{"id":1368,"date":"2026-03-24T21:05:00","date_gmt":"2026-03-24T21:05:00","guid":{"rendered":"https:\/\/www.tegustamuchoelcine.com\/?p=1368"},"modified":"2026-09-22T08:10:12","modified_gmt":"2026-09-22T08:10:12","slug":"presencia-hispanoamericana-en-qumra-2026-coproducciones-y-nuevas-voces-en-un-programa-dominado-por-mena","status":"publish","type":"post","link":"https:\/\/www.tegustamuchoelcine.com\/2026\/03\/presencia-hispanoamericana-en-qumra-2026-coproducciones-y-nuevas-voces-en-un-programa-dominado-por-mena.html","title":{"rendered":"Presencia hispanoamericana en Qumra 2026: coproducciones y nuevas voces en un programa dominado por MENA"},"content":{"rendered":"<div class=\"separator\" style=\"clear: both; text-align: center;\"><a href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEgIndz7EUlI62-tcIz4uteUm5p0IvNMnKFrCdw3WXnSSa8G7DGQRah3vlF3mweQhMlHdldL2w5Pg5wI_KwcrBVZ91VmrrYufHD9W-ZsZDmNjdTvtFM0ubhFqdhsZJkj1mulWVKQeE71y3PnugzpD3mmBGnRRxaZ8zGTZ3Fd6ruIawiQE-n8mYgxQyhBjb8\/s1536\/ChatGPT%20Image%2024%20mar%202026,%2021_50_11.png\" imageanchor=\"1\" style=\"margin-left: 1em; margin-right: 1em;\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" border=\"0\" data-original-height=\"1024\" data-original-width=\"1536\" height=\"426\" src=\"https:\/\/www.tegustamuchoelcine.com\/wp-content\/uploads\/2026\/03\/ChatGPT20Image202420mar2020262021_50_11.png\" width=\"640\" \/><\/a><\/div>\n<p data-end=\"561\" data-start=\"252\">La edici\u00f3n 2026 de Qumra, iniciativa del Doha Film Institute, confirma una presencia <strong data-end=\"385\" data-start=\"337\">puntual pero significativa de Hispanoam\u00e9rica<\/strong>, principalmente a trav\u00e9s de coproducciones internacionales que conectan la regi\u00f3n con circuitos globales de desarrollo cinematogr\u00e1fico.<span><\/span><\/p>\n<p><!--more--> <span class=\"\" data-state=\"closed\"><\/span><\/p>\n<p data-end=\"975\" data-start=\"563\">Entre los proyectos seleccionados destacan <em data-end=\"620\" data-start=\"606\">Radiesthesia<\/em> (Chile\/Argentina\/Brasil\/Francia\/Qatar), <em data-end=\"684\" data-start=\"661\">The Language of Water<\/em> (Venezuela\/Rep\u00fablica Dominicana\/Per\u00fa\/Qatar) e <em data-end=\"753\" data-start=\"731\">In The Silence After<\/em> (Colombia\/Estados Unidos\/Qatar). Estas obras reflejan una diversidad de miradas latinoamericanas, abordando temas como territorio, memoria, identidad ind\u00edgena y v\u00ednculos familiares. <span class=\"\" data-state=\"closed\"><\/span><\/p>\n<p data-end=\"1228\" data-start=\"977\">En particular, la participaci\u00f3n de <strong data-end=\"1020\" data-start=\"1012\">Per\u00fa<\/strong> se da a trav\u00e9s de <em data-end=\"1062\" data-start=\"1039\">The Language of Water<\/em>, en etapa work-in-progress, consolidando su presencia dentro de esquemas de coproducci\u00f3n internacional, una tendencia clave en el cine latinoamericano contempor\u00e1neo.<\/p>\n<p data-end=\"1434\" data-start=\"1230\">M\u00e1s all\u00e1 de estos casos, la participaci\u00f3n hispanoamericana en Qumra sigue siendo minoritaria frente al fuerte peso de la regi\u00f3n MENA (Medio Oriente y Norte de \u00c1frica), que domina ampliamente la selecci\u00f3n.<\/p>\n<h2 data-end=\"1484\" data-section-id=\"8w8duh\" data-start=\"1441\">Los pa\u00edses m\u00e1s presentes en Qumra 2026<\/h2>\n<p data-end=\"1570\" data-start=\"1486\">El programa re\u00fane 49 proyectos de 39 pa\u00edses, con una clara concentraci\u00f3n geogr\u00e1fica:<\/p>\n<ul data-end=\"2143\" data-start=\"1572\">\n<li data-end=\"1715\" data-section-id=\"xim1ri\" data-start=\"1572\">\n<strong data-end=\"1583\" data-start=\"1574\">Qatar<\/strong>: el pa\u00eds m\u00e1s representado, con m\u00faltiples proyectos en todas las categor\u00edas, incluyendo una fuerte presencia de cineastas locales.\n<\/li>\n<li data-end=\"1828\" data-section-id=\"94aej\" data-start=\"1716\">\n<strong data-end=\"1729\" data-start=\"1718\">Francia<\/strong>: uno de los principales socios de coproducci\u00f3n, presente en numerosos proyectos internacionales.\n<\/li>\n<li data-end=\"1953\" data-section-id=\"1hzbwby\" data-start=\"1829\">\n<strong data-end=\"1868\" data-start=\"1831\">L\u00edbano, Egipto, T\u00fanez y Marruecos<\/strong>: destacan dentro de la regi\u00f3n MENA con varias participaciones en distintas etapas.\n<\/li>\n<li data-end=\"2067\" data-section-id=\"avhgo\" data-start=\"1954\">\n<strong data-end=\"1980\" data-start=\"1956\">Palestina y Jordania<\/strong>: tambi\u00e9n con presencia relevante, especialmente en series y proyectos en desarrollo.\n<\/li>\n<li data-end=\"2143\" data-section-id=\"1h0omuv\" data-start=\"2068\">\n<strong data-end=\"2094\" data-start=\"2070\">Arabia Saudita (KSA)<\/strong>: aparece como coproductor en varios proyectos.\n<\/li>\n<\/ul>\n<p data-end=\"2270\" data-start=\"2145\">Fuera de esta regi\u00f3n, la participaci\u00f3n internacional es m\u00e1s limitada y se articula principalmente a trav\u00e9s de coproducciones:<\/p>\n<ul data-end=\"2552\" data-start=\"2272\">\n<li data-end=\"2371\" data-section-id=\"3xzh24\" data-start=\"2272\">\n<strong data-end=\"2292\" data-start=\"2274\">Am\u00e9rica Latina<\/strong>: Chile, Argentina, Brasil, Venezuela, Rep\u00fablica Dominicana, Per\u00fa y Colombia.\n<\/li>\n<li data-end=\"2448\" data-section-id=\"h9md05\" data-start=\"2372\">\n<strong data-end=\"2384\" data-start=\"2374\">Europa<\/strong>: Alemania, Italia, Polonia, Dinamarca, B\u00e9lgica, Pa\u00edses Bajos.\n<\/li>\n<li data-end=\"2552\" data-section-id=\"11vnikv\" data-start=\"2449\">\n<strong data-end=\"2472\" data-start=\"2451\">Otros territorios<\/strong>: Estados Unidos, Canad\u00e1, Ir\u00e1n, Hong Kong, Taiw\u00e1n, Camer\u00fan, Ben\u00edn, Uzbekist\u00e1n.\n<\/li>\n<\/ul>\n<h2 data-end=\"2612\" data-section-id=\"jl0ph4\" data-start=\"2559\">Un programa global con fuerte identidad regional<\/h2>\n<p data-end=\"2801\" data-start=\"2614\">Qumra 2026 se realizar\u00e1 en formato online del 27 de marzo al 8 de abril, manteniendo su enfoque en mentor\u00eda y desarrollo para cineastas emergentes. <span class=\"\" data-state=\"closed\"><\/span><\/p>\n<p data-end=\"3050\" data-start=\"2803\">Aunque el programa contin\u00faa siendo predominantemente regional, la inclusi\u00f3n de proyectos con participaci\u00f3n hispanoamericana evidencia la importancia de las redes de coproducci\u00f3n para que estas cinematograf\u00edas accedan a plataformas internacionales.<\/p>\n<p data-end=\"3255\" data-start=\"3052\">En este contexto, la presencia latinoamericana \u2014aunque reducida\u2014 resulta clave para ampliar la diversidad de voces y consolidar v\u00ednculos entre industrias cinematogr\u00e1ficas de distintas regiones del mundo.<\/p>\n<p data-end=\"3255\" data-start=\"3052\"><\/p>\n<h2 data-end=\"130\" data-section-id=\"1r1opu2\" data-start=\"87\">Lista completa de proyectos<\/h2>\n<p data-end=\"505\" data-start=\"132\"><strong data-end=\"170\" data-start=\"132\">Desarrollo \u2013 Largometraje ficci\u00f3n:<\/strong><br data-end=\"173\" data-start=\"170\" \/><br \/>\nSpeak (T\u00fanez\/Francia\/Italia\/Qatar);<br data-end=\"211\" data-start=\"208\" \/><br \/>\nThe Peacock Queen (Qatar);<br data-end=\"240\" data-start=\"237\" \/><br \/>\nThe Guardian (Libia\/Argelia\/Canad\u00e1\/Francia\/Qatar);<br data-end=\"293\" data-start=\"290\" \/><br \/>\nThe Missing Planet (Egipto\/Alemania\/Italia\/Polonia\/Qatar);<br data-end=\"354\" data-start=\"351\" \/><br \/>\nGirl of Wind (T\u00fanez\/Qatar);<br data-end=\"384\" data-start=\"381\" \/><br \/>\nWhen I Close My Eyes, I See Your Eyes (Egipto\/Arabia Saudita\/Qatar);<br data-end=\"455\" data-start=\"452\" \/><br \/>\nAmara (L\u00edbano\/Francia\/Dinamarca\/Alemania\/Qatar).<\/p>\n<p data-end=\"677\" data-start=\"507\"><strong data-end=\"544\" data-start=\"507\">Desarrollo \u2013 Documental \/ ensayo:<\/strong><br data-end=\"547\" data-start=\"544\" \/><br \/>\nWhere Do I Belong? (Sud\u00e1n\/Qatar);<br data-end=\"583\" data-start=\"580\" \/><br \/>\nOnions to Forget the Past (L\u00edbano\/Francia\/Qatar);<br data-end=\"635\" data-start=\"632\" \/><br \/>\nPortrait of A (Jordania\/Alemania\/Qatar).<\/p>\n<p data-end=\"895\" data-start=\"679\"><strong data-end=\"709\" data-start=\"679\">Desarrollo \u2013 Cortometraje:<\/strong><br data-end=\"712\" data-start=\"709\" \/><br \/>\nReset (Qatar);<br data-end=\"729\" data-start=\"726\" \/><br \/>\nA Disguised Practice (Qatar);<br data-end=\"761\" data-start=\"758\" \/><br \/>\nmemorandum of understanding (working title) (Qatar);<br data-end=\"816\" data-start=\"813\" \/><br \/>\nSara&#8217;s Shoes (Ir\u00e1n\/Qatar);<br data-end=\"845\" data-start=\"842\" \/><br \/>\nUntil the Rain Stops (Palestina\/Jordania\/Qatar).<\/p>\n<p data-end=\"1139\" data-start=\"897\"><strong data-end=\"921\" data-start=\"897\">Desarrollo \u2013 Series:<\/strong><br data-end=\"924\" data-start=\"921\" \/><br \/>\nEchoes (L\u00edbano\/Qatar);<br data-end=\"949\" data-start=\"946\" \/><br \/>\nArab Love (T\u00fanez\/Egipto\/Arabia Saudita\/Marruecos\/Qatar);<br data-end=\"1008\" data-start=\"1005\" \/><br \/>\nThe Gate of Resurrection (Palestina\/Qatar);<br data-end=\"1054\" data-start=\"1051\" \/><br \/>\nVisions of the After (L\u00edbano\/Qatar);<br data-end=\"1093\" data-start=\"1090\" \/><br \/>\nLike a Feather in the Breeze (Egipto\/Qatar).<\/p>\n<p data-end=\"1268\" data-start=\"1141\"><strong data-end=\"1182\" data-start=\"1141\">En producci\u00f3n \u2013 Largometraje ficci\u00f3n:<\/strong><br data-end=\"1185\" data-start=\"1182\" \/><br \/>\nMadness and Honey Days (Irak\/Canad\u00e1\/Reino Unido\/Luxemburgo\/Arabia Saudita\/Qatar).<\/p>\n<p data-end=\"1433\" data-start=\"1270\"><strong data-end=\"1301\" data-start=\"1270\">En producci\u00f3n \u2013 Documental:<\/strong><br data-end=\"1304\" data-start=\"1301\" \/><br \/>\nSouad and Lamine (T\u00fanez\/Qatar);<br data-end=\"1338\" data-start=\"1335\" \/><br \/>\nMother Street (Marruecos\/Francia\/Qatar);<br data-end=\"1381\" data-start=\"1378\" \/><br \/>\nEverything She Didn\u2019t Say (Argelia\/Francia\/Qatar).<\/p>\n<p data-end=\"1569\" data-start=\"1435\"><strong data-end=\"1462\" data-start=\"1435\">En producci\u00f3n \u2013 Series:<\/strong><br data-end=\"1465\" data-start=\"1462\" \/><br \/>\nLegacy of Light: House of Wisdom (Estados Unidos\/Qatar);<br data-end=\"1524\" data-start=\"1521\" \/><br \/>\nA Lover\u2019s Manifesto (L\u00edbano\/Francia\/Qatar).<\/p>\n<p data-end=\"1726\" data-start=\"1571\"><strong data-end=\"1615\" data-start=\"1571\">Work-in-progress \u2013 Largometraje ficci\u00f3n:<\/strong><br data-end=\"1618\" data-start=\"1615\" \/><br \/>\nPeople of Solitude (Argelia\/Francia\/Qatar);<br data-end=\"1664\" data-start=\"1661\" \/><br \/>\nHamlet From The Slums (Egipto\/Francia\/Arabia Saudita\/Qatar).<\/p>\n<p data-end=\"1963\" data-start=\"1728\"><strong data-end=\"1762\" data-start=\"1728\">Work-in-progress \u2013 Documental:<\/strong><br data-end=\"1765\" data-start=\"1762\" \/><br \/>\nRooted in the Wind (Ir\u00e1n\/Qatar);<br data-end=\"1800\" data-start=\"1797\" \/><br \/>\nMy Mother &amp; I (Irak\/Egipto\/Francia\/Qatar);<br data-end=\"1845\" data-start=\"1842\" \/><br \/>\nChoreography of a Tyrant (Siria\/Francia\/Qatar);<br data-end=\"1895\" data-start=\"1892\" \/><br \/>\nThe Language of Water (Venezuela\/Rep\u00fablica Dominicana\/Per\u00fa\/Qatar).<\/p>\n<p data-end=\"2174\" data-start=\"1965\"><strong data-end=\"2009\" data-start=\"1965\">Work-in-progress \u2013 Cortometraje ficci\u00f3n:<\/strong><br data-end=\"2012\" data-start=\"2009\" \/><br \/>\nWhere the Sun Never Sets (Marruecos\/Francia\/Qatar);<br data-end=\"2066\" data-start=\"2063\" \/><br \/>\nGhafleh (L\u00edbano\/Qatar);<br data-end=\"2092\" data-start=\"2089\" \/><br \/>\nSundial (Sud\u00e1n\/Egipto\/Estados Unidos\/Qatar);<br data-end=\"2139\" data-start=\"2136\" \/><br \/>\nA Donkey Will (Qatar\/Uzbekist\u00e1n).<\/p>\n<p data-end=\"2243\" data-start=\"2176\"><strong data-end=\"2216\" data-start=\"2176\">Work-in-progress \u2013 Corto documental:<\/strong><br data-end=\"2219\" data-start=\"2216\" \/><br \/>\nNESYAN (Qatar\/L\u00edbano).<\/p>\n<p data-end=\"2370\" data-start=\"2245\"><strong data-end=\"2275\" data-start=\"2245\">Work-in-progress \u2013 Series:<\/strong><br data-end=\"2278\" data-start=\"2275\" \/><br \/>\nThe Walled Off Hotel VR Experience (Palestina\/Alemania\/Pa\u00edses Bajos\/Arabia Saudita\/Qatar).<\/p>\n<p data-end=\"2622\" data-start=\"2372\"><strong data-end=\"2412\" data-start=\"2372\">Picture Lock \u2013 Largometraje ficci\u00f3n:<\/strong><br data-end=\"2415\" data-start=\"2412\" \/><br \/>\nPipes (L\u00edbano\/Qatar);<br data-end=\"2439\" data-start=\"2436\" \/><br \/>\nFuxi: Joy in Four Chapters (Hong Kong\/Taiw\u00e1n\/Qatar);<br data-end=\"2494\" data-start=\"2491\" \/><br \/>\nRadiesthesia (Chile\/Argentina\/Brasil\/Francia\/Qatar);<br data-end=\"2549\" data-start=\"2546\" \/><br \/>\nHouse of the Wind (Camer\u00fan\/Francia\/B\u00e9lgica\/Ben\u00edn\/Arabia Saudita\/Qatar).<\/p>\n<p data-end=\"2814\" data-start=\"2624\"><strong data-end=\"2654\" data-start=\"2624\">Picture Lock \u2013 Documental:<\/strong><br data-end=\"2657\" data-start=\"2654\" \/><br \/>\nRevolutionaries Never Die (Palestina\/B\u00e9lgica\/Qatar);<br data-end=\"2712\" data-start=\"2709\" \/><br \/>\nBardi (Marruecos\/Francia\/Qatar);<br data-end=\"2747\" data-start=\"2744\" \/><br \/>\nWhen The News Breaks You (Qatar\/Palestina\/Grecia\/L\u00edbano\/Turqu\u00eda).<\/p>\n<p data-end=\"2892\" data-start=\"2816\"><strong data-end=\"2856\" data-start=\"2816\">Picture Lock \u2013 Cortometraje ficci\u00f3n:<\/strong><br data-end=\"2859\" data-start=\"2856\" \/><br \/>\nLight to Ashes (Qatar\/Francia).<\/p>\n<p data-end=\"3029\" data-start=\"2894\"><strong data-end=\"2930\" data-start=\"2894\">Picture Lock \u2013 Corto documental:<\/strong><br data-end=\"2933\" data-start=\"2930\" \/><br \/>\nIn The Silence After (Colombia\/Estados Unidos\/Qatar);<br data-end=\"2989\" data-start=\"2986\" \/><br \/>\nThreads Of Support (Qatar\/Uzbekist\u00e1n).<\/p>\n<p data-end=\"3255\" data-start=\"3052\">\n<p data-end=\"3089\" data-start=\"3031\"><strong data-end=\"3053\" data-start=\"3031\">Showcase \u2013 Series:<\/strong><br data-end=\"3056\" data-start=\"3053\" \/><br \/>\nCaptain Shedeed (Egipto\/Qatar).<\/p>\n<div class=\"intersub-ai-chat\" style=\"-webkit-box-align: initial; -webkit-box-decoration-break: initial; -webkit-box-direction: initial; -webkit-box-flex: initial; -webkit-box-ordinal-group: initial; -webkit-box-orient: initial; -webkit-box-pack: initial; -webkit-box-reflect: initial; -webkit-font-smoothing: initial; -webkit-line-break: initial; -webkit-line-clamp: initial; -webkit-locale: initial; -webkit-mask-box-image: initial; -webkit-rtl-ordering: initial; -webkit-ruby-position: initial; -webkit-tap-highlight-color: initial; -webkit-text-combine: initial; -webkit-text-decorations-in-effect: initial; -webkit-text-fill-color: initial; -webkit-text-orientation: initial; -webkit-text-security: initial; -webkit-text-stroke: initial; -webkit-user-drag: initial; -webkit-writing-mode: initial; accent-color: initial; alignment-baseline: initial; anchor-name: initial; anchor-scope: initial; animation-composition: initial; animation-trigger: initial; animation: initial; app-region: initial; appearance: initial; aspect-ratio: initial; backdrop-filter: initial; backface-visibility: initial; background-blend-mode: initial; background: initial; baseline-shift: initial; baseline-source: initial; block-size: initial; border-block: initial; border-collapse: initial; border-end-end-radius: initial; border-end-start-radius: initial; border-inline: initial; border-radius: initial; border-spacing: initial; border-start-end-radius: initial; border-start-start-radius: initial; border: initial; bottom: 0px !important; box-decoration-break: initial; box-shadow: initial; box-sizing: border-box; break-after: initial; break-before: initial; break-inside: initial; buffered-rendering: initial; caption-side: initial; caret-animation: initial; caret-color: initial; caret-shape: initial; clear: initial; clip-path: initial; clip-rule: initial; clip: initial; color-interpolation-filters: initial; color-interpolation: initial; color-rendering: initial; color-scheme: initial; color: initial; column-fill: initial; column-rule: initial; column-span: initial; columns: initial; contain-intrinsic-block-size: initial; contain-intrinsic-inline-size: initial; contain-intrinsic-size: initial; contain: initial; container: initial; content-visibility: initial; content: initial; corner-block-end-shape: initial; corner-block-start-shape: initial; corner-shape: initial; counter-increment: initial; counter-reset: initial; counter-set: initial; cursor: initial; cx: initial; cy: initial; d: initial; display: flex !important; dominant-baseline: initial; dynamic-range-limit: initial; empty-cells: initial; field-sizing: initial; fill-opacity: initial; fill-rule: initial; fill: initial; filter: initial; flex-direction: column !important; flex-wrap: initial; flex: initial; float: initial; flood-color: initial; flood-opacity: initial; font-palette: initial; font-synthesis: initial; font: initial; forced-color-adjust: initial; gap: initial; grid-area: initial; grid: initial; height: initial; hyphenate-character: initial; hyphenate-limit-chars: initial; hyphens: initial; image-orientation: initial; image-rendering: initial; initial-letter: initial; inline-size: initial; inset-block: initial; inset-inline: initial; interactivity: initial; interest-delay: initial; interpolate-size: initial; isolation: initial; left: initial; letter-spacing: initial; lighting-color: initial; line-break: initial; list-style: initial; margin-block: initial; margin-inline: initial; margin: initial; marker: initial; mask-type: initial; mask: initial; math-depth: initial; math-shift: initial; math-style: initial; max-block-size: initial; max-height: 100% !important; max-inline-size: initial; max-width: initial; min-block-size: initial; min-height: initial; min-inline-size: initial; min-width: initial; mix-blend-mode: initial; object-fit: initial; object-position: initial; object-view-box: initial; offset: initial; opacity: initial; order: initial; orphans: initial; outline-offset: initial; outline: initial; overflow-anchor: initial; overflow-block: initial; overflow-clip-margin: initial; overflow-inline: initial; overflow-wrap: initial; overflow: hidden; overlay: initial; overscroll-behavior-block: initial; overscroll-behavior-inline: initial; overscroll-behavior: initial; padding-block: initial; padding-inline: initial; padding: initial; page-orientation: initial; page: initial; paint-order: initial; perspective-origin: initial; perspective: initial; place-content: initial; place-items: initial; place-self: initial; pointer-events: none !important; position-anchor: initial; position-area: initial; position-try: initial; position-visibility: initial; position: fixed !important; print-color-adjust: initial; quotes: initial; r: initial; reading-flow: initial; reading-order: initial; resize: initial; right: 0px !important; rotate: initial; ruby-align: initial; ruby-position: initial; rx: initial; ry: initial; scale: initial; scroll-behavior: initial; scroll-initial-target: initial; scroll-margin-block: initial; scroll-margin-inline: initial; scroll-margin: initial; scroll-marker-group: initial; scroll-padding-block: initial; scroll-padding-inline: initial; scroll-padding: initial; scroll-snap-align: initial; scroll-snap-stop: initial; scroll-snap-type: initial; scroll-target-group: initial; scroll-timeline: initial; scrollbar-color: initial; scrollbar-gutter: initial; scrollbar-width: initial; shape-image-threshold: initial; shape-margin: initial; shape-outside: initial; shape-rendering: initial; size: initial; speak: initial; stop-color: initial; stop-opacity: initial; stroke-dasharray: initial; stroke-dashoffset: initial; stroke-linecap: initial; stroke-linejoin: initial; stroke-miterlimit: initial; stroke-opacity: initial; stroke-width: initial; stroke: initial; tab-size: initial; table-layout: initial; text-align-last: initial; text-align: initial; text-anchor: initial; text-autospace: initial; text-box: initial; text-combine-upright: initial; text-decoration-skip-ink: initial; text-decoration: initial; text-emphasis-position: initial; text-emphasis: initial; text-indent: initial; text-justify: initial; text-orientation: initial; text-overflow: initial; text-rendering: initial; text-shadow: initial; text-size-adjust: initial; text-spacing-trim: initial; text-transform: initial; text-underline-offset: initial; text-underline-position: initial; text-wrap: initial; timeline-scope: initial; timeline-trigger: initial; top: 0px !important; touch-action: initial; transform-box: initial; transform-origin: initial; transform-style: initial; transform: initial; transition: initial; translate: initial; trigger-scope: initial; user-select: initial; vector-effect: initial; vertical-align: initial; view-timeline: initial; view-transition-class: initial; view-transition-group: initial; view-transition-name: initial; visibility: initial; white-space-collapse: initial; widows: initial; width: initial; will-change: initial; word-break: initial; word-spacing: initial; writing-mode: initial; x: initial; y: initial; z-index: 2000000000 !important; zoom: initial;\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>La edici\u00f3n 2026 de Qumra, iniciativa del Doha Film Institute, confirma una presencia puntual pero significativa de Hispanoam\u00e9rica, principalmente a trav\u00e9s de coproducciones internacionales que conectan la regi\u00f3n con circuitos globales de desarrollo cinematogr\u00e1fico.<\/p>\n","protected":false},"author":2,"featured_media":1369,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1368","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.tegustamuchoelcine.com\/wp-json\/wp\/v2\/posts\/1368","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.tegustamuchoelcine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.tegustamuchoelcine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.tegustamuchoelcine.com\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.tegustamuchoelcine.com\/wp-json\/wp\/v2\/comments?post=1368"}],"version-history":[{"count":1,"href":"https:\/\/www.tegustamuchoelcine.com\/wp-json\/wp\/v2\/posts\/1368\/revisions"}],"predecessor-version":[{"id":1370,"href":"https:\/\/www.tegustamuchoelcine.com\/wp-json\/wp\/v2\/posts\/1368\/revisions\/1370"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.tegustamuchoelcine.com\/wp-json\/wp\/v2\/media\/1369"}],"wp:attachment":[{"href":"https:\/\/www.tegustamuchoelcine.com\/wp-json\/wp\/v2\/media?parent=1368"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.tegustamuchoelcine.com\/wp-json\/wp\/v2\/categories?post=1368"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.tegustamuchoelcine.com\/wp-json\/wp\/v2\/tags?post=1368"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}