{"id":9673,"date":"2026-01-30T07:30:00","date_gmt":"2026-01-30T07:30:00","guid":{"rendered":"https:\/\/www.tegustamuchoelcine.com\/?p=9673"},"modified":"2026-09-22T09:37:55","modified_gmt":"2026-09-22T09:37:55","slug":"critica-retour-a-fukushima-ficunam-2026","status":"publish","type":"post","link":"https:\/\/www.tegustamuchoelcine.com\/2026\/01\/critica-retour-a-fukushima-ficunam-2026.html","title":{"rendered":"Cr\u00edtica Retour \u00e0 Fukushima. Ficunam 2026"},"content":{"rendered":"<p>&nbsp;<\/p>\n<div class=\"separator\" style=\"clear: both; text-align: center;\"><a href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEjZLqmZ1JfJmPypRdQbkzJIlI_mJiJRg7LuZb6IzscytMDDw2r7XXm7LEXhcK-7No4wc267aRhyiarw_yglWRhOSpHa0JQM7QCGa96R_8QomDSHCXIpl4ks1_I9Ks1EEezjYWtsC2hWR3C3tsziN9CTEa5QcMKTPtx56_b90m5oursbhJRyER9WzD97W0E\/s665\/F70921BCB8F149848CCEA05A7726C076.jpg\" imageanchor=\"1\" style=\"margin-left: 1em; margin-right: 1em;\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" border=\"0\" data-original-height=\"360\" data-original-width=\"665\" height=\"346\" src=\"https:\/\/www.tegustamuchoelcine.com\/wp-content\/uploads\/2026\/01\/F70921BCB8F149848CCEA05A7726C076.jpg\" width=\"640\" \/><\/a><\/div>\n<\/p>\n<p data-end=\"3820\" data-start=\"3442\">A diferencia de muchos documentales sobre cat\u00e1strofes nucleares, <em data-end=\"3527\" data-start=\"3507\">Retour \u00e0 Fukushima<\/em> no se construye desde el acontecimiento, sino desde su eco persistente. Thomas Licata, que ya hab\u00eda trabajado anteriormente sobre territorios marcados por la memoria y la espera, presenta en Biarritz una obra profundamente contenida, donde el desastre nunca se muestra, pero lo impregna todo.<span><\/span><\/p>\n<p><!--more--><\/p>\n<p data-end=\"4267\" data-start=\"3822\">El film se sit\u00faa en barrios de reconstrucci\u00f3n levantados a\u00f1os despu\u00e9s del accidente de 2011. Licata filma casas nuevas rodeadas de campos vac\u00edos, carreteras limpias sin tr\u00e1fico y parcelas agr\u00edcolas que parecen m\u00e1s ordenadas que vivas. En varias secuencias recurrentes, los habitantes miden la radiaci\u00f3n del suelo con peque\u00f1os dispositivos port\u00e1tiles, un gesto cotidiano que se repite sin \u00e9nfasis, casi como si formara parte del ritual dom\u00e9stico.<\/p>\n<p data-end=\"4630\" data-start=\"4269\">No hay entrevistas frontales. Las conversaciones surgen mientras se limpia una ventana, se cocina o se trabaja la tierra. Esta decisi\u00f3n formal genera una intimidad particular, pero tambi\u00e9n exige del espectador una atenci\u00f3n activa. El silencio es un elemento estructural del film: silencios largos, sostenidos, que no se rellenan con m\u00fasica ni con explicaciones.<\/p>\n<p data-end=\"5033\" data-start=\"4632\">Uno de los ejes m\u00e1s interesantes del documental es la relaci\u00f3n entre retorno y desarraigo. Algunos protagonistas han decidido volver; otros lo hacen por falta de alternativas. Licata no jerarquiza estas decisiones ni las convierte en discurso. Las muestra a trav\u00e9s de gestos m\u00ednimos: una mudanza incompleta, una habitaci\u00f3n a\u00fan sin usar, una tierra que se cultiva sin saber si se comer\u00e1 lo que produce.<\/p>\n<p data-end=\"5296\" data-start=\"5035\">Visualmente, <em data-end=\"5068\" data-start=\"5048\">Retour \u00e0 Fukushima<\/em> apuesta por planos fijos y composiciones muy medidas, donde la geometr\u00eda de las viviendas contrasta con la irregularidad del paisaje. El resultado es una sensaci\u00f3n de provisionalidad permanente, como si todo estuviera en pausa.<\/p>\n<p data-end=\"5529\" data-start=\"5298\">En el contexto del FIPADOC, donde abundan los documentales de tesis clara, la pel\u00edcula de Licata destaca por su resistencia a la conclusi\u00f3n. No explica Fukushima; la habita. Y en ese gesto humilde y paciente reside su mayor fuerza.<\/p>\n<div class=\"intersub-ai-chat\" style=\"-webkit-box-align: initial; -webkit-box-decoration-break: initial; -webkit-box-direction: initial; -webkit-box-flex: initial; -webkit-box-ordinal-group: initial; -webkit-box-orient: initial; -webkit-box-pack: initial; -webkit-box-reflect: initial; -webkit-font-smoothing: initial; -webkit-line-break: initial; -webkit-line-clamp: initial; -webkit-locale: initial; -webkit-mask-box-image: initial; -webkit-rtl-ordering: initial; -webkit-ruby-position: initial; -webkit-tap-highlight-color: initial; -webkit-text-combine: initial; -webkit-text-decorations-in-effect: initial; -webkit-text-fill-color: initial; -webkit-text-orientation: initial; -webkit-text-security: initial; -webkit-text-stroke: initial; -webkit-user-drag: initial; -webkit-writing-mode: initial; accent-color: initial; alignment-baseline: initial; anchor-name: initial; anchor-scope: initial; animation-composition: initial; animation: initial; 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y: initial; z-index: 2000000000; zoom: initial;\"><\/div>\n<div class=\"intersub-ai-chat\" style=\"-webkit-box-align: initial; -webkit-box-decoration-break: initial; -webkit-box-direction: initial; -webkit-box-flex: initial; -webkit-box-ordinal-group: initial; -webkit-box-orient: initial; -webkit-box-pack: initial; -webkit-box-reflect: initial; -webkit-font-smoothing: initial; -webkit-line-break: initial; -webkit-line-clamp: initial; -webkit-locale: initial; -webkit-mask-box-image: initial; -webkit-rtl-ordering: initial; -webkit-ruby-position: initial; -webkit-tap-highlight-color: initial; -webkit-text-combine: initial; -webkit-text-decorations-in-effect: initial; -webkit-text-fill-color: initial; -webkit-text-orientation: initial; -webkit-text-security: initial; -webkit-text-stroke: initial; -webkit-user-drag: initial; -webkit-writing-mode: initial; accent-color: initial; alignment-baseline: initial; anchor-name: initial; anchor-scope: initial; animation-composition: initial; animation: initial; 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A diferencia de muchos documentales sobre cat\u00e1strofes nucleares, Retour \u00e0 Fukushima no se construye desde el acontecimiento, sino desde su eco persistente. Thomas Licata, que ya hab\u00eda trabajado anteriormente sobre territorios marcados por la memoria y la espera, presenta en Biarritz una obra profundamente contenida, donde el desastre nunca se muestra, pero lo impregna &#8230; <a title=\"Cr\u00edtica Retour \u00e0 Fukushima. Ficunam 2026\" class=\"read-more\" href=\"https:\/\/www.tegustamuchoelcine.com\/2026\/01\/critica-retour-a-fukushima-ficunam-2026.html\" aria-label=\"Leer m\u00e1s sobre Cr\u00edtica Retour \u00e0 Fukushima. Ficunam 2026\">Leer m\u00e1s<\/a><\/p>\n","protected":false},"author":2,"featured_media":9674,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-9673","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.tegustamuchoelcine.com\/wp-json\/wp\/v2\/posts\/9673","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.tegustamuchoelcine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.tegustamuchoelcine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.tegustamuchoelcine.com\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.tegustamuchoelcine.com\/wp-json\/wp\/v2\/comments?post=9673"}],"version-history":[{"count":1,"href":"https:\/\/www.tegustamuchoelcine.com\/wp-json\/wp\/v2\/posts\/9673\/revisions"}],"predecessor-version":[{"id":9675,"href":"https:\/\/www.tegustamuchoelcine.com\/wp-json\/wp\/v2\/posts\/9673\/revisions\/9675"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.tegustamuchoelcine.com\/wp-json\/wp\/v2\/media\/9674"}],"wp:attachment":[{"href":"https:\/\/www.tegustamuchoelcine.com\/wp-json\/wp\/v2\/media?parent=9673"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.tegustamuchoelcine.com\/wp-json\/wp\/v2\/categories?post=9673"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.tegustamuchoelcine.com\/wp-json\/wp\/v2\/tags?post=9673"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}