\n\n\n
\n\n\n\n
\"\"<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n\n\n\n\n
\n
\n
\nMONOS<\/a><\/div>\n
\nALEJANDRO LANDES (COLOMBIA – ARGENTINA – PA\u00cdSES BAJOS – ALEMANIA – SUECIA – URUGUAY)<\/div>\n
\n <\/div>\n<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n
\n <\/div>\n
\n
\n
\nPremio Ateneo Guipuzcoano<\/div>\n<\/div>\n\n\n\n
\n\n\n\n
\"\"<\/a><\/p>\n
\n\u00a9 Judith Kaufmann, Lupa Film<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n
\n\n\n\n
\n
\n
\nDAS VORSPIEL \/ THE AUDITION<\/a><\/div>\n
\nINA WEISSE (ALEMANIA – FRANCIA)<\/div>\n
\n <\/div>\n<\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<\/div>\n
\n <\/div>\n<\/div>\n
\n <\/p>\n
\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n
\n<\/div>\n
\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

PREMIOS OFICIALES – FIAPF Gala de premios san sebastian 2019. Foto Rtve.es Concha de Oro a la mejor pel\u00edcula PACIFICADO \/ PACIFIED PAXTON WINTERS (BRASIL)     Premio Especial del Jurado \u00a9 Carole Bethuel PROXIMA ALICE WINOCOUR (FRANCIA – ALEMANIA)     Concha de Plata al mejor director AITOR ARREGI, JON GARA\u00d1O, JOSE MARI GOENAGA LA TRINCHERA … Leer m\u00e1s<\/a><\/p>\n","protected":false},"author":2,"featured_media":204,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-203","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.tegustamuchoelcine.com\/wp-json\/wp\/v2\/posts\/203","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.tegustamuchoelcine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.tegustamuchoelcine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.tegustamuchoelcine.com\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.tegustamuchoelcine.com\/wp-json\/wp\/v2\/comments?post=203"}],"version-history":[{"count":1,"href":"https:\/\/www.tegustamuchoelcine.com\/wp-json\/wp\/v2\/posts\/203\/revisions"}],"predecessor-version":[{"id":245,"href":"https:\/\/www.tegustamuchoelcine.com\/wp-json\/wp\/v2\/posts\/203\/revisions\/245"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.tegustamuchoelcine.com\/wp-json\/wp\/v2\/media\/204"}],"wp:attachment":[{"href":"https:\/\/www.tegustamuchoelcine.com\/wp-json\/wp\/v2\/media?parent=203"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.tegustamuchoelcine.com\/wp-json\/wp\/v2\/categories?post=203"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.tegustamuchoelcine.com\/wp-json\/wp\/v2\/tags?post=203"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}