{"id":4615,"date":"2026-03-11T00:34:00","date_gmt":"2026-03-11T00:34:00","guid":{"rendered":"https:\/\/www.tegustamuchoelcine.com\/?p=4615"},"modified":"2026-09-22T08:42:08","modified_gmt":"2026-09-22T08:42:08","slug":"tesalonica-impulsa-nuevos-documentales-con-el-thessaloniki-pitching-forum","status":"publish","type":"post","link":"https:\/\/www.tegustamuchoelcine.com\/2026\/03\/tesalonica-impulsa-nuevos-documentales-con-el-thessaloniki-pitching-forum.html","title":{"rendered":"Tesal\u00f3nica impulsa nuevos documentales con el Thessaloniki Pitching Forum"},"content":{"rendered":"<div class=\"separator\" style=\"clear: both; text-align: center;\"><a href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEhvDx3hNbJj2sHSLqX3QdzQCeAYHEdSRjqLvPEsPlMK-ekrEew_GaisFF858g56wIIMGVDTtgrx_L_OPeK7Soke_bOJpgeez0LHryVB9jcQDRuqX6R_JOdyZwZBzsDmjo2IIDC2aEuMyAmDctMKau1qPghk7xXQcVHrekILF1lTS4EYnyOh1DBK1HKGsMw\/s1620\/mt_1304020_AGO.max-1920x1080.format-webp.webpquality-70.webp\" imageanchor=\"1\" style=\"margin-left: 1em; margin-right: 1em;\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" border=\"0\" data-original-height=\"1080\" data-original-width=\"1620\" height=\"426\" src=\"https:\/\/www.tegustamuchoelcine.com\/wp-content\/uploads\/2026\/03\/mt_1304020_AGO.max-1920x1080.format-webp.webpquality-70.jpg\" width=\"640\" \/><\/a><\/div>\n<p data-end=\"583\" data-start=\"121\">El <strong data-end=\"187\" data-start=\"124\">Festival Internacional de Documentales de Tesal\u00f3nica (<a href=\"https:\/\/filmfestival.gr\/en\/tidf\/\" target=\"_blank\" rel=\"noopener\">TiDF<\/a>)<\/strong>, que celebra su <strong data-end=\"248\" data-start=\"204\">28\u00aa edici\u00f3n del 5 al 15 de marzo de 2026<\/strong> en la ciudad de <strong data-end=\"287\" data-start=\"265\">Tesal\u00f3nica, Grecia<\/strong>, reafirma su posici\u00f3n como uno de los principales espacios europeos para el cine documental contempor\u00e1neo. Con una programaci\u00f3n que combina exhibici\u00f3n, formaci\u00f3n e industria, el certamen se distingue por su compromiso con el cine de autor, las narrativas sociales y la cooperaci\u00f3n internacional.<span><\/span><\/p>\n<p><!--more--><\/p>\n<p data-end=\"931\" data-start=\"585\">En este contexto, el <strong data-end=\"620\" data-start=\"606\">9 de marzo<\/strong> se celebr\u00f3 la presentaci\u00f3n de los proyectos seleccionados del <strong data-end=\"714\" data-start=\"683\">Thessaloniki Pitching Forum<\/strong>, dentro de la secci\u00f3n Agora del festival y en el teatro John Cassavetes. Este foro constituye la principal plataforma de coproducci\u00f3n y financiaci\u00f3n del TiDF, orientada a proyectos documentales en fase de desarrollo.<\/p>\n<h2 data-end=\"979\" data-section-id=\"1jugqx8\" data-start=\"933\">Una plataforma internacional en crecimiento<\/h2>\n<p data-end=\"1424\" data-start=\"981\">La edici\u00f3n de este a\u00f1o re\u00fane <strong data-end=\"1051\" data-start=\"1010\">14 proyectos procedentes de 17 pa\u00edses<\/strong>, incluyendo Grecia, Francia, Alemania, Irlanda, Italia, B\u00e9lgica, Reino Unido, Ucrania, Turqu\u00eda, Georgia, Polonia, Siria, T\u00fanez, Noruega, Ruman\u00eda, Arabia Saud\u00ed y Catar. La selecci\u00f3n se caracteriza por su amplitud geogr\u00e1fica y por abordar temas urgentes como el desplazamiento, la salud mental, las relaciones humanas y las historias invisibilizadas de la memoria colectiva.<\/p>\n<p data-end=\"1759\" data-start=\"1426\">El foro brinda a los equipos creativos la oportunidad de presentar sus proyectos ante expertos del sector, recibir asesoramiento especializado y fortalecer sus propuestas mediante sesiones de trabajo intensivo. Este acompa\u00f1amiento se complementa con un laboratorio online de dos d\u00edas enfocado en el desarrollo creativo y estrat\u00e9gico.<\/p>\n<h2 data-end=\"1807\" data-section-id=\"e7r149\" data-start=\"1761\">Un encuentro marcado por el contexto global<\/h2>\n<p data-end=\"2224\" data-start=\"1809\">Durante la presentaci\u00f3n, la responsable del Agora, Angeliki Vergou, destac\u00f3 tanto la diversidad de participantes como la ausencia de algunos invitados debido a conflictos b\u00e9licos y restricciones de movilidad. Por su parte, la directora general del festival, Elise Jalladeau, subray\u00f3 la necesidad de reforzar la colaboraci\u00f3n internacional en un contexto de creciente fragilidad del ecosistema cultural y audiovisual.<\/p>\n<p data-end=\"2426\" data-start=\"2226\">Ambas coincidieron en se\u00f1alar la importancia de iniciativas como <strong data-end=\"2307\" data-start=\"2291\">Doc Together<\/strong>, desarrollada junto al DOK Leipzig, como ejemplo de cooperaci\u00f3n activa entre instituciones y profesionales del sector.<\/p>\n<h2 data-end=\"2462\" data-section-id=\"1hweeo1\" data-start=\"2428\">Industria, premios y proyecci\u00f3n<\/h2>\n<p data-end=\"2686\" data-start=\"2464\">Los proyectos reciben retroalimentaci\u00f3n de destacados profesionales de la industria internacional, con representantes de entidades como ARTE, Deutsche Welle, Sundance Film Festival, DR Sales y Visions du R\u00e9el, entre otras.<\/p>\n<p data-end=\"3069\" data-start=\"2688\">El Thessaloniki Pitching Forum concede diversos reconocimientos que impulsan el desarrollo de las obras. El principal galard\u00f3n es el <strong data-end=\"2879\" data-start=\"2821\">IEFTF Foundation Best Documentary in Development Award<\/strong>, dotado con <strong data-end=\"2908\" data-start=\"2892\">10.000 euros<\/strong>. A este se suman el <strong data-end=\"2951\" data-start=\"2929\">Onassis Film Award<\/strong> para proyectos griegos (5.000 euros), el premio ERT (2.000 euros) y otras becas, consultor\u00edas y apoyos profesionales.<\/p>\n<h2 data-end=\"3101\" data-section-id=\"1yl0135\" data-start=\"3071\">Los proyectos seleccionados<\/h2>\n<p data-end=\"3155\" data-start=\"3103\">Los catorce t\u00edtulos presentados en esta edici\u00f3n son:<\/p>\n<p data-end=\"3684\" data-start=\"3157\"><em data-end=\"3172\" data-start=\"3157\">Unwanted Past<\/em> (Thanassis Vassiliou), <em data-end=\"3234\" data-start=\"3196\">Momtski Kamen \u2013 The Rock of the Girl<\/em> (Maria Sidiropoulou y Chloe Bruhat), <em data-end=\"3280\" data-start=\"3272\">Voices<\/em> (Persefoni Miliou), <em data-end=\"3308\" data-start=\"3301\">Pivot<\/em> (Vasia Ntoulia), <em data-end=\"3333\" data-start=\"3326\">Ashes<\/em> (Daham Alasaad), <em data-end=\"3381\" data-start=\"3351\">The Beautiful and the Damned<\/em> (Seamus Murphy), <em data-end=\"3411\" data-start=\"3399\">Entr\u2019Actes<\/em> (Yuriy Shylov), <em data-end=\"3444\" data-start=\"3428\">The Last Class<\/em> (Michele Fornasero), <em data-end=\"3494\" data-start=\"3466\">My Father Killed Bourguiba<\/em> (Fatma Riahi), <em data-end=\"3521\" data-start=\"3510\">Nava Mam\u0103<\/em> (Ana Vijdea), <em data-end=\"3554\" data-start=\"3536\">No Mother\u2019s Land<\/em> (Wiktoria Szymanska Davis), <em data-end=\"3605\" data-start=\"3583\">Of the Trees Unmoved<\/em> (Nino Benashvili), <em data-end=\"3637\" data-start=\"3625\">Who We Are<\/em> (Sophie Ataya) y <em data-end=\"3671\" data-start=\"3655\">You Little Box<\/em> (Mert Kaya).<\/p>\n<h2 data-end=\"3734\" data-section-id=\"62iyhd\" data-start=\"3686\">Tesal\u00f3nica, punto de encuentro del documental<\/h2>\n<p data-end=\"4075\" data-start=\"3736\">La presentaci\u00f3n del Thessaloniki Pitching Forum confirma el papel del TiDF como punto de encuentro esencial para el documental internacional. A trav\u00e9s de su apuesta por la diversidad tem\u00e1tica, el intercambio profesional y el apoyo a nuevos talentos, el festival contin\u00faa consolidando su relevancia en el mapa global del cine de no ficci\u00f3n.<\/p>\n<div class=\"intersub-ai-chat\" style=\"-webkit-box-align: initial; -webkit-box-decoration-break: initial; -webkit-box-direction: initial; -webkit-box-flex: initial; -webkit-box-ordinal-group: initial; -webkit-box-orient: initial; -webkit-box-pack: initial; -webkit-box-reflect: initial; -webkit-font-smoothing: initial; -webkit-line-break: initial; -webkit-line-clamp: initial; -webkit-locale: initial; -webkit-mask-box-image: initial; -webkit-rtl-ordering: initial; -webkit-ruby-position: initial; -webkit-tap-highlight-color: initial; -webkit-text-combine: initial; -webkit-text-decorations-in-effect: initial; -webkit-text-fill-color: initial; -webkit-text-orientation: initial; -webkit-text-security: initial; -webkit-text-stroke: initial; -webkit-user-drag: initial; -webkit-writing-mode: initial; 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will-change: initial; word-break: initial; word-spacing: initial; writing-mode: initial; x: initial; y: initial; z-index: 2000000000 !important; zoom: initial;\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>El Festival Internacional de Documentales de Tesal\u00f3nica (TiDF), que celebra su 28\u00aa edici\u00f3n del 5 al 15 de marzo de 2026 en la ciudad de Tesal\u00f3nica, Grecia, reafirma su posici\u00f3n como uno de los principales espacios europeos para el cine documental contempor\u00e1neo. Con una programaci\u00f3n que combina exhibici\u00f3n, formaci\u00f3n e industria, el certamen se distingue &#8230; <a title=\"Tesal\u00f3nica impulsa nuevos documentales con el Thessaloniki Pitching Forum\" class=\"read-more\" href=\"https:\/\/www.tegustamuchoelcine.com\/2026\/03\/tesalonica-impulsa-nuevos-documentales-con-el-thessaloniki-pitching-forum.html\" aria-label=\"Leer m\u00e1s sobre Tesal\u00f3nica impulsa nuevos documentales con el Thessaloniki Pitching Forum\">Leer m\u00e1s<\/a><\/p>\n","protected":false},"author":2,"featured_media":4616,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-4615","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.tegustamuchoelcine.com\/wp-json\/wp\/v2\/posts\/4615","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.tegustamuchoelcine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.tegustamuchoelcine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.tegustamuchoelcine.com\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.tegustamuchoelcine.com\/wp-json\/wp\/v2\/comments?post=4615"}],"version-history":[{"count":1,"href":"https:\/\/www.tegustamuchoelcine.com\/wp-json\/wp\/v2\/posts\/4615\/revisions"}],"predecessor-version":[{"id":4617,"href":"https:\/\/www.tegustamuchoelcine.com\/wp-json\/wp\/v2\/posts\/4615\/revisions\/4617"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.tegustamuchoelcine.com\/wp-json\/wp\/v2\/media\/4616"}],"wp:attachment":[{"href":"https:\/\/www.tegustamuchoelcine.com\/wp-json\/wp\/v2\/media?parent=4615"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.tegustamuchoelcine.com\/wp-json\/wp\/v2\/categories?post=4615"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.tegustamuchoelcine.com\/wp-json\/wp\/v2\/tags?post=4615"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}