{"id":8757,"date":"2026-02-23T00:38:00","date_gmt":"2026-02-23T00:38:00","guid":{"rendered":"https:\/\/www.tegustamuchoelcine.com\/?p=8757"},"modified":"2026-09-22T09:21:18","modified_gmt":"2026-09-22T09:21:18","slug":"ganadores-berlinale-2026","status":"publish","type":"post","link":"https:\/\/www.tegustamuchoelcine.com\/2026\/02\/ganadores-berlinale-2026.html","title":{"rendered":"Ganadores Berlinale 2026"},"content":{"rendered":"<p>&nbsp;<\/p>\n<div class=\"separator\" style=\"clear: both; text-align: center;\"><a href=\"https:\/\/blogger.googleusercontent.com\/img\/a\/AVvXsEiTduALTLhnHwQ4ApFCTwUBUPhXE1FLgpacdiadAdXFJ7ZjGywrbSX6DwwKZCwsJJ6E6AhIMT-OHBVNNFVmibQpx4QfRnwZaP1JhER4282XHqCnVDP4OmNTb6UNePRqpYJAIsASipvDilNeodrfz7i598x7PcBfQdkZXeRjz99p9_UX4yT-sGex8yq5nus\" style=\"margin-left: 1em; margin-right: 1em;\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" alt=\"\" data-original-height=\"738\" data-original-width=\"1103\" height=\"428\" src=\"https:\/\/www.tegustamuchoelcine.com\/wp-content\/uploads\/2026\/02\/image-d97d9982ca9d54b7d8e6f24da9cea611.png\" width=\"640\" \/><\/a><\/div>\n<div class=\"separator\" style=\"clear: both; text-align: center;\">Oso de Oro&nbsp; \u00a9 Dirk Michael Deckbar&nbsp; Berlinale 2026<\/div>\n<p>La Berlinale 2026 no estuvo exenta de pol\u00e9micas, especialmente por el fuerte contenido pol\u00edtico de varias pel\u00edculas en competici\u00f3n y los debates en torno a la representaci\u00f3n de conflictos contempor\u00e1neos, lo que reaviv\u00f3 discusiones sobre el papel del festival como espacio de posicionamiento cultural y geopol\u00edtico. Sin embargo, el palmar\u00e9s tambi\u00e9n evidenci\u00f3 grandes logros art\u00edsticos: <em data-end=\"463\" data-start=\"449\">Gelbe Briefe<\/em> se consolid\u00f3 como una de las obras m\u00e1s s\u00f3lidas del a\u00f1o por su mirada hist\u00f3rica y formal, mientras <em data-end=\"576\" data-start=\"562\">Staatsschutz<\/em> destac\u00f3 por su impacto pol\u00edtico y conexi\u00f3n con el p\u00fablico, acumulando varios premios paralelos.&nbsp;<\/p>\n<div class=\"separator\" style=\"clear: both; text-align: center;\"><iframe loading=\"lazy\" allowfullscreen=\"\" class=\"BLOG_video_class\" height=\"266\" src=\"https:\/\/www.youtube.com\/embed\/KwF6GsmXo04\" width=\"320\" youtube-src-id=\"KwF6GsmXo04\"><\/iframe><\/div>\n<p><\/p>\n<p>En cuanto al cine hispanoamericano, la presencia fue notable: el mexicano <em data-end=\"763\" data-start=\"747\">Chicas Tristes<\/em>, de Fernanda Tovar, obtuvo el m\u00e1ximo reconocimiento en Generation 14plus, y el espa\u00f1ol <em data-end=\"866\" data-start=\"851\">Iv\u00e1n &amp; Hadoum<\/em>, de Ian de la Rosa, triunf\u00f3 en los Teddy Awards, confirmando el buen momento del cine iberoamericano en el circuito internacional.<\/p>\n<p><span><\/span><\/p>\n<p><!--more--><\/p>\n<h1 data-end=\"542\" data-start=\"483\">Premios principales del Festival (Competici\u00f3n Oficial)<\/h1>\n<p data-end=\"605\" data-start=\"544\">El m\u00e1ximo galard\u00f3n del festival, el <strong data-end=\"594\" data-start=\"580\">Oso de Oro<\/strong>, fue para:<\/p>\n<ul data-end=\"689\" data-start=\"607\">\n<li data-end=\"689\" data-start=\"607\">\n<p data-end=\"689\" data-start=\"609\"><strong data-end=\"641\" data-start=\"609\">Oso de Oro a Mejor Pel\u00edcula:<\/strong> <em data-end=\"656\" data-start=\"642\">Gelbe Briefe<\/em>, de \u0130lker \u00c7atak \u2014 <strong data-end=\"687\" data-start=\"675\">Alemania<\/strong><\/p>\n<\/li>\n<\/ul>\n<p data-end=\"717\" data-start=\"691\">Otros premios principales:<\/p>\n<ul data-end=\"1394\" data-start=\"719\">\n<li data-end=\"790\" data-start=\"719\">\n<p data-end=\"790\" data-start=\"721\"><strong data-end=\"748\" data-start=\"721\">Gran Premio del Jurado:<\/strong> <em data-end=\"759\" data-start=\"749\">Kurtulu\u015f<\/em>, de Emin Alper \u2014 <strong data-end=\"788\" data-start=\"777\">Turqu\u00eda<\/strong><\/p>\n<\/li>\n<li data-end=\"870\" data-start=\"791\">\n<p data-end=\"870\" data-start=\"793\"><strong data-end=\"815\" data-start=\"793\">Premio del Jurado:<\/strong> <em data-end=\"830\" data-start=\"816\">Queen at Sea<\/em>, de Lance Hammer \u2014 <strong data-end=\"868\" data-start=\"850\">Estados Unidos<\/strong><\/p>\n<\/li>\n<li data-end=\"956\" data-start=\"871\">\n<p data-end=\"956\" data-start=\"873\"><strong data-end=\"893\" data-start=\"873\">Mejor Direcci\u00f3n:<\/strong> Grant Gee, por <em data-end=\"936\" data-start=\"909\">Everybody Digs Bill Evans<\/em> \u2014 <strong data-end=\"954\" data-start=\"939\">Reino Unido<\/strong><\/p>\n<\/li>\n<li data-end=\"1071\" data-start=\"957\">\n<p data-end=\"1071\" data-start=\"959\"><strong data-end=\"997\" data-start=\"959\">Mejor Interpretaci\u00f3n Protagonista:<\/strong> Sandra H\u00fcller por <em data-end=\"1022\" data-start=\"1016\">Rose<\/em>, de Markus Schleinzer \u2014 <strong data-end=\"1069\" data-start=\"1047\">Austria \/ Alemania<\/strong><\/p>\n<\/li>\n<li data-end=\"1189\" data-start=\"1072\">\n<p data-end=\"1189\" data-start=\"1074\"><strong data-end=\"1110\" data-start=\"1074\">Mejor Interpretaci\u00f3n Secundaria:<\/strong> Anna Calder-Marshall y Tom Courtenay por <em data-end=\"1166\" data-start=\"1152\">Queen at Sea<\/em> \u2014 <strong data-end=\"1187\" data-start=\"1169\">Estados Unidos<\/strong><\/p>\n<\/li>\n<li data-end=\"1266\" data-start=\"1190\">\n<p data-end=\"1266\" data-start=\"1192\"><strong data-end=\"1208\" data-start=\"1192\">Mejor Guion:<\/strong> Genevi\u00e8ve Dulude-de Celles por <em data-end=\"1251\" data-start=\"1240\">Nina Roza<\/em> \u2014 <strong data-end=\"1264\" data-start=\"1254\">Canad\u00e1<\/strong><\/p>\n<\/li>\n<li data-end=\"1394\" data-start=\"1267\">\n<p data-end=\"1394\" data-start=\"1269\"><strong data-end=\"1310\" data-start=\"1269\">Contribuci\u00f3n Art\u00edstica Sobresaliente:<\/strong> Anna Fitch y Banker White por <em data-end=\"1373\" data-start=\"1341\">Yo (Love is a Rebellious Bird)<\/em> \u2014 <strong data-end=\"1394\" data-start=\"1376\">Estados Unidos<\/strong><\/p>\n<\/li>\n<\/ul>\n<p data-end=\"1507\" data-start=\"1396\">\n<div class=\"separator\" style=\"clear: both; text-align: center;\"><a href=\"https:\/\/www.tegustamuchoelcine.com\/wp-content\/uploads\/2026\/02\/image-330649214a683fdfc9214dea40d1fcd5.png\" style=\"margin-left: 1em; margin-right: 1em;\"><img loading=\"lazy\" decoding=\"async\" alt=\"\" data-original-height=\"238\" data-original-width=\"582\" height=\"131\" src=\"https:\/\/www.tegustamuchoelcine.com\/wp-content\/uploads\/2026\/02\/image-330649214a683fdfc9214dea40d1fcd5.png\" width=\"320\" \/><\/a><\/div>\n<p>Estos premios constituyen el n\u00facleo del palmar\u00e9s del festival y marcan las tendencias cinematogr\u00e1ficas del a\u00f1o.<\/p>\n<h1 data-end=\"1554\" data-start=\"1514\">&nbsp;Premios a nuevas voces y documental<\/h1>\n<ul data-end=\"1798\" data-start=\"1556\">\n<li data-end=\"1673\" data-start=\"1556\">\n<p data-end=\"1673\" data-start=\"1558\"><strong data-end=\"1587\" data-start=\"1558\">Mejor \u00d3pera Prima (GWFF):<\/strong> <em data-end=\"1615\" data-start=\"1588\">Chronicles From the Siege<\/em>, de Abdallah Alkhatib \u2014 <strong data-end=\"1671\" data-start=\"1640\">Palestina \/ Francia \/ Catar<\/strong><\/p>\n<\/li>\n<li data-end=\"1798\" data-start=\"1674\">\n<p data-end=\"1798\" data-start=\"1676\"><strong data-end=\"1714\" data-start=\"1676\">Premio Documental de la Berlinale:<\/strong> <em data-end=\"1742\" data-start=\"1715\">If Pigeons Turned to Gold<\/em>, de Pepa Lubojacki \u2014 <strong data-end=\"1796\" data-start=\"1764\">Rep\u00fablica Checa \/ Eslovaquia<\/strong><\/p>\n<div class=\"separator\" style=\"clear: both; text-align: center;\"><strong data-end=\"1796\" data-start=\"1764\"><a href=\"https:\/\/www.tegustamuchoelcine.com\/wp-content\/uploads\/2026\/02\/image-d8cfebedae154da59143ca48b6b973b6.png\" style=\"margin-left: 1em; margin-right: 1em;\"><img loading=\"lazy\" decoding=\"async\" alt=\"\" data-original-height=\"222\" data-original-width=\"796\" height=\"89\" src=\"https:\/\/www.tegustamuchoelcine.com\/wp-content\/uploads\/2026\/02\/image-d8cfebedae154da59143ca48b6b973b6.png\" width=\"320\" \/><\/a><\/strong><\/div>\n<p><strong data-end=\"1796\" data-start=\"1764\"><br \/><\/strong><\/p>\n<\/li>\n<\/ul>\n<p data-end=\"1823\" data-start=\"1800\">Menciones especiales:<\/p>\n<ul data-end=\"1958\" data-start=\"1824\">\n<li data-end=\"1871\" data-start=\"1824\">\n<p data-end=\"1871\" data-start=\"1826\"><em data-end=\"1832\" data-start=\"1826\">TUTU<\/em>, de Sam Pollard \u2014 <strong data-end=\"1869\" data-start=\"1851\">Estados Unidos<\/strong><\/p>\n<\/li>\n<li data-end=\"1958\" data-start=\"1872\">\n<p data-end=\"1958\" data-start=\"1874\"><em data-end=\"1916\" data-start=\"1874\">Sometimes, I Imagine Them All at a Party<\/em>, de Daniela Magnani H\u00fcller \u2014 <strong data-end=\"1958\" data-start=\"1946\">Alemania<\/strong><\/p>\n<\/li>\n<\/ul>\n<h1 data-end=\"1993\" data-start=\"1965\">&nbsp;Premios a cortometrajes<\/h1>\n<ul data-end=\"2265\" data-start=\"1995\">\n<li data-end=\"2097\" data-start=\"1995\">\n<p data-end=\"2097\" data-start=\"1997\"><strong data-end=\"2034\" data-start=\"1997\">Oso de Oro al Mejor Cortometraje:<\/strong> <em data-end=\"2052\" data-start=\"2035\">Someday a Child<\/em>, de Marie-Rose Osta \u2014 <strong data-end=\"2095\" data-start=\"2075\">Francia \/ L\u00edbano<\/strong><\/p>\n<\/li>\n<li data-end=\"2195\" data-start=\"2098\">\n<p data-end=\"2195\" data-start=\"2100\"><strong data-end=\"2130\" data-start=\"2100\">Premio del Jurado (corto):<\/strong> <em data-end=\"2162\" data-start=\"2131\">A Woman\u2019s Place Is Everywhere<\/em>, de Fanny Texier \u2014 <strong data-end=\"2193\" data-start=\"2182\">Francia<\/strong><\/p>\n<\/li>\n<li data-end=\"2265\" data-start=\"2196\">\n<p data-end=\"2265\" data-start=\"2198\"><strong data-end=\"2224\" data-start=\"2198\">Cupra Filmmaker Award:<\/strong> Jingkai Qu por <em data-end=\"2253\" data-start=\"2240\">Kleptomania<\/em> \u2014 <strong data-end=\"2265\" data-start=\"2256\">China<\/strong><\/p>\n<div class=\"separator\" style=\"clear: both; text-align: center;\"><strong data-end=\"2265\" data-start=\"2256\"><a href=\"https:\/\/www.tegustamuchoelcine.com\/wp-content\/uploads\/2026\/02\/image-9e456e0b48d9ab3fa4c561bf2a936037.png\" style=\"margin-left: 1em; margin-right: 1em;\"><img loading=\"lazy\" decoding=\"async\" alt=\"\" data-original-height=\"222\" data-original-width=\"855\" height=\"83\" src=\"https:\/\/www.tegustamuchoelcine.com\/wp-content\/uploads\/2026\/02\/image-9e456e0b48d9ab3fa4c561bf2a936037.png\" width=\"320\" \/><\/a><\/strong><\/div>\n<p><strong data-end=\"2265\" data-start=\"2256\"><br \/><\/strong><\/p>\n<\/li>\n<\/ul>\n<h1 data-end=\"2312\" data-start=\"2272\">&nbsp;Secci\u00f3n Generation (cine juvenil)<\/h1>\n<h2 data-end=\"2333\" data-start=\"2314\">Generation Kplus<\/h2>\n<ul data-end=\"2584\" data-start=\"2334\">\n<li data-end=\"2417\" data-start=\"2334\">\n<p data-end=\"2417\" data-start=\"2336\"><strong data-end=\"2370\" data-start=\"2336\">Oso de Cristal Mejor Pel\u00edcula:<\/strong> <em data-end=\"2383\" data-start=\"2371\">Feito Pipa<\/em>, de Allan Deberton \u2014 <strong data-end=\"2415\" data-start=\"2405\">Brasil<\/strong><\/p>\n<\/li>\n<li data-end=\"2489\" data-start=\"2418\">\n<p data-end=\"2489\" data-start=\"2420\"><strong data-end=\"2461\" data-start=\"2420\">Gran Premio del Jurado Internacional:<\/strong> <em data-end=\"2474\" data-start=\"2462\">Feito Pipa<\/em> \u2014 <strong data-end=\"2487\" data-start=\"2477\">Brasil<\/strong><\/p>\n<\/li>\n<li data-end=\"2584\" data-start=\"2490\">\n<p data-end=\"2584\" data-start=\"2492\"><strong data-end=\"2508\" data-start=\"2492\">Mejor Corto:<\/strong> <em data-end=\"2551\" data-start=\"2509\">Whale 52 \u2013 Suite for Man, Boy, and Whale<\/em>, de Daniel Neiden \u2014 <strong data-end=\"2584\" data-start=\"2572\">Alemania<\/strong><\/p>\n<div class=\"separator\" style=\"clear: both; text-align: center;\"><strong data-end=\"2584\" data-start=\"2572\"><a href=\"https:\/\/www.tegustamuchoelcine.com\/wp-content\/uploads\/2026\/02\/image-fa720ab2d2b538c8670b959c328a1075.png\" style=\"margin-left: 1em; margin-right: 1em;\"><img loading=\"lazy\" decoding=\"async\" alt=\"\" data-original-height=\"183\" data-original-width=\"853\" height=\"69\" src=\"https:\/\/www.tegustamuchoelcine.com\/wp-content\/uploads\/2026\/02\/image-fa720ab2d2b538c8670b959c328a1075.png\" width=\"320\" \/><\/a><\/strong><\/div>\n<p><strong data-end=\"2584\" data-start=\"2572\"><br \/><\/strong><\/p>\n<\/li>\n<\/ul>\n<h2 data-end=\"2606\" data-start=\"2586\">Generation 14plus<\/h2>\n<ul data-end=\"2862\" data-start=\"2607\">\n<li data-end=\"2694\" data-start=\"2607\">\n<p data-end=\"2694\" data-start=\"2609\"><strong data-end=\"2643\" data-start=\"2609\">Oso de Cristal Mejor Pel\u00edcula:<\/strong> <em data-end=\"2660\" data-start=\"2644\">Chicas Tristes<\/em>, de Fernanda Tovar \u2014 <strong data-end=\"2692\" data-start=\"2682\">M\u00e9xico<\/strong><\/p>\n<\/li>\n<li data-end=\"2770\" data-start=\"2695\">\n<p data-end=\"2770\" data-start=\"2697\"><strong data-end=\"2738\" data-start=\"2697\">Gran Premio del Jurado Internacional:<\/strong> <em data-end=\"2755\" data-start=\"2739\">Chicas Tristes<\/em> \u2014 <strong data-end=\"2768\" data-start=\"2758\">M\u00e9xico<\/strong><\/p>\n<\/li>\n<li data-end=\"2862\" data-start=\"2771\">\n<p data-end=\"2862\" data-start=\"2773\"><strong data-end=\"2789\" data-start=\"2773\">Mejor Corto:<\/strong> <em data-end=\"2812\" data-start=\"2790\">Memories of a Window<\/em>, de Mehraneh Salimian y Amin Pakparvar \u2014 <strong data-end=\"2862\" data-start=\"2854\">Ir\u00e1n<\/strong><\/p>\n<\/li>\n<\/ul>\n<h1 data-end=\"2907\" data-start=\"2869\">&nbsp;Premios independientes destacados<\/h1>\n<h2 data-end=\"2940\" data-start=\"2909\">Premios Teddy (cine LGTBIQ+)<\/h2>\n<ul data-end=\"3220\" data-start=\"2942\">\n<li data-end=\"3013\" data-start=\"2942\">\n<p data-end=\"3013\" data-start=\"2944\"><strong data-end=\"2963\" data-start=\"2944\">Mejor Pel\u00edcula:<\/strong> <em data-end=\"2979\" data-start=\"2964\">Iv\u00e1n &amp; Hadoum<\/em>, de Ian de la Rosa \u2014 <strong data-end=\"3011\" data-start=\"3001\">Espa\u00f1a<\/strong><\/p>\n<\/li>\n<li data-end=\"3095\" data-start=\"3014\">\n<p data-end=\"3095\" data-start=\"3016\"><strong data-end=\"3037\" data-start=\"3016\">Mejor Documental:<\/strong> <em data-end=\"3055\" data-start=\"3038\">Barbara Forever<\/em>, de Brydie O\u2019Connor \u2014 <strong data-end=\"3093\" data-start=\"3078\">Reino Unido<\/strong><\/p>\n<\/li>\n<li data-end=\"3168\" data-start=\"3096\">\n<p data-end=\"3168\" data-start=\"3098\"><strong data-end=\"3114\" data-start=\"3098\">Mejor Corto:<\/strong> <em data-end=\"3126\" data-start=\"3115\">Taxi Moto<\/em>, de Ga\u00ebl Kamilindi \u2014 <strong data-end=\"3166\" data-start=\"3148\">Suiza \/ Ruanda<\/strong><\/p>\n<\/li>\n<li data-end=\"3220\" data-start=\"3169\">\n<p data-end=\"3220\" data-start=\"3171\"><strong data-end=\"3191\" data-start=\"3171\">Premio especial:<\/strong> C\u00e9line Sciamma \u2014 <strong data-end=\"3220\" data-start=\"3209\">Francia<\/strong><\/p>\n<div class=\"separator\" style=\"clear: both; text-align: center;\"><strong data-end=\"3220\" data-start=\"3209\"><a href=\"https:\/\/www.tegustamuchoelcine.com\/wp-content\/uploads\/2026\/02\/image-bafe0f83d190ac324997cb8270fce273.png\" style=\"margin-left: 1em; margin-right: 1em;\"><img loading=\"lazy\" decoding=\"async\" alt=\"\" data-original-height=\"217\" data-original-width=\"807\" height=\"86\" src=\"https:\/\/www.tegustamuchoelcine.com\/wp-content\/uploads\/2026\/02\/image-bafe0f83d190ac324997cb8270fce273.png\" width=\"320\" \/><\/a><\/strong><\/div>\n<p><strong data-end=\"3220\" data-start=\"3209\"><br \/><\/strong><\/p>\n<\/li>\n<\/ul>\n<h2 data-end=\"3264\" data-start=\"3222\">Otros premios independientes relevantes<\/h2>\n<ul data-end=\"3691\" data-start=\"3266\">\n<li data-end=\"3344\" data-start=\"3266\">\n<p data-end=\"3344\" data-start=\"3268\"><strong data-end=\"3294\" data-start=\"3268\">Premio CICAE Panorama:<\/strong> <em data-end=\"3309\" data-start=\"3295\">Staatsschutz<\/em>, de Faraz Shariat \u2014 <strong data-end=\"3342\" data-start=\"3330\">Alemania<\/strong><\/p>\n<\/li>\n<li data-end=\"3438\" data-start=\"3345\">\n<p data-end=\"3438\" data-start=\"3347\"><strong data-end=\"3372\" data-start=\"3347\">Label Europa Cinemas:<\/strong> <em data-end=\"3390\" data-start=\"3373\">Vier Minus Drei<\/em>, de Adrian Goiginger \u2014 <strong data-end=\"3436\" data-start=\"3414\">Austria \/ Alemania<\/strong><\/p>\n<\/li>\n<li data-end=\"3530\" data-start=\"3439\">\n<p data-end=\"3530\" data-start=\"3441\"><strong data-end=\"3465\" data-start=\"3441\">Caligari Film Prize:<\/strong> <em data-end=\"3493\" data-start=\"3466\">If Pigeons Turned to Gold<\/em> \u2014 <strong data-end=\"3528\" data-start=\"3496\">Rep\u00fablica Checa \/ Eslovaquia<\/strong><\/p>\n<\/li>\n<li data-end=\"3584\" data-start=\"3531\">\n<p data-end=\"3584\" data-start=\"3533\"><strong data-end=\"3554\" data-start=\"3533\">Peace Film Prize:<\/strong> <em data-end=\"3561\" data-start=\"3555\">TUTU<\/em> \u2014 <strong data-end=\"3582\" data-start=\"3564\">Estados Unidos<\/strong><\/p>\n<\/li>\n<li data-end=\"3691\" data-start=\"3585\">\n<p data-end=\"3691\" data-start=\"3587\"><strong data-end=\"3619\" data-start=\"3587\">Amnesty International Award:<\/strong> <em data-end=\"3641\" data-start=\"3620\">What Will I Become?<\/em>, de Lexie Bean y Logan Rozos \u2014 <strong data-end=\"3691\" data-start=\"3673\">Estados Unidos<\/strong><\/p>\n<\/li>\n<\/ul>\n<h1 data-end=\"3733\" data-start=\"3698\">&nbsp;Premios del p\u00fablico y lectores<\/h1>\n<h2 data-end=\"3772\" data-start=\"3735\">Panorama \u2013 Premio del P\u00fablico 2026<\/h2>\n<ul data-end=\"3941\" data-start=\"3774\">\n<li data-end=\"3845\" data-start=\"3774\">\n<p data-end=\"3845\" data-start=\"3776\"><strong data-end=\"3795\" data-start=\"3776\">Mejor Pel\u00edcula:<\/strong> <em data-end=\"3810\" data-start=\"3796\">Staatsschutz<\/em>, de Faraz Shariat \u2014 <strong data-end=\"3843\" data-start=\"3831\">Alemania<\/strong><\/p>\n<\/li>\n<li data-end=\"3941\" data-start=\"3846\">\n<p data-end=\"3941\" data-start=\"3848\"><strong data-end=\"3869\" data-start=\"3848\">Mejor Documental:<\/strong> <em data-end=\"3878\" data-start=\"3870\">Traces<\/em>, de Alisa Kovalenko y Marysia Nikitiuk \u2014 <strong data-end=\"3941\" data-start=\"3920\">Ucrania \/ Polonia<\/strong><\/p>\n<div class=\"separator\" style=\"clear: both; text-align: center;\"><strong data-end=\"3941\" data-start=\"3920\"><a href=\"https:\/\/www.tegustamuchoelcine.com\/wp-content\/uploads\/2026\/02\/image-995346cdcc8644b0fa25d0e13ef30478.png\" style=\"margin-left: 1em; margin-right: 1em;\"><img loading=\"lazy\" decoding=\"async\" alt=\"\" data-original-height=\"211\" data-original-width=\"792\" height=\"85\" src=\"https:\/\/www.tegustamuchoelcine.com\/wp-content\/uploads\/2026\/02\/image-995346cdcc8644b0fa25d0e13ef30478.png\" width=\"320\" \/><\/a><\/strong><\/div>\n<p><strong data-end=\"3941\" data-start=\"3920\"><br \/><\/strong><\/p>\n<\/li>\n<\/ul>\n<p data-end=\"3965\" data-start=\"3943\">Otros reconocimientos:<\/p>\n<ul data-end=\"4156\" data-start=\"3967\">\n<li data-end=\"4064\" data-start=\"3967\">\n<p data-end=\"4064\" data-start=\"3969\"><strong data-end=\"4010\" data-start=\"3969\">Premio del Jurado Ecum\u00e9nico Panorama:<\/strong> <em data-end=\"4025\" data-start=\"4011\">Bucks Harbor<\/em>, de Pete Muller \u2014 <strong data-end=\"4062\" data-start=\"4044\">Estados Unidos<\/strong><\/p>\n<\/li>\n<li data-end=\"4156\" data-start=\"4065\">\n<p data-end=\"4156\" data-start=\"4067\"><strong data-end=\"4096\" data-start=\"4067\">Premio FIPRESCI Panorama:<\/strong> <em data-end=\"4106\" data-start=\"4097\">Narciso<\/em>, de Marcelo Martinessi \u2014 <strong data-end=\"4156\" data-start=\"4132\">Paraguay \/ Argentina<\/strong><\/p>\n<\/li>\n<\/ul>\n<div class=\"intersub-ai-chat\" style=\"-webkit-box-align: initial; 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text-indent: initial; text-justify: initial; text-orientation: initial; text-overflow: initial; text-rendering: initial; text-shadow: initial; text-size-adjust: initial; text-spacing-trim: initial; text-transform: initial; text-underline-offset: initial; text-underline-position: initial; text-wrap: initial; timeline-scope: initial; top: 0px; touch-action: initial; transform-box: initial; transform-origin: initial; transform-style: initial; transform: initial; transition: initial; translate: initial; user-select: initial; vector-effect: initial; vertical-align: initial; view-timeline: initial; view-transition-class: initial; view-transition-group: initial; view-transition-name: initial; visibility: initial; white-space-collapse: initial; widows: initial; width: initial; will-change: initial; word-break: initial; word-spacing: initial; writing-mode: initial; x: initial; y: initial; z-index: 2000000000; zoom: initial;\"><\/div>\n<div class=\"intersub-ai-chat\" style=\"-webkit-box-align: initial; -webkit-box-decoration-break: initial; -webkit-box-direction: initial; -webkit-box-flex: initial; -webkit-box-ordinal-group: initial; -webkit-box-orient: initial; -webkit-box-pack: initial; -webkit-box-reflect: initial; -webkit-font-smoothing: initial; -webkit-line-break: initial; -webkit-line-clamp: initial; -webkit-locale: initial; -webkit-mask-box-image: initial; -webkit-rtl-ordering: initial; -webkit-ruby-position: initial; -webkit-tap-highlight-color: initial; -webkit-text-combine: initial; -webkit-text-decorations-in-effect: initial; -webkit-text-fill-color: initial; -webkit-text-orientation: initial; -webkit-text-security: initial; -webkit-text-stroke: initial; -webkit-user-drag: initial; -webkit-writing-mode: initial; accent-color: initial; alignment-baseline: initial; anchor-name: initial; anchor-scope: initial; animation-composition: initial; animation: initial; app-region: initial; appearance: initial; aspect-ratio: initial; backdrop-filter: initial; backface-visibility: initial; 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overflow: hidden; overlay: initial; overscroll-behavior-block: initial; overscroll-behavior-inline: initial; overscroll-behavior: initial; padding-block: initial; padding-inline: initial; padding: initial; page-orientation: initial; page: initial; paint-order: initial; perspective-origin: initial; perspective: initial; place-content: initial; place-items: initial; place-self: initial; pointer-events: none !important; position-anchor: initial; position-area: initial; position-try: initial; position-visibility: initial; position: fixed !important; print-color-adjust: initial; quotes: initial; r: initial; reading-flow: initial; reading-order: initial; resize: initial; right: 0px !important; rotate: initial; ruby-align: initial; ruby-position: initial; rx: initial; ry: initial; scale: initial; scroll-behavior: initial; scroll-initial-target: initial; scroll-margin-block: initial; scroll-margin-inline: initial; scroll-margin: initial; scroll-marker-group: initial; scroll-padding-block: initial; 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text-orientation: initial; text-overflow: initial; text-rendering: initial; text-shadow: initial; text-size-adjust: initial; text-spacing-trim: initial; text-transform: initial; text-underline-offset: initial; text-underline-position: initial; text-wrap: initial; timeline-scope: initial; top: 0px !important; touch-action: initial; transform-box: initial; transform-origin: initial; transform-style: initial; transform: initial; transition: initial; translate: initial; user-select: initial; vector-effect: initial; vertical-align: initial; view-timeline: initial; view-transition-class: initial; view-transition-group: initial; view-transition-name: initial; visibility: initial; white-space-collapse: initial; widows: initial; width: initial; will-change: initial; word-break: initial; word-spacing: initial; writing-mode: initial; x: initial; y: initial; z-index: 2000000000 !important; zoom: initial;\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; Oso de Oro&nbsp; \u00a9 Dirk Michael Deckbar&nbsp; Berlinale 2026 La Berlinale 2026 no estuvo exenta de pol\u00e9micas, especialmente por el fuerte contenido pol\u00edtico de varias pel\u00edculas en competici\u00f3n y los debates en torno a la representaci\u00f3n de conflictos contempor\u00e1neos, lo que reaviv\u00f3 discusiones sobre el papel del festival como espacio de posicionamiento cultural y &#8230; <a title=\"Ganadores Berlinale 2026\" class=\"read-more\" href=\"https:\/\/www.tegustamuchoelcine.com\/2026\/02\/ganadores-berlinale-2026.html\" aria-label=\"Leer m\u00e1s sobre Ganadores Berlinale 2026\">Leer m\u00e1s<\/a><\/p>\n","protected":false},"author":2,"featured_media":8758,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-8757","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.tegustamuchoelcine.com\/wp-json\/wp\/v2\/posts\/8757","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.tegustamuchoelcine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.tegustamuchoelcine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.tegustamuchoelcine.com\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.tegustamuchoelcine.com\/wp-json\/wp\/v2\/comments?post=8757"}],"version-history":[{"count":1,"href":"https:\/\/www.tegustamuchoelcine.com\/wp-json\/wp\/v2\/posts\/8757\/revisions"}],"predecessor-version":[{"id":8765,"href":"https:\/\/www.tegustamuchoelcine.com\/wp-json\/wp\/v2\/posts\/8757\/revisions\/8765"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.tegustamuchoelcine.com\/wp-json\/wp\/v2\/media\/8758"}],"wp:attachment":[{"href":"https:\/\/www.tegustamuchoelcine.com\/wp-json\/wp\/v2\/media?parent=8757"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.tegustamuchoelcine.com\/wp-json\/wp\/v2\/categories?post=8757"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.tegustamuchoelcine.com\/wp-json\/wp\/v2\/tags?post=8757"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}