{"id":253,"date":"2025-04-13T08:49:00","date_gmt":"2025-04-13T08:49:00","guid":{"rendered":"https:\/\/www.tegustamuchoelcine.com\/?p=253"},"modified":"2026-09-22T07:59:43","modified_gmt":"2026-09-22T07:59:43","slug":"programacion-cannes-2025","status":"publish","type":"post","link":"https:\/\/www.tegustamuchoelcine.com\/2025\/04\/programacion-cannes-2025.html","title":{"rendered":"Programaci\u00f3n CANNES 2025"},"content":{"rendered":"<p><span style=\"font-family: times;\">&nbsp;<\/span><\/p>\n<div class=\"separator\" style=\"clear: both; text-align: center;\"><span style=\"font-family: times;\"><a href=\"https:\/\/blogger.googleusercontent.com\/img\/b\/R29vZ2xl\/AVvXsEgeACNZiV4v5n9_adRCXpn1ruGuN8Ab8E63iMmumgeDFKmkThYIj3Lr23QKr9S8P0TjQyuLQRCbP-PzpV2e7iJiWwMRBMO0VoZZ7EF_jTP0Jg_0IGAJbPPTX8xsfySw0lRFJ6oz3zkpdmv9n361fnifLfe3wj0g9rytlJYDLFGy7IIyUHc3t7_8buuc3xs\/s1200\/2025_conf-fdc_ecrans-eng-youtube.jpg\" style=\"margin-left: 1em; margin-right: 1em;\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" border=\"0\" data-original-height=\"630\" data-original-width=\"1200\" height=\"336\" src=\"https:\/\/www.tegustamuchoelcine.com\/wp-content\/uploads\/2025\/04\/2025_conf-fdc_ecrans-eng-youtube.jpg\" width=\"640\" \/><\/a><\/span><\/div>\n<\/p>\n<p><span class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\" style=\"font-family: times;\"><span style=\"font-family: &quot;Times New Roman&quot;; font-size: small;\">Por David S\u00e1nchez<\/span><\/span><\/p>\n<p><span class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\" style=\"font-family: times;\">El Festival de Cine de Cannes 2025, que celebrar\u00e1 su 78\u00aa edici\u00f3n del 13 al 24 de mayo, ha revelado una programaci\u00f3n que promete ser una de las m\u00e1s diversas y ambiciosas de los \u00faltimos a\u00f1os.<\/span><span style=\"font-family: times;\"> <\/span><span class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\" style=\"font-family: times;\">La actriz francesa <b>Juliette Binoche<\/b> presidir\u00e1 el jurado de la competici\u00f3n oficial, marcando la segunda vez consecutiva que una mujer ocupa este cargo, tras Greta Gerwig en 2024<\/span><span style=\"font-family: times;\"> . <\/span><span class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\" style=\"font-family: times;\">Adem\u00e1s, el legendario actor <b>Robert De Niro <\/b>recibir\u00e1 la Palma de Oro honor\u00edfica en reconocimiento a su destacada trayectoria en el cine<\/span><span style=\"font-family: times;\"> .\u200b<span><\/span><\/span><\/p>\n<p><!--more--><\/p>\n<p data-end=\"437\" data-start=\"277\"><span style=\"font-family: times;\"><span class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\">La selecci\u00f3n oficial incluye 20 pel\u00edculas en competici\u00f3n, con destacados cineastas como Wes Anderson, Ari Aster, Julia Ducournau, Richard Linklater, Kelly Reichardt y Joachim Trier.<\/span> <span class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\">Entre las m\u00e1s esperadas se encuentran <em data-end=\"61\" data-start=\"38\">The Phoenician Scheme<\/em> de Anderson, <em data-end=\"86\" data-start=\"75\">Eddington<\/em> de Aster, <em data-end=\"104\" data-start=\"97\">Alpha<\/em> de Ducournau y <em data-end=\"139\" data-start=\"120\">Sentimental Value<\/em> de Trier, esta \u00faltima protagonizada por Renate Reinsve y Stellan Skarsg\u00e5rd<\/span> .\u200b<\/span><\/p>\n<p data-end=\"437\" data-start=\"277\"><span style=\"font-family: times;\">Curiosamente, esta edici\u00f3n tambi\u00e9n recibe a la actriz&nbsp;<\/span><strong data-end=\"1085\" data-start=\"1063\" style=\"font-family: times;\">Scarlett Johansson<\/strong><span style=\"font-family: times;\">&nbsp;en su debut como directora, y al m\u00fasico&nbsp;<\/span><strong data-end=\"1134\" data-start=\"1126\" style=\"font-family: times;\">Bono<\/strong><span style=\"font-family: times;\">, presentando un documental personal, lo que a\u00f1ade a la programaci\u00f3n una mezcla de primeras veces y regresos simb\u00f3licos.<\/span><\/p>\n<h3 data-end=\"405\" data-start=\"323\"><strong data-end=\"405\" data-start=\"327\"><span style=\"font-family: times;\">Cannes 2025: La nueva generaci\u00f3n iberoamericana y sus v\u00ednculos inesperados<\/span><\/strong><\/h3>\n<p data-end=\"1254\" data-start=\"407\"><span style=\"font-family: times;\">El Festival de Cannes 2025 se perfila como un escenario vibrante para el cine iberoamericano, donde nombres consagrados y nuevos talentos se cruzan en una edici\u00f3n marcada por el di\u00e1logo entre generaciones y territorios. Entre los t\u00edtulos seleccionados destacan <strong data-end=\"683\" data-start=\"668\">Oliver Laxe<\/strong>, <strong data-end=\"700\" data-start=\"685\">Carla Sim\u00f3n<\/strong>, y <strong data-end=\"722\" data-start=\"704\">Diego C\u00e9spedes<\/strong>, quienes comparten una sensibilidad hacia los paisajes culturales y espirituales de sus respectivas regiones. A su vez, <strong data-end=\"862\" data-start=\"843\">Sebasti\u00e1n Lelio<\/strong>, figura imprescindible del cine chileno contempor\u00e1neo, regresa a la Croisette con una propuesta que promete impactar como sus trabajos anteriores.&nbsp;<\/span><\/p>\n<p data-end=\"1992\" data-start=\"1256\"><span style=\"font-family: times;\"><strong data-end=\"1271\" data-start=\"1256\">Oliver Laxe<\/strong> vuelve a la Competencia Oficial con <strong data-end=\"1319\" data-start=\"1308\">\u201cSirat\u201d<\/strong>, tras su celebrado paso por Cannes con <strong data-end=\"1372\" data-start=\"1359\">\u201cMimosas\u201d<\/strong> (Premio de la Semana de la Cr\u00edtica 2016) y <strong data-end=\"1432\" data-start=\"1416\">\u201cO que arde\u201d<\/strong> (Premio del Jurado Un Certain Regard 2019). Laxe, espa\u00f1ol criado en Marruecos y Galicia, ha construido una carrera basada en los v\u00ednculos m\u00edsticos con la naturaleza y las tradiciones ancestrales, l\u00edneas que al parecer mantiene en este nuevo filme. Por su parte, <strong data-end=\"1710\" data-start=\"1695\">Carla Sim\u00f3n<\/strong>, quien deslumbr\u00f3 con <strong data-end=\"1748\" data-start=\"1732\">\u201cEstiu 1993\u201d<\/strong> (Mejor \u00d3pera Prima Berlinale 2017) y compiti\u00f3 en Berl\u00edn con <strong data-end=\"1823\" data-start=\"1809\">\u201cAlcarr\u00e0s\u201d<\/strong> (Oso de Oro 2022), presenta <strong data-end=\"1865\" data-is-only-node=\"\" data-start=\"1852\">\u201cRomer\u00eda\u201d<\/strong>, un relato que explora las ra\u00edces rituales del campo espa\u00f1ol y que marca su primer ingreso a la Competencia Oficial de Cannes.<\/span><\/p>\n<p data-end=\"437\" data-start=\"277\">\n<p data-end=\"3054\" data-start=\"1994\"><span style=\"font-family: times;\">El debutante <strong data-end=\"2025\" data-start=\"2007\">Diego C\u00e9spedes<\/strong>, joven cineasta chileno que gan\u00f3 la Palma de Oro al Mejor Cortometraje en 2018 con <strong data-end=\"2143\" data-start=\"2109\">\u201cEl verano del le\u00f3n el\u00e9ctrico\u201d<\/strong>, participa ahora en <strong data-end=\"2185\" data-start=\"2164\">Un Certain Regard<\/strong> con <strong data-end=\"2229\" data-start=\"2190\">\u201cLa misteriosa mirada del flamenco\u201d<\/strong>, una \u00f3pera prima que apunta a consolidarlo como una de las voces m\u00e1s frescas del cine latinoamericano. Completando este mapa, <strong data-end=\"2375\" data-start=\"2356\">Sebasti\u00e1n Lelio<\/strong>, ganador del Oscar a Mejor Pel\u00edcula Internacional por <strong data-end=\"2456\" data-start=\"2430\">\u201cUna mujer fant\u00e1stica\u201d<\/strong> (2018), regresa a Cannes \u2014donde ya estuvo en la Quincena de Realizadores con <strong data-end=\"2546\" data-start=\"2534\">\u201cGloria\u201d<\/strong>\u2014 con <strong data-end=\"2575\" data-start=\"2552\">\u201cLa ola\u201d (The Wave)<\/strong>, obra que seg\u00fan se anticipa retoma su inter\u00e9s por los personajes femeninos en contextos de crisis social.&nbsp;<\/span><\/p>\n<p data-end=\"3054\" data-start=\"1994\"><span style=\"font-family: times;\">De forma inesperada, la secci\u00f3n&nbsp;<\/span><strong data-end=\"2733\" data-start=\"2714\" style=\"font-family: times;\">Cannes Premi\u00e8re<\/strong><span style=\"font-family: times;\">&nbsp;recibe tambi\u00e9n a&nbsp;<\/span><strong data-end=\"2773\" data-start=\"2751\" style=\"font-family: times;\">Scarlett Johansson<\/strong><span style=\"font-family: times;\">, quien debuta como directora con&nbsp;<\/span><strong data-end=\"2830\" data-start=\"2807\" style=\"font-family: times;\">\u201cEleanor the Great\u201d<\/strong><span style=\"font-family: times;\">, y al m\u00edtico&nbsp;<\/span><strong data-end=\"2852\" data-start=\"2844\" style=\"font-family: times;\">Bono<\/strong><span style=\"font-family: times;\">, vocalista de U2, quien presenta&nbsp;<\/span><strong data-end=\"2912\" data-start=\"2886\" style=\"font-family: times;\">\u201cStories of Surrender\u201d<\/strong><span style=\"font-family: times;\">, un documental introspectivo sobre su vida y carrera, sumando nuevas texturas narrativas a una edici\u00f3n particularmente \u00edntima y generacional.<\/span><\/p>\n<p data-end=\"437\" data-start=\"277\"><span style=\"font-family: times;\"><span class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\">La secci\u00f3n <em data-end=\"30\" data-start=\"11\">Un Certain Regard<\/em> destaca por su enfoque en nuevas voces y perspectivas innovadoras, presentando 16 t\u00edtulos, muchos de ellos \u00f3peras primas.<\/span> <span class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\">Entre ellos se encuentran <em data-end=\"45\" data-start=\"26\">Eleanor the Great<\/em>, debut como directora de Scarlett Johansson, y <em data-end=\"101\" data-start=\"93\">Urchin<\/em> de Harris Dickinson.<\/span> <span class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\">Adem\u00e1s, la programaci\u00f3n se enriquece con secciones como <em data-end=\"73\" data-start=\"56\">Cannes Premi\u00e8re<\/em>, <em data-end=\"100\" data-start=\"75\">Proyecciones Especiales<\/em>, <em data-end=\"130\" data-start=\"102\">Proyecciones de Medianoche<\/em> y <em data-end=\"155\" data-start=\"133\">Fuera de Competici\u00f3n<\/em>, que incluyen desde grandes estrenos comerciales hasta documentales y cine de autor.<\/span><\/span><\/p>\n<p data-end=\"437\" data-start=\"277\"><span class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"><span style=\"font-family: times;\"><br \/><\/span><\/span><\/p>\n<h3 data-end=\"668\" data-start=\"637\"><span style=\"font-family: times;\">&#x1f3ac; <strong data-end=\"668\" data-start=\"644\">PEL\u00cdCULA DE APERTURA<\/strong><\/span><\/h3>\n<ul data-end=\"746\" data-start=\"669\">\n<li data-end=\"746\" data-start=\"669\">\n<p data-end=\"746\" data-start=\"671\"><span style=\"font-family: times;\"><strong data-end=\"689\" data-start=\"671\">PARTIR UN JOUR<\/strong> \u2014 <em data-end=\"707\" data-start=\"692\">Am\u00e9lie Bonnin<\/em> (\u00d3pera prima) \u2014 <em data-end=\"746\" data-start=\"724\">Fuera de Competencia<\/em><\/span><\/p>\n<\/li>\n<\/ul>\n<h3 data-end=\"798\" data-start=\"753\"><span style=\"font-family: times;\">&#x1f3c6; <strong data-end=\"798\" data-start=\"760\">COMPETENCIA OFICIAL (Palma de Oro)<\/strong><\/span><\/h3>\n<ul data-end=\"1561\" data-start=\"800\">\n<li data-end=\"844\" data-start=\"800\">\n<p data-end=\"844\" data-start=\"802\"><span style=\"font-family: times;\"><strong data-end=\"827\" data-start=\"802\">THE PHOENICIAN SCHEME<\/strong> \u2014 <em data-end=\"844\" data-start=\"830\">Wes Anderson<\/em><\/span><\/p>\n<\/li>\n<li data-end=\"874\" data-start=\"845\">\n<p data-end=\"874\" data-start=\"847\"><span style=\"font-family: times;\"><strong data-end=\"860\" data-start=\"847\">EDDINGTON<\/strong> \u2014 <em data-end=\"874\" data-start=\"863\">Ari Aster<\/em><\/span><\/p>\n<\/li>\n<li data-end=\"924\" data-start=\"875\">\n<p data-end=\"924\" data-start=\"877\"><span style=\"font-family: times;\"><strong data-end=\"893\" data-start=\"877\">JEUNES M\u00c8RES<\/strong> \u2014 <em data-end=\"924\" data-start=\"896\">Jean-Pierre y Luc Dardenne<\/em><\/span><\/p>\n<\/li>\n<li data-end=\"956\" data-start=\"925\">\n<p data-end=\"956\" data-start=\"927\"><span style=\"font-family: times;\"><strong data-end=\"936\" data-start=\"927\">ALPHA<\/strong> \u2014 <em data-end=\"956\" data-start=\"939\">Julia Ducournau<\/em><\/span><\/p>\n<\/li>\n<li data-end=\"987\" data-start=\"957\">\n<p data-end=\"987\" data-start=\"959\"><span style=\"font-family: times;\"><strong data-end=\"969\" data-start=\"959\">RENOIR<\/strong> \u2014 <em data-end=\"987\" data-start=\"972\">Hayakawa Chie<\/em><\/span><\/p>\n<\/li>\n<li data-end=\"1034\" data-start=\"988\">\n<p data-end=\"1034\" data-start=\"990\"><span style=\"font-family: times;\"><strong data-end=\"1014\" data-start=\"990\">THE HISTORY OF SOUND<\/strong> \u2014 <em data-end=\"1034\" data-start=\"1017\">Oliver Hermanus<\/em><\/span><\/p>\n<\/li>\n<li data-end=\"1076\" data-start=\"1035\">\n<p data-end=\"1076\" data-start=\"1037\"><span style=\"font-family: times;\"><strong data-end=\"1059\" data-start=\"1037\">LA PETITE DERNI\u00c8RE<\/strong> \u2014 <em data-end=\"1076\" data-start=\"1062\">Hafsia Herzi<\/em><\/span><\/p>\n<\/li>\n<li data-end=\"1104\" data-start=\"1077\">\n<p data-end=\"1104\" data-start=\"1079\"><span style=\"font-family: times;\"><strong data-end=\"1088\" data-start=\"1079\">SIRAT<\/strong> \u2014 <em data-end=\"1104\" data-start=\"1091\">Oliver Laxe<\/em><\/span><\/p>\n<\/li>\n<li data-end=\"1141\" data-start=\"1105\">\n<p data-end=\"1141\" data-start=\"1107\"><span style=\"font-family: times;\"><strong data-end=\"1119\" data-start=\"1107\">NEW WAVE<\/strong> \u2014 <em data-end=\"1141\" data-start=\"1122\">Richard Linklater<\/em><\/span><\/p>\n<\/li>\n<li data-end=\"1183\" data-start=\"1142\">\n<p data-end=\"1183\" data-start=\"1144\"><span style=\"font-family: times;\"><strong data-end=\"1163\" data-start=\"1144\">TWO PROSECUTORS<\/strong> \u2014 <em data-end=\"1183\" data-start=\"1166\">Sergei Loznitsa<\/em><\/span><\/p>\n<\/li>\n<li data-end=\"1213\" data-start=\"1184\">\n<p data-end=\"1213\" data-start=\"1186\"><span style=\"font-family: times;\"><strong data-end=\"1195\" data-start=\"1186\">FUORI<\/strong> \u2014 <em data-end=\"1213\" data-start=\"1198\">Mario Martone<\/em><\/span><\/p>\n<\/li>\n<li data-end=\"1281\" data-start=\"1214\">\n<p data-end=\"1281\" data-start=\"1216\"><span style=\"font-family: times;\"><strong data-end=\"1255\" data-start=\"1216\">O SECRETO AGENTE (THE SECRET AGENT)<\/strong> \u2014 <em data-end=\"1281\" data-start=\"1258\">Kleber Mendon\u00e7a Filho<\/em><\/span><\/p>\n<\/li>\n<li data-end=\"1316\" data-start=\"1282\">\n<p data-end=\"1316\" data-start=\"1284\"><span style=\"font-family: times;\"><strong data-end=\"1299\" data-start=\"1284\">DOSSIER 137<\/strong> \u2014 <em data-end=\"1316\" data-start=\"1302\">Dominik Moll<\/em><\/span><\/p>\n<\/li>\n<li data-end=\"1358\" data-start=\"1317\">\n<p data-end=\"1358\" data-start=\"1319\"><span style=\"font-family: times;\"><strong data-end=\"1341\" data-start=\"1319\">UN SIMPLE ACCIDENT<\/strong> \u2014 <em data-end=\"1358\" data-start=\"1344\">Jafar Panahi<\/em><\/span><\/p>\n<\/li>\n<li data-end=\"1399\" data-start=\"1359\">\n<p data-end=\"1399\" data-start=\"1361\"><span style=\"font-family: times;\"><strong data-end=\"1379\" data-start=\"1361\">THE MASTERMIND<\/strong> \u2014 <em data-end=\"1399\" data-start=\"1382\">Kelly Reichardt<\/em><\/span><\/p>\n<\/li>\n<li data-end=\"1444\" data-start=\"1400\">\n<p data-end=\"1444\" data-start=\"1402\"><span style=\"font-family: times;\"><strong data-end=\"1428\" data-start=\"1402\">AIGLES OF THE REPUBLIC<\/strong> \u2014 <em data-end=\"1444\" data-start=\"1431\">Tarik Saleh<\/em><\/span><\/p>\n<\/li>\n<li data-end=\"1489\" data-start=\"1445\">\n<p data-end=\"1489\" data-start=\"1447\"><span style=\"font-family: times;\"><strong data-end=\"1467\" data-start=\"1447\">SOUND OF FALLING<\/strong> \u2014 <em data-end=\"1489\" data-start=\"1470\">Mascha Schilinski<\/em><\/span><\/p>\n<\/li>\n<li data-end=\"1519\" data-start=\"1490\">\n<p data-end=\"1519\" data-start=\"1492\"><span style=\"font-family: times;\"><strong data-end=\"1503\" data-start=\"1492\">ROMER\u00cdA<\/strong> \u2014 <em data-end=\"1519\" data-start=\"1506\">Carla Sim\u00f3n<\/em><\/span><\/p>\n<\/li>\n<li data-end=\"1561\" data-start=\"1520\">\n<p data-end=\"1561\" data-start=\"1522\"><span style=\"font-family: times;\"><strong data-end=\"1543\" data-start=\"1522\">SENTIMENTAL VALUE<\/strong> \u2014 <em data-end=\"1561\" data-start=\"1546\">Joachim Trier<\/em><\/span><\/p>\n<\/li>\n<\/ul>\n<h3 data-end=\"1596\" data-start=\"1568\"><span style=\"font-family: times;\">&#x1f3a5; <strong data-end=\"1596\" data-start=\"1575\">UN CERTAIN REGARD<\/strong><\/span><\/h3>\n<ul data-end=\"2491\" data-start=\"1598\">\n<li data-end=\"1670\" data-start=\"1598\">\n<p data-end=\"1670\" data-start=\"1600\"><span style=\"font-family: times;\"><strong data-end=\"1637\" data-start=\"1600\">LA MISTERIOSA MIRADA DEL FLAMENCO<\/strong> \u2014 <em data-end=\"1656\" data-start=\"1640\">Diego C\u00e9spedes<\/em> (\u00d3pera prima)<\/span><\/p>\n<\/li>\n<li data-end=\"1703\" data-start=\"1671\">\n<p data-end=\"1703\" data-start=\"1673\"><span style=\"font-family: times;\"><strong data-end=\"1684\" data-start=\"1673\">M\u00c9T\u00c9ORS<\/strong> \u2014 <em data-end=\"1703\" data-start=\"1687\">Hubert Charuel<\/em><\/span><\/p>\n<\/li>\n<li data-end=\"1764\" data-start=\"1704\">\n<p data-end=\"1764\" data-start=\"1706\"><span style=\"font-family: times;\"><strong data-end=\"1728\" data-start=\"1706\">MY FATHER&#8217;S SHADOW<\/strong> \u2014 <em data-end=\"1750\" data-start=\"1731\">Akinola Davies Jr<\/em> (\u00d3pera prima)<\/span><\/p>\n<\/li>\n<li data-end=\"1823\" data-start=\"1765\">\n<p data-end=\"1823\" data-start=\"1767\"><span style=\"font-family: times;\"><strong data-end=\"1799\" data-start=\"1767\">L&#8217;INCONNU DE LA GRANDE ARCHE<\/strong> \u2014 <em data-end=\"1823\" data-start=\"1802\">St\u00e9phane Demoustier<\/em><\/span><\/p>\n<\/li>\n<li data-end=\"1871\" data-start=\"1824\">\n<p data-end=\"1871\" data-start=\"1826\"><span style=\"font-family: times;\"><strong data-end=\"1836\" data-start=\"1826\">URCHIN<\/strong> \u2014 <em data-end=\"1857\" data-start=\"1839\">Harris Dickinson<\/em> (\u00d3pera prima)<\/span><\/p>\n<\/li>\n<li data-end=\"1906\" data-start=\"1872\">\n<p data-end=\"1906\" data-start=\"1874\"><span style=\"font-family: times;\"><strong data-end=\"1887\" data-start=\"1874\">HOMEBOUND<\/strong> \u2014 <em data-end=\"1906\" data-start=\"1890\">Neeraj Ghaywan<\/em><\/span><\/p>\n<\/li>\n<li data-end=\"1974\" data-start=\"1907\">\n<p data-end=\"1974\" data-start=\"1909\"><span style=\"font-family: times;\"><strong data-end=\"1957\" data-start=\"1909\">T\u00d4I YAMANAMINO HIKARI (A PALE VIEW OF HILLS)<\/strong> \u2014 <em data-end=\"1974\" data-start=\"1960\">Ishikawa Kei<\/em><\/span><\/p>\n<\/li>\n<li data-end=\"2035\" data-start=\"1975\">\n<p data-end=\"2035\" data-start=\"1977\"><span style=\"font-family: times;\"><strong data-end=\"1998\" data-start=\"1977\">ELEANOR THE GREAT<\/strong> \u2014 <em data-end=\"2021\" data-start=\"2001\">Scarlett Johansson<\/em> (\u00d3pera prima)<\/span><\/p>\n<\/li>\n<li data-end=\"2086\" data-start=\"2036\">\n<p data-end=\"2086\" data-start=\"2038\"><span style=\"font-family: times;\"><strong data-end=\"2049\" data-start=\"2038\">KARAVAN<\/strong> \u2014 <em data-end=\"2072\" data-start=\"2052\">Zuzana Kirchnerov\u00e1<\/em> (\u00d3pera prima)<\/span><\/p>\n<\/li>\n<li data-end=\"2132\" data-start=\"2087\">\n<p data-end=\"2132\" data-start=\"2089\"><span style=\"font-family: times;\"><strong data-end=\"2100\" data-start=\"2089\">PILLION<\/strong> \u2014 <em data-end=\"2118\" data-start=\"2103\">Harry Lighton<\/em> (\u00d3pera prima)<\/span><\/p>\n<\/li>\n<li data-end=\"2191\" data-start=\"2133\">\n<p data-end=\"2191\" data-start=\"2135\"><span style=\"font-family: times;\"><strong data-end=\"2159\" data-start=\"2135\">AISHA CAN&#8217;T FLY AWAY<\/strong> \u2014 <em data-end=\"2177\" data-start=\"2162\">Morad Mostafa<\/em> (\u00d3pera prima)<\/span><\/p>\n<\/li>\n<li data-end=\"2247\" data-start=\"2192\">\n<p data-end=\"2247\" data-start=\"2194\"><span style=\"font-family: times;\"><strong data-end=\"2222\" data-start=\"2194\">ONCE UPON A TIME IN GAZA<\/strong> \u2014 <em data-end=\"2247\" data-start=\"2225\">Arab y Tarzan Nasser<\/em><\/span><\/p>\n<\/li>\n<li data-end=\"2299\" data-start=\"2248\">\n<p data-end=\"2299\" data-start=\"2250\"><span style=\"font-family: times;\"><strong data-end=\"2264\" data-start=\"2250\">THE PLAGUE<\/strong> \u2014 <em data-end=\"2285\" data-start=\"2267\">Charlie Polinger<\/em> (\u00d3pera prima)<\/span><\/p>\n<\/li>\n<li data-end=\"2335\" data-start=\"2300\">\n<p data-end=\"2335\" data-start=\"2302\"><span style=\"font-family: times;\"><strong data-end=\"2318\" data-start=\"2302\">PROMISED SKY<\/strong> \u2014 <em data-end=\"2335\" data-start=\"2321\">Erige Sehiri<\/em><\/span><\/p>\n<\/li>\n<li data-end=\"2410\" data-start=\"2336\">\n<p data-end=\"2410\" data-start=\"2338\"><span style=\"font-family: times;\"><strong data-end=\"2389\" data-start=\"2338\">LE CITT\u00c0 DI PIANURA (THE LAST ONE FOR THE ROAD)<\/strong> \u2014 <em data-end=\"2410\" data-start=\"2392\">Francesco Sossai<\/em><\/span><\/p>\n<\/li>\n<li data-end=\"2491\" data-start=\"2411\">\n<p data-end=\"2491\" data-start=\"2413\"><span style=\"font-family: times;\"><strong data-end=\"2449\" data-start=\"2413\">TESTA O CROCE? (HEADS OR TAILS?)<\/strong> \u2014 <em data-end=\"2491\" data-start=\"2452\">Matteo Zoppis y Alessio Rigo de Righi<\/em><\/span><\/p>\n<\/li>\n<\/ul>\n<h3 data-end=\"2530\" data-start=\"2498\"><span style=\"font-family: times;\">&#x1f39e;&#xfe0f; <strong data-end=\"2530\" data-start=\"2506\">FUERA DE COMPETENCIA<\/strong><\/span><\/h3>\n<ul data-end=\"2742\" data-start=\"2532\">\n<li data-end=\"2573\" data-start=\"2532\">\n<p data-end=\"2573\" data-start=\"2534\"><span style=\"font-family: times;\"><strong data-end=\"2553\" data-start=\"2534\">COLOURS OF TIME<\/strong> \u2014 <em data-end=\"2573\" data-start=\"2556\">C\u00e9dric Klapisch<\/em><\/span><\/p>\n<\/li>\n<li data-end=\"2629\" data-start=\"2574\">\n<p data-end=\"2629\" data-start=\"2576\"><span style=\"font-family: times;\"><strong data-end=\"2611\" data-start=\"2576\">LA FEMME LA PLUS RICHE DU MONDE<\/strong> \u2014 <em data-end=\"2629\" data-start=\"2614\">Thierry Klifa<\/em><\/span><\/p>\n<\/li>\n<li data-end=\"2703\" data-start=\"2630\">\n<p data-end=\"2703\" data-start=\"2632\"><span style=\"font-family: times;\"><strong data-end=\"2677\" data-start=\"2632\">MISSION: IMPOSSIBLE \u2013 THE FINAL RECKONING<\/strong> \u2014 <em data-end=\"2703\" data-start=\"2680\">Christopher McQuarrie<\/em><\/span><\/p>\n<\/li>\n<li data-end=\"2742\" data-start=\"2704\">\n<p data-end=\"2742\" data-start=\"2706\"><span style=\"font-family: times;\"><strong data-end=\"2720\" data-start=\"2706\">VIE PRIV\u00c9E<\/strong> \u2014 <em data-end=\"2742\" data-start=\"2723\">Rebecca Zlotowski<\/em><\/span><\/p>\n<\/li>\n<\/ul>\n<h3 data-end=\"2783\" data-start=\"2749\"><span style=\"font-family: times;\">&#x1f319; <strong data-end=\"2783\" data-start=\"2756\">SESIONES DE MEDIA NOCHE<\/strong><\/span><\/h3>\n<ul data-end=\"2909\" data-start=\"2785\">\n<li data-end=\"2815\" data-start=\"2785\">\n<p data-end=\"2815\" data-start=\"2787\"><span style=\"font-family: times;\"><strong data-end=\"2799\" data-start=\"2787\">DALLOWAY<\/strong> \u2014 <em data-end=\"2815\" data-start=\"2802\">Yann Gozlan<\/em><\/span><\/p>\n<\/li>\n<li data-end=\"2847\" data-start=\"2816\">\n<p data-end=\"2847\" data-start=\"2818\"><span style=\"font-family: times;\"><strong data-end=\"2828\" data-start=\"2818\">EXIT 8<\/strong> \u2014 <em data-end=\"2847\" data-start=\"2831\">Kawamura Genki<\/em><\/span><\/p>\n<\/li>\n<li data-end=\"2909\" data-start=\"2848\">\n<p data-end=\"2909\" data-start=\"2850\"><span style=\"font-family: times;\"><strong data-end=\"2896\" data-start=\"2850\">FENG LIN HUO SHAN (SONS OF THE NEON NIGHT)<\/strong> \u2014 <em data-end=\"2909\" data-start=\"2899\">Mak Juno<\/em><\/span><\/p>\n<\/li>\n<\/ul>\n<h3 data-end=\"2942\" data-start=\"2916\"><span style=\"font-family: times;\">&#x1f3a5; <strong data-end=\"2942\" data-start=\"2923\">CANNES PREMIERE<\/strong><\/span><\/h3>\n<ul data-end=\"3227\" data-start=\"2944\">\n<li data-end=\"2970\" data-start=\"2944\">\n<p data-end=\"2970\" data-start=\"2946\"><span style=\"font-family: times;\"><strong data-end=\"2955\" data-start=\"2946\">AMRUM<\/strong> \u2014 <em data-end=\"2970\" data-start=\"2958\">Fatih Akin<\/em><\/span><\/p>\n<\/li>\n<li data-end=\"3014\" data-start=\"2971\">\n<p data-end=\"3014\" data-start=\"2973\"><span style=\"font-family: times;\"><strong data-end=\"2988\" data-start=\"2973\">SPLITSVILLE<\/strong> \u2014 <em data-end=\"3014\" data-start=\"2991\">Michael Angelo Covino<\/em><\/span><\/p>\n<\/li>\n<li data-end=\"3058\" data-start=\"3015\">\n<p data-end=\"3058\" data-start=\"3017\"><span style=\"font-family: times;\"><strong data-end=\"3038\" data-start=\"3017\">LA OLA (THE WAVE)<\/strong> \u2014 <em data-end=\"3058\" data-start=\"3041\">Sebasti\u00e1n Lelio<\/em><\/span><\/p>\n<\/li>\n<li data-end=\"3088\" data-start=\"3059\">\n<p data-end=\"3088\" data-start=\"3061\"><span style=\"font-family: times;\"><strong data-end=\"3074\" data-start=\"3061\">CONNEMARA<\/strong> \u2014 <em data-end=\"3088\" data-start=\"3077\">Alex Lutz<\/em><\/span><\/p>\n<\/li>\n<li data-end=\"3124\" data-start=\"3089\">\n<p data-end=\"3124\" data-start=\"3091\"><span style=\"font-family: times;\"><strong data-end=\"3109\" data-start=\"3091\">ORWELL : 2+2=5<\/strong> \u2014 <em data-end=\"3124\" data-start=\"3112\">Raoul Peck<\/em><\/span><\/p>\n<\/li>\n<li data-end=\"3227\" data-start=\"3125\">\n<p data-end=\"3227\" data-start=\"3127\"><span style=\"font-family: times;\"><strong data-end=\"3202\" data-start=\"3127\">DAS VERSCHWINDEN DES JOSEF MENGELE (THE DISAPPEARANCE OF JOSEF MENGELE)<\/strong> \u2014 <em data-end=\"3227\" data-start=\"3205\">Kirill Serebrennikov<\/em><\/span><\/p>\n<\/li>\n<\/ul>\n<h3 data-end=\"3268\" data-start=\"3234\"><span style=\"font-family: times;\">&#x1f3a5; <strong data-end=\"3268\" data-start=\"3241\">PROYECCIONES ESPECIALES<\/strong><\/span><\/h3>\n<p data-end=\"437\" data-start=\"277\"><span class=\"relative -mx-px my-[-0.2rem] rounded px-px py-[0.2rem] transition-colors duration-100 ease-in-out\"><span style=\"font-family: times;\"><\/p>\n<p><\/span><\/span><\/p>\n<ul data-end=\"3401\" data-start=\"3270\">\n<li data-end=\"3305\" data-start=\"3270\">\n<p data-end=\"3305\" data-start=\"3272\"><span style=\"font-family: times;\"><strong data-end=\"3296\" data-start=\"3272\">STORIES OF SURRENDER<\/strong> \u2014 <em data-end=\"3305\" data-start=\"3299\">Bono<\/em><\/span><\/p>\n<\/li>\n<li data-end=\"3357\" data-start=\"3306\">\n<p data-end=\"3357\" data-start=\"3308\"><span style=\"font-family: times;\"><strong data-end=\"3336\" data-start=\"3308\">TELL HER THAT I LOVE HER<\/strong> \u2014 <em data-end=\"3357\" data-start=\"3339\">Romane Bohringer<\/em><\/span><\/p>\n<\/li>\n<li data-end=\"3401\" data-start=\"3358\">\n<p data-end=\"3401\" data-start=\"3360\"><span style=\"font-family: times;\"><strong data-end=\"3382\" data-start=\"3360\">A MAGNIFICENT LIFE<\/strong> \u2014 <em data-end=\"3401\" data-start=\"3385\">Sylvain Chomet<\/em><\/span><\/p>\n<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; Por David S\u00e1nchez El Festival de Cine de Cannes 2025, que celebrar\u00e1 su 78\u00aa edici\u00f3n del 13 al 24 de mayo, ha revelado una programaci\u00f3n que promete ser una de las m\u00e1s diversas y ambiciosas de los \u00faltimos a\u00f1os. La actriz francesa Juliette Binoche presidir\u00e1 el jurado de la competici\u00f3n oficial, marcando la segunda &#8230; <a title=\"Programaci\u00f3n CANNES 2025\" class=\"read-more\" href=\"https:\/\/www.tegustamuchoelcine.com\/2025\/04\/programacion-cannes-2025.html\" aria-label=\"Leer m\u00e1s sobre Programaci\u00f3n CANNES 2025\">Leer m\u00e1s<\/a><\/p>\n","protected":false},"author":2,"featured_media":254,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-253","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.tegustamuchoelcine.com\/wp-json\/wp\/v2\/posts\/253","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.tegustamuchoelcine.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.tegustamuchoelcine.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.tegustamuchoelcine.com\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.tegustamuchoelcine.com\/wp-json\/wp\/v2\/comments?post=253"}],"version-history":[{"count":1,"href":"https:\/\/www.tegustamuchoelcine.com\/wp-json\/wp\/v2\/posts\/253\/revisions"}],"predecessor-version":[{"id":255,"href":"https:\/\/www.tegustamuchoelcine.com\/wp-json\/wp\/v2\/posts\/253\/revisions\/255"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.tegustamuchoelcine.com\/wp-json\/wp\/v2\/media\/254"}],"wp:attachment":[{"href":"https:\/\/www.tegustamuchoelcine.com\/wp-json\/wp\/v2\/media?parent=253"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.tegustamuchoelcine.com\/wp-json\/wp\/v2\/categories?post=253"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.tegustamuchoelcine.com\/wp-json\/wp\/v2\/tags?post=253"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}