{"id":9669,"date":"2026-01-23T00:00:00","date_gmt":"2026-01-23T00:00:00","guid":{"rendered":"https:\/\/www.tegustamuchoelcine.com\/?p=9669"},"modified":"2026-09-22T09:37:54","modified_gmt":"2026-09-22T09:37:54","slug":"critica-raptures-rorelser-en-el-festival-de-cine-de-tromso-noruega","status":"publish","type":"post","link":"https:\/\/www.tegustamuchoelcine.com\/2026\/01\/critica-raptures-rorelser-en-el-festival-de-cine-de-tromso-noruega.html","title":{"rendered":"Cr\u00edtica Raptures (R\u00f6relser) en el festival de cine de Troms\u00f8 (Noruega)"},"content":{"rendered":"<\/p>\n<div class=\"separator\" style=\"clear: both; text-align: center;\"><a href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEhljPhp0eGLRrErcsZ8uMqnGzy_XWzzYyxwX6loh_w-DhP5Jzu5aJXmthoDjMk1_2DmqYh8lXWUaaj0bK70xZRDw1IsbyflJnrOY_ThA4xTqlm8fMmtVWM8WndFq8u3SFeUMtxqNTJm-SbeDVe53qImtJL2dO3I_wHzHU3eqiBcoUbz1C7189uq0L_cdZ4\/s1428\/MV5BOWYzNTQwYWUtMjNmMy00NjEyLTgzZDAtNTFmZmFhNTc4ZWFiXkEyXkFqcGc@._V1_FMjpg_UX1000_.jpg\" style=\"margin-left: 1em; margin-right: 1em;\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" border=\"0\" data-original-height=\"1428\" data-original-width=\"1000\" height=\"640\" src=\"https:\/\/www.tegustamuchoelcine.com\/wp-content\/uploads\/2026\/01\/MV5BOWYzNTQwYWUtMjNmMy00NjEyLTgzZDAtNTFmZmFhNTc4ZWFiXkEyXkFqcGc@._V1_FMjpg_UX1000_.jpg\" width=\"448\" \/><\/a><\/div>\n<p>&nbsp;En una regi\u00f3n donde historia, religi\u00f3n y lenguaje se entrecruzan como geograf\u00edas dif\u00edciles de trazar,&nbsp;<strong>Raptures<\/strong>&nbsp;(t\u00edtulo internacional de&nbsp;R\u00f6relser) emerge en el festival noruego de Troms\u00f8 (19-25 enero 2026) como una pieza cinematogr\u00e1fica ambiciosa que propone, con sensibilidad hist\u00f3rica, indagar en los pliegues menos explorados de la religi\u00f3n como forma de pertenencia y dislocaci\u00f3n.<\/p>\n<div><\/p>\n<div class=\"separator\" style=\"clear: both; text-align: center;\"><iframe loading=\"lazy\" allowfullscreen=\"\" class=\"BLOG_video_class\" height=\"266\" src=\"https:\/\/www.youtube.com\/embed\/zDSEoV1moNo\" width=\"320\" youtube-src-id=\"zDSEoV1moNo\"><\/iframe><\/div>\n<p><span><!--more--><\/span><\/p>\n<p><!--wp:paragraph--><\/p>\n<p><!--\/wp:paragraph--><\/p>\n<p><!--wp:paragraph--><\/p>\n<p>Dirigida por el sueco&nbsp;<strong>Jon Bl\u00e5hed<\/strong>, la pel\u00edcula se sit\u00faa en la&nbsp;<strong>Suecia rural de los a\u00f1os 1930<\/strong>, en una comunidad de la&nbsp;<strong>Torne Valley<\/strong>&nbsp;donde coexisten diferentes identidades ling\u00fc\u00edsticas (Me\u00e4nkieli, sueco y finland\u00e9s). Ah\u00ed, la trama sigue a&nbsp;<strong>Rakel<\/strong>, interpretada con matices introspectivos por&nbsp;<strong>Jessica Grabowsky<\/strong>, cuya vida se complica cuando su esposo&nbsp;<strong>Teodor<\/strong>&nbsp;adopta los dogmas de la llamada&nbsp;<strong>movimiento Korpela<\/strong>, un grupo religioso real donde las creencias puritanas y apocal\u00edpticas se convierten en el combustible para un culto cada vez m\u00e1s estricto y t\u00f3xico.<\/p>\n<p><!--\/wp:paragraph--><\/p>\n<p><!--wp:paragraph--><\/p>\n<p><strong>Desde su estreno internacional en el International Film Festival Rotterdam 2025<\/strong>, donde compiti\u00f3 en la&nbsp;<strong>Big Screen Competition<\/strong>,&nbsp;<em>Raptures<\/em>&nbsp;ha sido elogiada por su contexto hist\u00f3rico y su uso audaz de la&nbsp;<strong>lengua minoritaria Me\u00e4nkieli<\/strong>&nbsp;como veh\u00edculo narrativo central \u2014es la primera pel\u00edcula mayoritariamente hablada en ese idioma\u2014 lo que en s\u00ed mismo constituye un acto pol\u00edtico y cultural potente, se\u00f1alando la invisibilizaci\u00f3n de comunidades ling\u00fc\u00edsticas en el cine n\u00f3rdico contempor\u00e1neo.<\/p>\n<p><!--\/wp:paragraph--><\/p>\n<p><!--wp:paragraph--><\/p>\n<p>Sin embargo, m\u00e1s all\u00e1 de su contexto ling\u00fc\u00edstico e hist\u00f3rico, la pel\u00edcula tropieza con sus propias ambiciones. A pesar de su&nbsp;<strong>valor antropol\u00f3gico y contextual<\/strong>&nbsp;\u2014que permite al p\u00fablico asomarse a una parte poco conocida de la Europa septentrional\u2014, su ejecuci\u00f3n&nbsp;<strong>no consigue desatar del todo la energ\u00eda dram\u00e1tica que su premisa promet\u00eda<\/strong>. La narraci\u00f3n tiende a una&nbsp;<strong>resoluci\u00f3n narrativamente convencional y controlada<\/strong>, lo que priva al relato de un caos visceral que podr\u00eda haber intensificado la representaci\u00f3n del fanatismo y de la deformaci\u00f3n social de la fe religiosa.<\/p>\n<p><\/p>\n<div class=\"separator\" style=\"clear: both; text-align: center;\"><a href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEgntrlOsergW18IVPlmPR848o7DSe1x5FkykNJtpL7ecLga1fHupaQuqE6ppnY0eDIOhinVBZi3jKUbn3ppJnfWxunbS_bELH9UCuerhEidhbIQLC0FRcLFbjjObWdqSKuvu-0jRszo0ayRVWFJAJv0OV-4Swi18tLTP_XfXeAzeJFSz25LxT1Robu-VNA\/s2160\/Raptures.webp\" style=\"margin-left: 1em; margin-right: 1em;\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" border=\"0\" data-original-height=\"1440\" data-original-width=\"2160\" height=\"426\" src=\"https:\/\/www.tegustamuchoelcine.com\/wp-content\/uploads\/2026\/01\/Raptures.jpg\" width=\"640\" \/><\/a><\/div>\n<\/p>\n<p><!--\/wp:paragraph--><\/p>\n<p><!--wp:paragraph--><\/p>\n<p>Es precisamente aqu\u00ed donde&nbsp;<em>Raptures<\/em>&nbsp;se muestra m\u00e1s frustrante: su historia, inspirada en hechos reales y alimentada por la riqueza de un territorio narrativo excepcional (una comunidad fronteriza, dividida por idiomas y creencias), se diluye en una aproximaci\u00f3n formal que a menudo luce&nbsp;<strong>m\u00e1s acad\u00e9mica que cat\u00e1rtica<\/strong>. La figura de Teodor, el l\u00edder emergente, tiene momentos donde deber\u00eda causar desasosiego profundo, pero su evoluci\u00f3n dram\u00e1tica carece de un arco tan contundente como el que su credo apocal\u00edptico insin\u00faa, dejando al espectador con la sensaci\u00f3n de haber recorrido un paisaje hist\u00f3rico fascinante, pero narrativamente tibio.<\/p>\n<p><!--\/wp:paragraph--><\/p>\n<p><!--wp:paragraph--><\/p>\n<p>Los m\u00e9ritos del filme, sin embargo, son reales: la ambientaci\u00f3n, el dise\u00f1o de producci\u00f3n y la fotograf\u00eda evocan con precisi\u00f3n un tiempo y un lugar donde las tensiones culturales eran palpables; la emotividad soterrada de Rakel, intentando proteger a su familia de un fervor que ha perdido todo sentido de equilibrio, ofrece uno de los pocos puntos dram\u00e1ticos totalmente logrados de la pel\u00edcula.<\/p>\n<p><!--\/wp:paragraph--><\/p>\n<p><!--wp:paragraph--><\/p>\n<p>En definitiva,&nbsp;<strong>Raptures<\/strong>&nbsp;funciona mejor como documento hist\u00f3rico y exploraci\u00f3n cultural que como pieza dram\u00e1tica totalmente cohesionada. Su aproximaci\u00f3n \u201ccautelosa\u201d al fanatismo \u2014que evita el sensacionalismo pero tambi\u00e9n a veces su impacto emocional\u2014 lo convierte en un filme sugerente pero&nbsp;<strong>limitado en su resonancia dram\u00e1tica global<\/strong>. No es poco lo que la pel\u00edcula aspira a decir, pero su manera de decirlo a veces la deja en las fronteras de su propio tema, como si la fe que retrata imprimiera tambi\u00e9n una contenci\u00f3n que contagia la narraci\u00f3n.<\/p>\n<p><!--\/wp:paragraph--><\/p>\n<div class=\"intersub-ai-chat\" style=\"-webkit-box-align: initial; -webkit-box-decoration-break: initial; -webkit-box-direction: initial; -webkit-box-flex: initial; -webkit-box-ordinal-group: initial; -webkit-box-orient: initial; -webkit-box-pack: initial; -webkit-box-reflect: initial; -webkit-font-smoothing: initial; -webkit-line-break: initial; -webkit-line-clamp: initial; -webkit-locale: initial; -webkit-mask-box-image: initial; -webkit-rtl-ordering: initial; -webkit-ruby-position: initial; -webkit-tap-highlight-color: initial; -webkit-text-combine: initial; -webkit-text-decorations-in-effect: initial; -webkit-text-fill-color: initial; -webkit-text-orientation: initial; -webkit-text-security: initial; -webkit-text-stroke: initial; 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width: initial; will-change: initial; word-break: initial; word-spacing: initial; writing-mode: initial; x: initial; y: initial; z-index: 2000000000 !important; zoom: initial;\"><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp;En una regi\u00f3n donde historia, religi\u00f3n y lenguaje se entrecruzan como geograf\u00edas dif\u00edciles de trazar,&nbsp;Raptures&nbsp;(t\u00edtulo internacional de&nbsp;R\u00f6relser) emerge en el festival noruego de Troms\u00f8 (19-25 enero 2026) como una pieza cinematogr\u00e1fica ambiciosa que propone, con sensibilidad hist\u00f3rica, indagar en los pliegues menos explorados de la religi\u00f3n como forma de pertenencia y dislocaci\u00f3n.<\/p>\n","protected":false},"author":2,"featured_media":9670,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-9669","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.tegustamuchoelcine.com\/wp-json\/wp\/v2\/posts\/9669","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.tegustamuchoelcine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.tegustamuchoelcine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.tegustamuchoelcine.com\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.tegustamuchoelcine.com\/wp-json\/wp\/v2\/comments?post=9669"}],"version-history":[{"count":1,"href":"https:\/\/www.tegustamuchoelcine.com\/wp-json\/wp\/v2\/posts\/9669\/revisions"}],"predecessor-version":[{"id":9672,"href":"https:\/\/www.tegustamuchoelcine.com\/wp-json\/wp\/v2\/posts\/9669\/revisions\/9672"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.tegustamuchoelcine.com\/wp-json\/wp\/v2\/media\/9670"}],"wp:attachment":[{"href":"https:\/\/www.tegustamuchoelcine.com\/wp-json\/wp\/v2\/media?parent=9669"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.tegustamuchoelcine.com\/wp-json\/wp\/v2\/categories?post=9669"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.tegustamuchoelcine.com\/wp-json\/wp\/v2\/tags?post=9669"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}