{"id":1591,"date":"2026-02-20T22:51:00","date_gmt":"2026-02-20T22:51:00","guid":{"rendered":"https:\/\/www.tegustamuchoelcine.com\/?p=1591"},"modified":"2026-09-22T08:12:28","modified_gmt":"2026-09-22T08:12:28","slug":"ganadores-del-40o-teddy-award","status":"publish","type":"post","link":"https:\/\/www.tegustamuchoelcine.com\/2026\/02\/ganadores-del-40o-teddy-award.html","title":{"rendered":"Ganadores del 40\u00ba TEDDY AWARD"},"content":{"rendered":"<p>&nbsp;<\/p>\n<div class=\"separator\" style=\"clear: both; text-align: center;\"><a href=\"https:\/\/blogger.googleusercontent.com\/img\/a\/AVvXsEghMghe2WaYc2FIzoOJ9mI7lZTi4UpIVbcOmWxDyACmRrzhkJG5Pz3HCZJ_WkuT7ls0f9ukJLEX_QoMjdeJs21ro5X4LI3lrAJemo-EplpTgYx3MPosxLVb6Hbc19oZ4ec3g7PGfVdJphzoHIXffUPk4_VCWeLhTIKPvMPAKVi9keDoxSK_5WDX1lSPYQA\" style=\"margin-left: 1em; margin-right: 1em;\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" alt=\"\" data-original-height=\"748\" data-original-width=\"1335\" height=\"358\" src=\"https:\/\/www.tegustamuchoelcine.com\/wp-content\/uploads\/2026\/02\/image-589a159098b348189f13bbf59c770d2d.png\" width=\"640\" \/><\/a><\/div>\n<\/p>\n<p>Tras diez intensos d\u00edas en la Berlinale, marcados por propuestas cinematogr\u00e1ficas diversas y profundamente emotivas del panorama queer internacional, lleg\u00f3 el momento m\u00e1s esperado: la entrega del 40\u00ba TEDDY AWARD. Esta edici\u00f3n no solo reconoci\u00f3 obras destacadas del a\u00f1o, sino que tambi\u00e9n celebr\u00f3 cuatro d\u00e9cadas de un premio que ha contribuido decisivamente a la visibilidad, la memoria y la evoluci\u00f3n del cine LGBTQ+ en el mundo.<\/p>\n<p data-end=\"665\" data-start=\"237\"><span><\/span><\/p>\n<p><!--more--><\/p>\n<p data-end=\"925\" data-start=\"667\">En este a\u00f1o aniversario, los galardones se otorgaron en las categor\u00edas de Mejor Largometraje, Mejor Documental\/Ensayo, Mejor Cortometraje y el Premio del Jurado, distinguiendo obras que ampl\u00edan los l\u00edmites narrativos y pol\u00edticos del cine queer contempor\u00e1neo.<\/p>\n<p data-end=\"925\" data-start=\"667\"><\/p>\n<div class=\"separator\" style=\"clear: both; text-align: center;\"><a href=\"https:\/\/blogger.googleusercontent.com\/img\/a\/AVvXsEjH19YWpD5vvc8kEO3o15b5txJk8kMmAKs-haT3Jzjx22-k01B0kuW5HJfpgrkekfars9DJqpTfwsjhoqQovUlayP4XUBImtp1wtIoCwoMP7btj1n5ucXau0daNXv0ZikE-O816fEo4NvTbwbHxX3glCyQnTaa3Fr5GMBV-0S0FrLKam03pxRrgd7Re5xE\" style=\"margin-left: 1em; margin-right: 1em;\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" alt=\"\" data-original-height=\"873\" data-original-width=\"690\" height=\"640\" src=\"https:\/\/www.tegustamuchoelcine.com\/wp-content\/uploads\/2026\/02\/image-7bc58f3aa3a35b18993dc1092494e5c9.png\" width=\"507\" \/><\/a><\/div>\n<p><\/p>\n<h3 data-end=\"994\" data-start=\"927\">Mejor Largometraje: <em data-end=\"966\" data-start=\"951\">Iv\u00e1n &amp; Hadoum<\/em> (Espa\u00f1a, Alemania, B\u00e9lgica)<\/h3>\n<p data-end=\"1517\" data-start=\"996\">El premio principal recay\u00f3 en <em data-end=\"1041\" data-start=\"1026\">Iv\u00e1n &amp; Hadoum<\/em>, dirigida por Ian de la Rosa (Espa\u00f1a, Alemania, B\u00e9lgica). Ambientada en un invernadero del sur de Espa\u00f1a, la pel\u00edcula narra el romance entre Iv\u00e1n y su compa\u00f1ero de trabajo Hadoum. Sin embargo, una promoci\u00f3n laboral largamente esperada pone a prueba la relaci\u00f3n y obliga al protagonista a replantearse qu\u00e9 tipo de persona desea ser. El jurado destac\u00f3 la sensibilidad del relato, su mirada social y la complejidad emocional con la que aborda temas de identidad, clase y afecto.<\/p>\n<p data-end=\"1517\" data-start=\"996\"><\/p>\n<div class=\"separator\" style=\"clear: both; text-align: center;\"><iframe loading=\"lazy\" allowfullscreen=\"\" class=\"BLOG_video_class\" height=\"266\" src=\"https:\/\/www.youtube.com\/embed\/fAOm7bNY5RE\" width=\"320\" youtube-src-id=\"fAOm7bNY5RE\"><\/iframe><\/div>\n<\/p>\n<p data-end=\"1517\" data-start=\"996\"><\/p>\n<div class=\"separator\" style=\"clear: both; text-align: center;\"><a href=\"https:\/\/blogger.googleusercontent.com\/img\/a\/AVvXsEhAmhAo_wiR0uG9nI6kr-1zYGsGzkrhkEdFgyf2IGFgGr1VOMOuCwevOMAhP86uNwEOvUVvJOuxVd8JeVCLi8Jjtj6mKxstmam0jtxpeNOSnVglNzQOiIPF10or_1pGisPb1tQOeLNS3R4eCzkC_78nP3IBcpOo_O83tO_HLVSSHm5wWMqirWARnTmiyZ0\" style=\"margin-left: 1em; margin-right: 1em;\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" alt=\"\" data-original-height=\"848\" data-original-width=\"686\" height=\"640\" src=\"https:\/\/www.tegustamuchoelcine.com\/wp-content\/uploads\/2026\/02\/image-3b401c08fa2cc6d9a5d20df6330addf9.png\" width=\"517\" \/><\/a><\/div>\n<p><\/p>\n<p data-end=\"1840\" data-start=\"1519\">Entre los nominados figuraban tambi\u00e9n <em data-end=\"1586\" data-start=\"1557\">\u00c0 voix basse (In a Whisper)<\/em> (Francia, T\u00fanez) de Leyla Bouzid, que explora los secretos familiares y la identidad entre Francia y T\u00fanez, y <em data-end=\"1724\" data-start=\"1697\">Feito Pipa (Gugu\u2019s World)<\/em> (Brasil) de Allan Deberton, un delicado retrato sobre la infancia, la libertad y el v\u00ednculo con la familia elegida.<\/p>\n<p data-end=\"1840\" data-start=\"1519\"><\/p>\n<div class=\"separator\" style=\"clear: both; text-align: center;\"><a href=\"https:\/\/blogger.googleusercontent.com\/img\/a\/AVvXsEhrF383dMfNL5ryeowjpLmJFOtgKqPu5WUEGCe4yLJw5mH9P1VKETyaF2HJ7FuI4vJor8GPtNlqJnARpsF14FUGx37rMs-Kzn8QBbnqgi5soqLaH-On_zB9yO47HFS7_igpJGPKoHD5DvLHOkre1RwF1wUcnKcHaThPqO_GWrZe7ugC2afhBIK0Yho0r1M\" style=\"margin-left: 1em; margin-right: 1em;\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" alt=\"\" data-original-height=\"873\" data-original-width=\"695\" height=\"640\" src=\"https:\/\/www.tegustamuchoelcine.com\/wp-content\/uploads\/2026\/02\/image-5ae48790cacc77a4c5dcc577fe96fa0a.png\" width=\"509\" \/><\/a><\/div>\n<p><\/p>\n<h3 data-end=\"1905\" data-start=\"1842\">Mejor Documental\/Ensayo: <em data-end=\"1888\" data-start=\"1871\">Barbara Forever<\/em> (Estados Unidos)<\/h3>\n<p data-end=\"2330\" data-start=\"1907\">El premio al Mejor Documental fue para <em data-end=\"1963\" data-start=\"1946\">Barbara Forever<\/em> (Estados Unidos), dirigido por Brydie O\u2019Connor. La obra rinde homenaje a la pionera del cine experimental l\u00e9sbico Barbara Hammer (1939\u20132019), combinando material de archivo, poes\u00eda y memoria personal. El filme subraya c\u00f3mo su vida y su obra demostraron que lo \u00edntimo es, inevitablemente, pol\u00edtico, consolidando su legado como figura clave del cine feminista y queer.<\/p>\n<div class=\"separator\" style=\"clear: both; text-align: center;\"><iframe loading=\"lazy\" allowfullscreen=\"\" class=\"BLOG_video_class\" height=\"266\" src=\"https:\/\/www.youtube.com\/embed\/Rqy7Vb9-RYo\" width=\"320\" youtube-src-id=\"Rqy7Vb9-RYo\"><\/iframe><\/div>\n<p data-end=\"2330\" data-start=\"1907\"><\/p>\n<div class=\"separator\" style=\"clear: both; text-align: center;\"><a href=\"https:\/\/blogger.googleusercontent.com\/img\/a\/AVvXsEjwQr7u8k0oGRiP8Y3vJZfBWECtrb354jc5EOZkQpqRDZfArKHKv0tJoUX4-eBkhuTouxAcaRW4Ut2pSnyoQbV9KTReYHAKeVBXWdbxScbMzExb4D5lFzsykNput9bjY8htoTixTNgP1nTMkyzqMML9Mf7bg-VAX4zNesM-RX-Z7KhXkECnBvHymrPN7OE\" style=\"margin-left: 1em; margin-right: 1em;\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" alt=\"\" data-original-height=\"859\" data-original-width=\"694\" height=\"640\" src=\"https:\/\/www.tegustamuchoelcine.com\/wp-content\/uploads\/2026\/02\/image-adc04dc732c5c6ddc3abc6b536601924.png\" width=\"517\" \/><\/a><\/div>\n<p><\/p>\n<p data-end=\"2626\" data-start=\"2332\">Entre los nominados se encontraban <em data-end=\"2405\" data-start=\"2367\">Two Mountains Weighing Down My Chest<\/em> (Alemania, Pa\u00edses Bajos) de Viv Li, sobre identidad y desplazamiento cultural, y <em data-end=\"2508\" data-start=\"2487\">What Will I Become?<\/em> (Estados Unidos) de Lexie Bean y Logan Rozos, una reflexi\u00f3n conmovedora sobre comunidad transmasculina y resiliencia.<\/p>\n<h3 data-end=\"2680\" data-start=\"2628\">Mejor Cortometraje: <em data-end=\"2663\" data-start=\"2652\">TAXI MOTO<\/em> (Suiza, Francia)<\/h3>\n<p data-end=\"3138\" data-start=\"2682\">El galard\u00f3n al Mejor Cortometraje fue otorgado a <em data-end=\"2742\" data-start=\"2731\">TAXI MOTO<\/em> (Suiza, Francia), dirigido por Ga\u00ebl Kamilindi. La obra sigue a un cineasta obligado a reinventar su historia de amor entre dos hombres despu\u00e9s de que se le proh\u00edba rodarla en su pa\u00eds de origen. En un nuevo entorno y con un actor inesperado, encuentra una forma \u00edntima y po\u00e9tica de resistencia. El jurado elogi\u00f3 su sutileza pol\u00edtica y su reflexi\u00f3n sobre la creaci\u00f3n art\u00edstica frente a la censura.<\/p>\n<div class=\"separator\" style=\"clear: both; text-align: center;\"><iframe loading=\"lazy\" allowfullscreen=\"\" class=\"BLOG_video_class\" height=\"266\" src=\"https:\/\/www.youtube.com\/embed\/pN7xCxxo8n0\" width=\"320\" youtube-src-id=\"pN7xCxxo8n0\"><\/iframe><\/div>\n<p data-end=\"3138\" data-start=\"2682\"><\/p>\n<div class=\"separator\" style=\"clear: both; text-align: center;\"><a href=\"https:\/\/blogger.googleusercontent.com\/img\/a\/AVvXsEiOTS8h8Y2zR-TCLqXSydmXuNYOa8GkMwqwvUWlpBjYlFZGZKFa_J5hoo9fGonadvJvfi-M_rbGYH7fmLtpYFAqx-l3FsfkZUbntxgDpqacgjDiel_ZX6leRE59jTHgQT3pu-K6yp0-gKgTvu1a56w15ot2mH2BObyopQDfc14U1NLq5Kv9aRPJbqmwerw\" style=\"margin-left: 1em; margin-right: 1em;\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" alt=\"\" data-original-height=\"845\" data-original-width=\"678\" height=\"640\" src=\"https:\/\/www.tegustamuchoelcine.com\/wp-content\/uploads\/2026\/02\/image-d91e717148aa58b880b99ccd9e571d46.png\" width=\"515\" \/><\/a><\/div>\n<p><\/p>\n<p data-end=\"3418\" data-start=\"3140\">Entre los otros nominados destacaron <em data-end=\"3208\" data-start=\"3177\">Stallion y la bola de cristal<\/em> (Espa\u00f1a) de Christian Avil\u00e9s, una exploraci\u00f3n po\u00e9tica del deseo adolescente, y <em data-end=\"3310\" data-start=\"3288\">This Suffocating Now<\/em> (Alemania) de Vika Kirchenbauer, un ensayo personal sobre el clima sociopol\u00edtico contempor\u00e1neo en Alemania.<\/p>\n<p data-end=\"3418\" data-start=\"3140\"><\/p>\n<div class=\"separator\" style=\"clear: both; text-align: center;\"><a href=\"https:\/\/blogger.googleusercontent.com\/img\/a\/AVvXsEjNuIGT3oDmRsVarVr6p_HPObYja9qTkNr9IKE0hhFwh6rNtWw2glnlZI_rrGWvCnnPPxMFZlUgHht0Gb7c0IgWU-pr3t1YBNOxa5u6VY_f4-Hew2w62DZ7hIS98cjifEJZW4ZP7mM8MEcUT6lsWBM7ZzEL8DOuIYI8ay0FEGjynEENHZroQle3KPMI0AA\" style=\"margin-left: 1em; margin-right: 1em;\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" alt=\"\" data-original-height=\"867\" data-original-width=\"689\" height=\"640\" src=\"https:\/\/www.tegustamuchoelcine.com\/wp-content\/uploads\/2026\/02\/image-563b8c878ddd524be5a47b238a92fb16.png\" width=\"509\" \/><\/a><\/div>\n<p><\/p>\n<h3 data-end=\"3497\" data-start=\"3420\">Premio del Jurado TEDDY 2026: <em data-end=\"3486\" data-start=\"3454\">Der Heimatlose (Trial of Hein)<\/em> (Alemania)<\/h3>\n<p data-end=\"3874\" data-start=\"3499\">El Premio del Jurado fue para <em data-end=\"3561\" data-start=\"3529\">Der Heimatlose (Trial of Hein)<\/em> (Alemania), dirigido por Kai St\u00e4nicke. La pel\u00edcula sigue a Hein, quien regresa a su isla natal tras catorce a\u00f1os de ausencia y es tratado como un extra\u00f1o por su propia comunidad, que exige un juicio para determinar su identidad. El jurado valor\u00f3 su potente alegor\u00eda sobre pertenencia, memoria y exclusi\u00f3n social.<\/p>\n<p data-end=\"3874\" data-start=\"3499\"><\/p>\n<div class=\"separator\" style=\"clear: both; text-align: center;\"><a href=\"https:\/\/blogger.googleusercontent.com\/img\/a\/AVvXsEicuyzaxDerTEd7HFkE9oYM57z6A2zLz15hmzSvXtBRocFH4Xx2qMB10UrYBYDIj0zboMq7fOJZSBfloHSKoVKu1BnBBTOMs2ZxoSnoJAgEkEHAF5zNIoW-Iwg1vd3K4zG8B3YiBym87ciRZNQIN3K0DHkobL92BpntFxzNJOjjq0keXX78cs0-QhK6Kjw\" style=\"margin-left: 1em; margin-right: 1em;\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" alt=\"\" data-original-height=\"871\" data-original-width=\"697\" height=\"640\" src=\"https:\/\/www.tegustamuchoelcine.com\/wp-content\/uploads\/2026\/02\/image-a7c4568929be72347b2f2ea967720d51.png\" width=\"512\" \/><\/a><\/div>\n<p><\/p>\n<h3 data-end=\"3938\" data-start=\"3881\">Un aniversario que celebra el pasado y mira al futuro<\/h3>\n<p data-end=\"4298\" data-start=\"3940\">El 40\u00ba TEDDY AWARD no solo coron\u00f3 pel\u00edculas sobresalientes, sino que reafirm\u00f3 el papel fundamental del cine queer como espacio de resistencia, imaginaci\u00f3n y transformaci\u00f3n cultural. Cuatro d\u00e9cadas despu\u00e9s de su creaci\u00f3n, el premio contin\u00faa impulsando historias que desaf\u00edan normas, ampl\u00edan representaciones y dan voz a experiencias diversas en todo el mundo.<\/p>\n<\/p>\n<p data-end=\"4450\" data-start=\"4300\">M\u00e1s que un reconocimiento cinematogr\u00e1fico, el TEDDY sigue siendo un s\u00edmbolo de visibilidad, libertad creativa y compromiso pol\u00edtico con la diversidad.<\/p>\n<p data-end=\"4450\" data-start=\"4300\"><\/p>\n<h3 style=\"text-align: left;\"><b>Jurado<\/b><\/h3>\n<div class=\"separator\" style=\"clear: both; text-align: center;\"><iframe loading=\"lazy\" allowfullscreen=\"\" class=\"BLOG_video_class\" height=\"266\" src=\"https:\/\/www.youtube.com\/embed\/M_O7krlP7KM\" width=\"320\" youtube-src-id=\"M_O7krlP7KM\"><\/iframe><\/div>\n<p><\/p>\n<div class=\"separator\" style=\"clear: both; text-align: center;\"><span style=\"font-size: x-small;\"><br \/><\/span><\/div>\n<p><span style=\"font-size: x-small;\">Fotos: cortes\u00eda Instagram Teddy Awards<\/span><\/p>\n<p data-end=\"4450\" data-start=\"4300\"><\/p>\n<div class=\"intersub-ai-chat\" style=\"-webkit-box-align: initial; 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